Le calendrier

Advent adventure, rather an archtypical stressed out way of holidaypreparations, each numberwindow will open a new level of hellish joy and revenge.

A small cast, harsh and devilish on the edges, but also filled with a hope for the future.i think this was an unusual way to comemorate the preholiday season, and im glad i stopped opening mine while young and healthy. Its french with some droplets of spooky german language, but dont let that stop you, a recommend from the grumpy old man.

It's easy to scoff at the ridiculous premise, assigning sinister origins to innocuous items is usually a sign of a stupid movie, and "evil advent calendar" is as dumb as they come. Yet somehow they managed to wring a quality picture out of this ludicrous idea.

The tone is uniformly dark and serious, with the camerawork capturing some great low light shots and Eugénie Derouand expertly showcasing her character's turmoil. The plot mixes it's supernatural themes with the real world tragedies of living with a disability, and has an interesting focus towards the moral quandary of inflicting harm on others to service yourself. It all heats up to some gruesome ends, the effects work on the monsters is stellar, it's an inventive creature that's scary as hell without looking the least bit cheesy, and though things get pretty bloody, it's never as uncomfortably squeamish as other French horror films have been. I may have preferred a more conclusive resolution, but I still see the merit in how they chose to wrap things up.

We didn't watch any trailers or know what to expect, other than some of the reviews saying it's not really a horror movie.

Everything about this movie was surprising. My mouth fell wide open at least 3 times, which almost never happens to me. The movie gets all the predictable stuff out of the way in the first half, and then the second half is just amazing.

It's true that the movie builds little to no tension. But damn is it ever an interesting story that holds your attention to the end. There are some tonal inconsistencies here and there, which is why it fails to build any real tension. But it does succeed in keeping you *closely* engaged through the entire film.

The ending was also a surprise, although I can't say more about it.

The lead's performance is fantastic; you can't take your eyes off her, and i only noticed one misstep the entire movie, where it felt like she was an actress rather than a real character. The supporting acting is all top notch as well.

Some of the scene transitions were brilliantly executed. I felt the soundtrack was a little weak, and there were some intense scenes that I felt could have used a little bit of music. But overall the movie is solidly crafted, with some truly astonishing moments, and even a few cliches that are brought back to life in creative new ways.

The writing was really tight all around. It's impressive how much they managed to fit into this 104-minute runtime. I feel like this concept could easily have been spread out over an entire season of episodes. If anything, the movie felt a little bit rushed in places, especially in the beginning. But it settles into a solid mystery and delivers a satisfying ending.

What more can you ask for in a movie with a 6.6 rating?

You have to tip your hat to Patrick Ridgemont on this one...because not only has he made a pretty cool film...but the concept itself is downright brilliant...as it's replicability is designed right into the story.

I'm sure he was influenced by the Saw series...and felt he could do better than the goofy spiral eyed character from the Saw films.

Because he does exactly that here with what is almost certainly a prop based on the dybbuk box- which was an alchemically sealed wine cabinet said to be harbouring some sort of demonic Jewish spirit that was sold on ebay.

Only, here it's been extrapolated into this really rad looking German advent calendar (the film is Belgian, but in French by the way) that seems to target people with disabilities, as a sort of puzzle box of death...in what can only be described as a f***ed up game where they're given the choice to live free from their disability, in exchange for...let's just say...a bunch of murder...

The whole thing is incredibly creepy. The monster is pretty cool. And there's a pretty rad little twist in the end.

So it's a pretty decent and worthwhile little film!

With big potential to become a full blown Christmas horror franchise.

As, obviously- like I already mentioned above- it sets itself up for a sequel, in a way that is very easily replicable, with a model where you can change up pretty much everything to suit the shifting context.

I guess you might argue that they'll eventually run out of disabilities to cover...but you could always go niche...to space...the hood...las vegas?... I dunno...have some crossover fun with Evil Bong?!

Or just change the rules, I guess.

Anyways...it's a shudder original film, so I'm sure they're pleased as santa's piss they've got a little franchise on their hands here.

Hopefully they don't go and mess up what is currently a good thing!

7 out of 10.

This is more of a ghost story than a horror. It demonstrates how good storytelling can entertain viewers without the need for state-of-the-art graphics, stunts or other gimmicky distractions. This movie offers an intriguing story of mystery & suspense. The movie is well done in terms of likeable characters, good actors, good production quality. The one thing I did not like was the ending. It seems to be a trend in recent movies I've watched where the movie leaves some questions unanswered. It is my pet peeve about movies or series - where they don't solve all the mysteries at the end. I think it is the responsibility of the story teller to end the story with answers. No matter how hard that might be. Bottom-line: This is a mysterious, spooky story, akin to a ghost story and not a horror story. I recommend!