Una escritora que es brutalmente atacada durante su retiro en la cabaña busca venganza contra sus atacantes, que la dejaron por muerta.Una escritora que es brutalmente atacada durante su retiro en la cabaña busca venganza contra sus atacantes, que la dejaron por muerta.Una escritora que es brutalmente atacada durante su retiro en la cabaña busca venganza contra sus atacantes, que la dejaron por muerta.
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Opiniones destacadas
It's not often that I'll favourably compare a remake to the original, but in this instance, I must. I thought the original was a pretty bad film, undoubtedly shocking, and deserving of its infamous name, but the remake I feel captures the essence of the revenge, and desperation of the victim to get her own back.
It is of course shocking, and at times is quite sickening to watch, there were plenty of moments when I had to look away, but you can't help but feel a sense of justice as the tables get turned.
Very nicely produced, and well acted. A remake I know, but worthy of being deemed something of a horror classic, one to give you a fear of Ravens for life. 8/10
It is of course shocking, and at times is quite sickening to watch, there were plenty of moments when I had to look away, but you can't help but feel a sense of justice as the tables get turned.
Very nicely produced, and well acted. A remake I know, but worthy of being deemed something of a horror classic, one to give you a fear of Ravens for life. 8/10
I Spit on Your Grave (2010)
** (out of 4)
One could argue that the original film is one of the most notorious movies ever made so it's impossible for this sequel to stir up the same type of outcry from various members of the public. The story in this remake is pretty much the same as a female writer from the big city (Sarah Butler) travels to the country where she plans to finish a book but she's eventually raped by five men (one more than the original) and then seeks her revenge. I'm sure anyone walking into a movie called I SPIT ON YOUR GRAVE is going to be aware of the original movie and I'm going to guess that your feelings on the original will have an impact on your feelings towards the remake. If you found the original to be a poor movie then I think you're going to enjoy the remake a tad bit more because it's certainly more polished, has better production values and some of the performances are better as well. Personally, I've always found the original film to be underrated band while it was rather brutal and untasteful I thought it had a level of authenticity that really made it stand out from countless other rape/revenge flicks. Sure, the acting wasn't excellent and there were a lot of questionable points but I think overall the film has an authentic look and feel to it and that's what makes it seem so real and brutally honest. A lot of that is missing from this remake because I think it would be safe to say that what we get here is a lot cleaner and not nearly as offensive. For example, the rape scene is still rather brutal but it's not nearly as bad as what we saw in the original and it doesn't go on nearly as long. I think that's going to be a good thing for most people. Where the film does go more extreme is when it comes to the revenge aspect because the death's are extremely violent and over the top. I certainly won't ruin them but I will say the most famous death from the original is re-imagined here and the others are just as memorable and they don't pull any punches. The death scenes are more in line with what you'd see in SAW so some might question how she was able to pull everything off, although I do think they have them set up a certain way so that people can look at the female victim in a different way. Performances were good for the most part with Butler doing a nice job in the role of Sarah but I think the screenplay does her more justice early in the film and during the attacks. When she goes to seek her revenge the screenplay makes the wrong decision of having her talk and some of the stuff said was just lame. Chad Lindberg, Daniel Franzese, Tracey Walter, Rodney Eastman and Andrew Howard play the rapist and all of them do nice jobs with their parts. Fans of the original film are going to notice a couple nods to that film, which were a nice touch and I do think the film threw in a few twists and turns to throw off those familiar with the earlier movie including an extra bit that puts a twist in the rape sequence. I thought the director also milked up the drama of most people knowing what was going to happen by building some tension as we wait for the eventual rape to happen. Overall, I think this remake is a decent enough of an attempt but in the end it just doesn't contain some of the magic of the original movie. A couple of the death scenes are more effective but on the whole I'd recommend it to those who can handle such films but I'd still stick with the original.
