Above Suspicion

Anna Travis (Kelly Reilly) is a new police detective. Her first day does not go well as a decomposing body is discovered. Her new boss DCI Langton (Ciarán Hinds) is her late father's mate. The dead woman is related to a whole series of dead women and a possible serial killer. American acting star Alan Daniels becomes the prime suspect. She begins a relationship with him and also investigates him.

This starts well with an adorable Reilly stumbling through her first day. Hinds is a great mentor character. These two characters have the potential for building a great police procedural. There is no mystery with only one main suspect. The other problem is that Anna goes from zero to a hundred in a flash. She's completely incompetent in the first ten minutes and she quickly turns into one of the best detectives. The show is over-extended and the flirtations between Travis and Langton are really creepy considering his relationship with her. He's basically a creepy uncle. It would be better to eliminate his connection to her father.

Typically busy, far-fetched crime drama from the well-worn pen of Lynda LapLante, played out as usual over three nights on prime-time ITV. Like its channel-mate "Trial and Retribution", it attempts to follow the successful trail of the Helen Mirren-starring "Prime Suspect" in laudably centring the sleuthing on a female character, in this case Kelly Reilly. However, whereas in "Prime Suspect", there was an undercurrent of down-to-earth realism, particularly in the lead character's portrayal, here you have to suspend all disbelief as Miss Reilly has to fend off almost everything in trousers, including the again almost cartoonishly over-the-top Ciaran Hinds as the tough-as-nails, bring-me-a-sandwich DCI to whom she reports.This she courts by permanently wearing a short skirt and high heels even when on muddy crime-scene locations together with pancaked make up and a pout that would put Victoria Beckham to shame.

Better to sidestep all this Betty Boop stuff, very possibly deliberate genre-subversion by LaPlante and concentrate on the story itself, which while lacking some originality as a heavyweight drug-dealer attempts to flood the UK with a deadly addictive drug and gets into complications with his ex-wife, her sister, his brother and a Columbian cartel hot on his trail, nevertheless by turns winds and rattles along to a big finish. Said drug-baron, to escape pursuit, pulls the old "Face-Off" transplant, before escaping the chasing Reilly and Hinds in a car versus plane set-piece, which I first remember seeing years ago, in "Charley Varrick".

At least the bad guy got away, reducing the perceived omnipotence of Reilly who seems blessed with the unfortunate gift of delayed-reaction photographic recall, which sees her periodically divine impossible clues just too late to help solve the actual case.

There's no doubt there'll be another entry in the series, if only to play out the hackneyed affair which has been beckoning for some time between the two leads. I'll watch it because I quite like high production TV crime procedurals, which this certainly is, but I won't kid myself that it's anything more than contrived pulp fiction at the end of the day.

Travis doesn't have a clue about how to dress for a crime scene. Her main focus seems to be attracting admirers. Although her eye make-up is extensive in every scene, she apparently hasn't any idea how to comb her hair. These are all minor diversions that keep the viewer from getting involved in the plot. At the end of one episode, she sceams "I love you" to her superior officer, who's been dismissive of her - what the hell is there for her to love?

It's a miracle that this squad solves any of the crimes the writers have devised. They devised a squad that seems to be made up of about 30 people, but they have no idea how to solve crimes.

I actually like the cast of this series and I might have given it an 8 if it wasn't for the sickening and gratuitous violence against women. Men don't get murdered anymore or mutilated women is just too inviting. So sick of the lack of imagination and total reliance on sex and violence.

This reviewer neither loves or hates 'Above Suspicion'. In every series/season it has its good points, but also an equal number and in the case of the third season even more problems (with at least two of them quite big).

"Silent Scream" is an improvement over "Deadly Intent", and of the four series of 'Above Suspicion' is perhaps second best to the first series, which as aforementioned is also heavily problematic. Starting with the positives, it's well made visually. It is filmed stylishly, tautly and atmospherically, it's moodily lit without being drab, the editing is never choppy or stiff and the locations are well utilised.

It's capably directed and scored ominously, and the portrayal of the acting world is convincing though shocking (scabrous is a good way to describe it too). Generally, apart from some stiffness here and there and major reservations still about the lead actress, "Silent Scream" contains the best acting of all four series. Ciaran Hinds is authoritative and also pleasingly much more subtle than before, effort is also made to develop Langton and here he is surprisingly much easier to relate to thanks to more balanced character writing.

Kelly Reilly however from the very start has been one of 'Above Suspicion's' biggest flaws, and it's the same here sadly. Other than that she looks implausibly young and sexy for the position her character is in the police force, Reilly is still very wooden with a limited range, a pallid presence and flat delivery of lines. The script has a little more intrigue, but is still riddled with clichés, lack of natural flow and triteness.

Despite Langton being more sympathetically written, the relationship between the two characters still doesn't convince with not enough time spent on it. The characters are very cardboard, sketchy in the case of most of the supporting characters, with only Langton getting any development. The story doesn't make one look at the watch or want to do something else, but it is not edge-of-your-seat compelling enough and it's sometimes convoluted. Tighter pacing, more development and a few parts trimmed would have helped things. Use of flashbacks are a mixed bag, some are interesting, others clumsily inserted. The anaemic, rather underdeveloped and incomplete-feeling ending underwhelms as well.

Overall, some good, some not so good, while the second best series of the whole show it's not much of an improvement over what proceeded it. 5/10 Bethany Cox