Agrega una trama en tu idiomaAfter what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
The film is about two guys meeting up for a quicky, ending up in a sort-of no-strings-attached situation (with all the derived clichés). The one guy is a wannabe-witty-but-omg-whiner who endures an emotionally abusive relationship, while the other one, supposedly straight, enjoys a good ... service once in a while. Two thirds of the movie turn around the gay guy swallowing down indirect insults (for everyone who has even a little self-respect) just to meet again with the "hero" he's hopelessly fallen for, while in the last few minutes everything gets miraculously resolved in a Disney-like happy ending (which couldn't be further from any realistic outcome possible). The whole takes play on a minimalistic theater stage (something that might have worked for Dogville but pathetically fails here, since there is no real plot substance to substitute for the stage props missing). Characters do not really evolve, conflicts are not analyzed and resolved but unexpectedly disappear, while cinematography is on purpose absent (I do not consider changing the filming angle cinematography). Matthew Jaeger and Robert Mammana do a decent job trying to act, but the script is so shallow, that they have nothing to work with.
The film is supposed to be an adaptation of a stage play by David J. Mauriello (although googling for the original play didn't result in any information whatsoever). The story might have been enough for a ten-minute short film at best (in which case the development and the catharsis are left as homework to the viewers), but nothing longer. If the author wantonly recites Plato, he should first know (and apply) Aristotele's definition of Greek tragedy (theater 101).
Last-minute addition: Reading my review again, I realized that I may be overreacting (in fact much more than usually in my critiques), but watching it made me angry. I decided not to soften my tone because I don't want others to also waste their time (or if they do, to at least be aware of the risk they're taking). The most important reason for my anger, however, is the subtle insinuation throughout the movie, that enduring an emotional abuse may magically pay off in the end.
The film is supposed to be an adaptation of a stage play by David J. Mauriello (although googling for the original play didn't result in any information whatsoever). The story might have been enough for a ten-minute short film at best (in which case the development and the catharsis are left as homework to the viewers), but nothing longer. If the author wantonly recites Plato, he should first know (and apply) Aristotele's definition of Greek tragedy (theater 101).
Last-minute addition: Reading my review again, I realized that I may be overreacting (in fact much more than usually in my critiques), but watching it made me angry. I decided not to soften my tone because I don't want others to also waste their time (or if they do, to at least be aware of the risk they're taking). The most important reason for my anger, however, is the subtle insinuation throughout the movie, that enduring an emotional abuse may magically pay off in the end.
I tired very quickly of Guy's helplessness and whining and began to focus on that horrific lump on the left side of his face, which I think needs a biopsy.
The uncluttered staging of this work allowed the viewer to concentrate on the performers and what was being said. The impact was visceral, and yet the subject matter of the dialogue intellectually stimulating. Performances by Jaeger and Mammana were outstanding. The emotional intensity just below the surface was gripping. Someone finally expressed what I have felt in my life.
Scenes like waiting at the corner were so expressive....no need for words! I've been there.
Scenes like waiting at the corner were so expressive....no need for words! I've been there.
I started watching it thinking it was going to be a how to i erase this.
The back and forth of the conversation on the bench, my thought was this guy should get up and run. But it was brilliantly written that i had to keep watching their exchange. Was the guy not quite right? Were they both not quite right?
The acting of both characters was really spot on and believable.
I have had conversations with someone that I was not sure if i should run away. And stayed.
The fantasy part of doug returning was confusing . Did he really or was it a dream?
I watched it until the end.
And did not think how do I get this time back? As with many movies.
Really liked it.
As to my crazy conversation, we became friends. And i think of him often. And hope he is safe, he moved away.
The back and forth of the conversation on the bench, my thought was this guy should get up and run. But it was brilliantly written that i had to keep watching their exchange. Was the guy not quite right? Were they both not quite right?
The acting of both characters was really spot on and believable.
I have had conversations with someone that I was not sure if i should run away. And stayed.
The fantasy part of doug returning was confusing . Did he really or was it a dream?
I watched it until the end.
And did not think how do I get this time back? As with many movies.
Really liked it.
As to my crazy conversation, we became friends. And i think of him often. And hope he is safe, he moved away.
This was originally a play. The movie is a filmed version. The writing and acting are first rate. Very emotional journey for the two protagonists one of whom is openly gay, while the other is supposedly straight. They meet in a park and decide to hook up for some quick sex. They keep meeting, and the gay guy falls hard for the straight guy. I was pleased with the ending. So many gay themed dramas feel the need to kill one or more of their characters. It was a pleasant change to watch a life affirming story.
¿Sabías que…?
- TriviaTodas las entradas contienen spoilers
- Créditos curiososThank you to the late F. Gary Newton and to Players Ring, the wonderful theater he founded in Portsmouth, NH Your daring mission to produce original works for the stage has allowed writers who might otherwise never be heard to come before the public with their ideals and dreams. One of those dreams came to life in July 2005 when you produced the world premiere of JUST SAY LOVE.
- Bandas sonorasYour Eyes Tell The Truth
Written and Performed by
Robert Beal III (as Robert E. Beal III)
and
Jarrett Osborn
Recorded, Mixed
and Mastered at
BB3 Audio
Newfields, NH USA
© (p) 2008 BMI
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Только скажи... люблю
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,944
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,257
- 28 mar 2010
- Total a nivel mundial
- USD 3,944
- Tiempo de ejecución
- 1h 15min(75 min)
- Color
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