** (out of 4)
One could argue that the original film is one of the most notorious movies ever made so it's impossible for this sequel to stir up the same type of outcry from various members of the public. The story in this remake is pretty much the same as a female writer from the big city (Sarah Butler) travels to the country where she plans to finish a book but she's eventually raped by five men (one more than the original) and then seeks her revenge. I'm sure anyone walking into a movie called I SPIT ON YOUR GRAVE is going to be aware of the original movie and I'm going to guess that your feelings on the original will have an impact on your feelings towards the remake. If you found the original to be a poor movie then I think you're going to enjoy the remake a tad bit more because it's certainly more polished, has better production values and some of the performances are better as well. Personally, I've always found the original film to be underrated band while it was rather brutal and untasteful I thought it had a level of authenticity that really made it stand out from countless other rape/revenge flicks. Sure, the acting wasn't excellent and there were a lot of questionable points but I think overall the film has an authentic look and feel to it and that's what makes it seem so real and brutally honest. A lot of that is missing from this remake because I think it would be safe to say that what we get here is a lot cleaner and not nearly as offensive. For example, the rape scene is still rather brutal but it's not nearly as bad as what we saw in the original and it doesn't go on nearly as long. I think that's going to be a good thing for most people. Where the film does go more extreme is when it comes to the revenge aspect because the death's are extremely violent and over the top. I certainly won't ruin them but I will say the most famous death from the original is re-imagined here and the others are just as memorable and they don't pull any punches. The death scenes are more in line with what you'd see in SAW so some might question how she was able to pull everything off, although I do think they have them set up a certain way so that people can look at the female victim in a different way. Performances were good for the most part with Butler doing a nice job in the role of Sarah but I think the screenplay does her more justice early in the film and during the attacks. When she goes to seek her revenge the screenplay makes the wrong decision of having her talk and some of the stuff said was just lame. Chad Lindberg, Daniel Franzese, Tracey Walter, Rodney Eastman and Andrew Howard play the rapist and all of them do nice jobs with their parts. Fans of the original film are going to notice a couple nods to that film, which were a nice touch and I do think the film threw in a few twists and turns to throw off those familiar with the earlier movie including an extra bit that puts a twist in the rape sequence. I thought the director also milked up the drama of most people knowing what was going to happen by building some tension as we wait for the eventual rape to happen. Overall, I think this remake is a decent enough of an attempt but in the end it just doesn't contain some of the magic of the original movie. A couple of the death scenes are more effective but on the whole I'd recommend it to those who can handle such films but I'd still stick with the original.
Remakes are a dime a dozen these days but when you go through your old DVD or video collection and you come across the 1978 original I Spit On Your Grave you cant help but think "not a chance they will remake this". But remake it they have and the storyline is a mirror image of the original but for some reason this new version doesn't seem to be as nasty as the original. The reasons for this might have to do with the fact that the actors can actually act, its shot in a cleaner, more professional manner and maybe most importantly of all : we are just not that shocked by anything anymore. With more and more films pushing the boundaries of violence and gore, this just doesn't offend as much as the original did in its day. Having said that its still a tough watch and anybody not familiar with the original and not a fan of this genre will find its extended torture and intimidation scenes very difficult to stomach, but with a title like I Spit On Your Grave this movie will only attract a certain type of viewer.
I recall having seen the 1978 version a long, long time ago, but must confess that I can only recall parts of the movie. So I decided to give this 2010 remake version a go, without having any hopes or expectations to it.
Wow! This movie was wicked. And in more than just one way. The story was compelling, even though it was twisted and perverse. But the movie just sweeps you up and takes you along for a ride, and you want to stick around and see what happens next. Basically, the story is about a young writer named Jennifer, who goes to a small town to write, and she is assaulted and tormented by a group of locals. Leaving her for dead, Jennifer comes back and takes revenge on those who wronged her.
