Conviction

CONVICTION – CATCH IT (A-) Conviction is a Heart Hitting True story of a sister fighting for her Brother for 18 years to get Justice. I must say more than movie, the story in itself is simply heart wrenching so, I really applaud for the director, producers for choosing such an incredible true story to be told on screen. The only flaw in the movie was its length and sometimes I found the editing of flashbacks little irritating. The performances in the movie are truly incredible and every time I saw Hilary Swank and Sam Rockwell, it brought tears in my eyes. The chemistry between these two actors is amazingly genuine and real. Even the young Brother and Sister played by Bailee Madison and Tobias Campbell had an awesome chemistry and it made the whole movie very relatable. Melissa Leo, Minnie Driver and Elle Bardha did a respectable job. One of the shocking performances in the movie is indeed from Juliet Lewis, who was outstanding in her 10mintutes role. My jaws were literally dropped to see her in middle aged role. You have to see to believe how good she was, I won't be shock if she gets an Oscar Nod for that. Overall, it's an inspiring tale of how far a Sister can go for her Brother, to get Justice. Truly Inspiring.

Wow conviction is definitely a deeply moving film and very well acted by Hilary Swank, Minnie Driver and Juliette Lewis. However Sam Rockwell is the one who really shines in Conviction. He plays his role as this man who got wrongfully convicted of murder, really raw and powerful. His character had many different emotions in this film. He had to express many different emotional feelings in the role. He had to be angry, sad, and happy and he portrayed it very well. If he doesn't get an Oscar nomination for this film, I'd be truly surprised if he doesn't get his recognition, he is severely underrated, so much so that it actually angers me, that the Academy doesn't recognize Sam Rockwell because he is definitely overdue for an Oscar nomination or win.

10/10

"Conviction" is a simple, dramatic story, told well. Betty Anne (Hilary Swank) puts herself through law school for the sole effort of freeing her innocent brother Kenny (Sam Rockwell) from a life-sentence in prison for murder. Swank and Rockwell both carry this emotional film on their very strong shoulders.

There are very few courtroom scenes, very few law school scenes, but it is filled with emotional connections between brother and sister as she visits him in prison, and as she tries living her own life. The characters dominate the beginning of the film, and the steps Swank has to take to free Rockwell keeps the film going towards the end.

It is shot well, as this is clearly Massachusetts and it set the right feelings for the film without overpowering it. The highlights are Swank and Rockwell as they both play characters with elements that we have seen before that have given Swank Oscar wins and have given Rockwell popularity. Here, he has toned down his comic antics just enough for his performance to remain popular but should also give him his first Oscar nomination.

The story may be missing a few elements that would have given it more substance to make it more interesting, but it seems to me, that's because the film-makers had a few restrictions in keeping to the true story. This may actually be a true story and not just based on one.

I recommend "Conviction" for its emotional performances and for telling its simple story well.

(Synopsis) Conviction is based on an inspiring true story of Betty Anne Waters (Hilary Swank), a high school dropout who over 18-years put herself through law school to represent and hopefully overturn her innocent brother's, Kenny Waters (Sam Rockwell), murder conviction. Betty Anne is a working mother of two boys who believes that her brother was wrongfully convicted and sentenced to life in prison for a 1980 bloody murder of a woman living in a trailer next door to him in Ayer, Massachusetts. Kenny's ability to appeal his conviction using public defenders has been exhausted and without a lawyer, he will die in prison. That is when Betty Anne decides to dedicate her life to save her brother. With a newly earned law degree in hand, she hopes to exonerate her brother with new evidence and the new science of DNA.

(My Comment) This is a story of what a devoted and inseparable loving sister can do for her brother when he needs her most. Their family bond for each other, while growing up on a farm, is stronger than any prison can break. The movie shows Betty Anne Waters' commitment in freeing her brother as the only thing that will make her life complete. The struggles she endures to become a lawyer, and her willpower to save her brother from any further pain is inspirational. The bond between Hilary Swank and Sam Rockwell seems very real, including the steps that she takes as an obsessed lawyer to set him free. Their performances were brilliant, and I believe that both of them will be nominated for an Oscar. This is a movie to see. Footnote: The Innocence Project using DNA matching since 1989 has freed over 254 innocent people from prison in the United States. (Fox Searchlight Pictures, Run Time 1:46, Rated R) (8/10)

After making decidedly wrong turns into rom-com in 2007's "P.S. I Love You" and historical biopic in 2009's "Amelia", Hilary Swank is back in her element as Betty Ann Waters, a working-class single mother of two whose fierce loyalty to her troublemaking brother Kenny knows no bounds, in actor/director Tony Goldwyn's time-spanning, fact-based 2010 drama. Written by Pamela Gray (she and Goldwyn also collaborated on 1999's affecting "A Walk on the Moon"), the inspiring, potentially melodramatic plot line often borders on incredulity, but Swank's trademark iron-jawed tenacity is on full display here. At the same time, it's a primarily economic performance teetering on lunacy as her character is tightly bound to Kenny since they shared a painful childhood due to the neglect of a horrifying mother.

In 1983, Kenny is convicted of the bloody murder of an elderly neighbor largely on the basis of testimony from two former girlfriends, both of whom claimed he confessed his actions to them. Neither Kenny nor Betty Anne can afford a good attorney, so she decides to become a lawyer even though she's a high school dropout. Also serving as one of the film's executive producers, Swank come back securely to the against-all-odds territory of Clint Eastwood's "Million Dollar Baby" (2004) by following Betty Ann's sixteen-year journey from her GED through college, then law school, and finally passing the bar – all while she was raising two boys and working part-time at a local pub. The ending is predictable from a mile away, but the journey is not. The introduction of DNA evidence provides a linchpin that spins the story close to Lifetime-level dramatics, especially when Betty Ann solicits the assistance of the Innocence Project, a nonprofit organization devoted to overturning wrongful convictions. Gray's screenplay is solid enough, and Goldwyn's direction is assured within the back-and-forth treatment of the timeline.

However, it's really the acting that is aces here. Beyond Swank's sterling work, Sam Rockwell brings an unpredictable furor and a surprising vulnerability to the showier role of Kenny. His rapport with Swank never feels forced, and the devotion of their sibling relationship is what really grounds the threat of hysterics in the film. The periphery is populated by a powerful squad of actresses turning in sharply etched work - Minnie Driver as Betty Ann's law-school friend Abra, whose comic spark highlights how pivotal her character is in representing the audience viewpoint; Melissa Leo ("Frozen River") as the malevolent arresting cop, whose secretive hostility provides the impetus for Kenny's conviction; Juliette Lewis as Kenny's dentally-challenged ex-girlfriend with a drunken confession scene that reveals the actress's long-forgotten raw talent below her usual giddiness; Karen Young in a brief scene as the unforgivable Mrs. Waters; and Ari Graynor ("Nick and Norah's Infinite Playlist") as Kenny's embittered grown daughter. It's the cast's cumulative work that makes this movie intensely watchable.