The "I Spit On Your Grave" 2010 remake had me nailed to the chair, especially because it was so brutal. This movie is definitely not for the faint hearted or for those easily offended. I was cringing several times throughout the movie and was curling in the chair in phantom pains as well. The way the brutal scenes were executed and portrayed was just off the charts. It was in a weird way, perfect brutality caught on film. Sounds bad to say, I know, but trust me, watch the movie and you will know what I am talking about. It was like you were right there in the movie yourself.
Most of the people cast for the movie was new faces for me, I think I only recognized a single face, and he didn't even have a big role, that being Tracey Walter (playing Earl). Sarah Butler did a good job with the role of Jennifer, and she really came off quite believable. And credit is due the guys playing the tormentors as well, because they did good job with their roles as well (despite it being the roles of perverse deviants).
"I Spit On Your Grave" really surprised me and left me wanting for more. I actually want to sit down and watch the 1978 movie again to freshen up my memory of that version and compare it to this 2010 version.
Normally I am not keen on Hollywood remakes of older movies, but this one really hit the nail straight on the head, and as the nail tore through the flesh, you will cringe, groan and want for more.
There wasn't much music throughout the movie, or perhaps I just failed to notice it, because I was so caught up in the movie. But "I Spit On Your Grave" doesn't really need a hyped up score to work, because the story is selling (and telling) itself.
The effects in the movie were good as well, though there wasn't an extraordinary amount of effects. But the effects that were used worked superbly and were straight to the point, showing and telling what needed to be portrayed. The movie has just the right amount of blood, guts and gore without turning into a splatterfest.
If you haven't already gotten around to seeing this 2010 remake, then get yourself into gear and sit down to watch it. You will be in for quite an experience. But be warned; this movie is brutal. "I Spit On Your Grave" is definitely a movie that I will be popping into the DVD player again sometime in the future. It was wickedly awesome!
Wow! This movie was wicked. And in more than just one way. The story was compelling, even though it was twisted and perverse. But the movie just sweeps you up and takes you along for a ride, and you want to stick around and see what happens next. Basically, the story is about a young writer named Jennifer, who goes to a small town to write, and she is assaulted and tormented by a group of locals. Leaving her for dead, Jennifer comes back and takes revenge on those who wronged her.
The "I Spit On Your Grave" 2010 remake had me nailed to the chair, especially because it was so brutal. This movie is definitely not for the faint hearted or for those easily offended. I was cringing several times throughout the movie and was curling in the chair in phantom pains as well. The way the brutal scenes were executed and portrayed was just off the charts. It was in a weird way, perfect brutality caught on film. Sounds bad to say, I know, but trust me, watch the movie and you will know what I am talking about. It was like you were right there in the movie yourself.
Most of the people cast for the movie was new faces for me, I think I only recognized a single face, and he didn't even have a big role, that being Tracey Walter (playing Earl). Sarah Butler did a good job with the role of Jennifer, and she really came off quite believable. And credit is due the guys playing the tormentors as well, because they did good job with their roles as well (despite it being the roles of perverse deviants).
"I Spit On Your Grave" really surprised me and left me wanting for more. I actually want to sit down and watch the 1978 movie again to freshen up my memory of that version and compare it to this 2010 version.
Normally I am not keen on Hollywood remakes of older movies, but this one really hit the nail straight on the head, and as the nail tore through the flesh, you will cringe, groan and want for more.
There wasn't much music throughout the movie, or perhaps I just failed to notice it, because I was so caught up in the movie. But "I Spit On Your Grave" doesn't really need a hyped up score to work, because the story is selling (and telling) itself.
The effects in the movie were good as well, though there wasn't an extraordinary amount of effects. But the effects that were used worked superbly and were straight to the point, showing and telling what needed to be portrayed. The movie has just the right amount of blood, guts and gore without turning into a splatterfest.
If you haven't already gotten around to seeing this 2010 remake, then get yourself into gear and sit down to watch it. You will be in for quite an experience. But be warned; this movie is brutal. "I Spit On Your Grave" is definitely a movie that I will be popping into the DVD player again sometime in the future. It was wickedly awesome!
I remember watching the original 1978 "I Spit on Your Grave" earlier this year and thinking that it packed one hell of a visceral punch while also carrying quite an angry proto-feminist slant. Yeah, it was obviously a low-budget exploitation horror picture with a strong feminist subtext, but it was both shocking and challenging on a deep emotional level - challenging everything you thought you knew about humanity, justice, violence, and revenge & retribution.
Anyone who watches the film with an open mind will indeed find a powerful and angry film, one that takes no prisoners, nor does it try to play it safe for the safety and comfort of the audience. It was meant to shock, horrify, and provoke strong reactions and discussions.
These are things that the original "I Spit on Your Grave" (originally titled "Day of the Woman") and its 2010 remake of the same name, directed by Steven R. Monroe, have in common.
While sharing the same set-up - about a beautiful young novelist from the city named Jennifer Hills (played by Sarah Butler here, Camille Keaton in the 1978 original) who retreats to the backwoods to write her latest novel and is assaulted by a gang of country lowlifes and later exacting brutal, bloody systematic revenge against them - the remake is still very much a very different film. (It's a much better-made film, with better acting, writing and directing, and has better special effects. It's less raw and rugged, but it's somehow slightly more enjoyable.)
For one, the original 1978 "I Spit on Your Grave" and its 2010 remake are very much products of their time; Meir Zarchi, who directed the original and was also involved in the production of this film, was reportedly inspired to make the film after his encounter with a young rape victim back in the '70s. As such, he made a film that while it had an extremely low budget and no-name performers (though Camille Keaton was the grand-daughter of Hollywood acting legend Buster Keaton), was nonetheless compelling, challenging, and shocking. (How shocking, you ask? Well, movie critic Roger Ebert gave the film no stars and has been behind efforts to have the film both banned and blacklisted.) The original film, made in the wake of women's liberation, was also slammed as feminist propaganda - allegedly because it features a lone female exacting vengeance on her all-male gang of attackers.
By comparison, Monroe's film doesn't carry the same visceral punch to the gut that Zarchi's original did. It was raw, brutal, and ugly; and it was also saying something about victims and their attackers. But because horror films have been getting increasingly gorier in the wake of the "Saw" and "Hostel" films and their like-minded imitators in the "torture porn" sub-genre of horror, the violence here is really not all that shocking. The original film got by on its raw intensity alone, an element of the original film that was helped immensely by its low budget, which gave it an almost-documentary-style feel to it. The one drawback, however, was the original Jennifer Hills's all-too-convenient transformation from victim to avenger in too short a time frame.
As such, the 2010 "I Spit on Your Grave" seems to more or less conform to these current torture-porn movie standards, with Sarah Butler's Jennifer Hills character torturing her attackers in elaborately gruesome ways before finally executing them altogether. The one benefit of this is that a much longer time frame passes before Jennifer gets her sweet revenge, which makes her actions and subsequent transformation from victim to victor a little bit more believable. On the other hand, though, she's given to making cheesy slasher movie-style one-liners as she tortures her former tormentors to death.
Overall, while "I Spit on Your Grave" is a better-made film and I enjoyed it more, I didn't get that same level of intensity from it that I got from the original "I Spit on Your Grave." Because it abides more by contemporary horror standards, it lessens the overall impact. It is still, however, a valiant remake that was not a complete waste of time (like most horror movie remakes).
6/10
Anyone who watches the film with an open mind will indeed find a powerful and angry film, one that takes no prisoners, nor does it try to play it safe for the safety and comfort of the audience. It was meant to shock, horrify, and provoke strong reactions and discussions.
These are things that the original "I Spit on Your Grave" (originally titled "Day of the Woman") and its 2010 remake of the same name, directed by Steven R. Monroe, have in common.
While sharing the same set-up - about a beautiful young novelist from the city named Jennifer Hills (played by Sarah Butler here, Camille Keaton in the 1978 original) who retreats to the backwoods to write her latest novel and is assaulted by a gang of country lowlifes and later exacting brutal, bloody systematic revenge against them - the remake is still very much a very different film. (It's a much better-made film, with better acting, writing and directing, and has better special effects. It's less raw and rugged, but it's somehow slightly more enjoyable.)
For one, the original 1978 "I Spit on Your Grave" and its 2010 remake are very much products of their time; Meir Zarchi, who directed the original and was also involved in the production of this film, was reportedly inspired to make the film after his encounter with a young rape victim back in the '70s. As such, he made a film that while it had an extremely low budget and no-name performers (though Camille Keaton was the grand-daughter of Hollywood acting legend Buster Keaton), was nonetheless compelling, challenging, and shocking. (How shocking, you ask? Well, movie critic Roger Ebert gave the film no stars and has been behind efforts to have the film both banned and blacklisted.) The original film, made in the wake of women's liberation, was also slammed as feminist propaganda - allegedly because it features a lone female exacting vengeance on her all-male gang of attackers.
By comparison, Monroe's film doesn't carry the same visceral punch to the gut that Zarchi's original did. It was raw, brutal, and ugly; and it was also saying something about victims and their attackers. But because horror films have been getting increasingly gorier in the wake of the "Saw" and "Hostel" films and their like-minded imitators in the "torture porn" sub-genre of horror, the violence here is really not all that shocking. The original film got by on its raw intensity alone, an element of the original film that was helped immensely by its low budget, which gave it an almost-documentary-style feel to it. The one drawback, however, was the original Jennifer Hills's all-too-convenient transformation from victim to avenger in too short a time frame.
As such, the 2010 "I Spit on Your Grave" seems to more or less conform to these current torture-porn movie standards, with Sarah Butler's Jennifer Hills character torturing her attackers in elaborately gruesome ways before finally executing them altogether. The one benefit of this is that a much longer time frame passes before Jennifer gets her sweet revenge, which makes her actions and subsequent transformation from victim to victor a little bit more believable. On the other hand, though, she's given to making cheesy slasher movie-style one-liners as she tortures her former tormentors to death.
Overall, while "I Spit on Your Grave" is a better-made film and I enjoyed it more, I didn't get that same level of intensity from it that I got from the original "I Spit on Your Grave." Because it abides more by contemporary horror standards, it lessens the overall impact. It is still, however, a valiant remake that was not a complete waste of time (like most horror movie remakes).
6/10
¿Sabías que…?
- TriviaIn the final shooting script, Jennifer was intended to arrive at the cabin with her dog and it was to be featured heavily during the introduction of the film. The dog was written out of the script last minute because hiring a trained dog for the intended shooting schedule would put the movie over budget. According to the director Steven R. Monroe, "The dog would have made more money than anybody on the movie."
- Errores(at around 1h 30 mins) During Johnny's torture scene, his real teeth are visible above the fake ones.
- Versiones alternativasThe UK release was cut, the distributor was required to make a total of seventeen cuts during three separate scenes of sexual violence in order to remove potentially harmful material (in this case, shots of nudity that tend to eroticise sexual violence and shots of humiliation that tend to endorse sexual violence by encouraging viewer complicity in sexual humiliation and rape), in order to obtain an 18 classification. Cuts made in accordance with BBFC guidelines and policy. An uncut classification was not available.
- ConexionesEdited into I Spit on Your Grave III: Vengeance Is Mine (2015)
- Bandas sonorasMoccasin Blues
Performed by Further Down
Written by Michael Lee Collins, Robert Aaron Rigsbee, Dustin Allan Dorton, Joshua Kane Copeland, Pete Matthews, and Charles Mooney, Jr.
Published by Charles Mooney, Jr. (BMI)
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Detalles
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 93,051
- Fin de semana de estreno en EE. UU. y Canadá
- USD 32,440
- 10 oct 2010
- Total a nivel mundial
- USD 1,278,650
- Tiempo de ejecución1 hora 48 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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