Snuff: A Documentary About Killing on Camera

When someone describes 'Bowling for Columbine' as a snuff movie to 'all intents and purposes' you are dealing with something that grazes the top of a subject that deserves more honest and in depth inspection. Ironically, the same contributor sings the praises of the book 'Killing For Culture'. Start with Kerekes' book and see the worthlessness of this opinion piece.

...But to all of you doubters out there regarding the authenticity of the pedophile 'snuff' movies, it is hard to argue that the events didn't happen. A couple of reviewers even cite the articles as being referenced by an obscure source. The source is "The Observer". I don't know how to say this delicately but..."The Observer" is the UK's "New York Times". It is one of the most reputable sources in England. As for the reviewer that mentions crop circles...what are you talking about? Are you claiming that "The Observer" is printing the article as a matter of conspiracy? You do know that you can't just throw someone's name out there and associate him with a pedophile ring if it's not true right...? That would be libelous and would cost the newspaper hundreds of thousands of dollars if it was proved to be untrue. I know none of us want to admit that these types of horrific occurrences could happen in the world, but it's another thing to dismiss it entirely. I'm not saying that they do. And, I'm not saying that they don't.

Man, were my hopes crushed after watching this 'documentary.' It's supposed to be discussing the existence of actual snuff films (films of murders produced for profit), but it fails so miserably at this that it basically turns into a group of random people talking about gory movies (like Flowers of Flesh and Blood, Cannibal Holocaust, Henry, Trouble Every Day, etc.). Also, the 'professional' views seem more like they're just fa group of friends hanging around talking in front of the camera. I mean, their key 'witness' is a 'cinephile and filmmaker' with no real credentials other than he's watched some movies. His role as a filmmaker? He wrote one movie 10 years ago that has 74 votes on this site. So, literally, a single-film maker, I suppose.

Anyway, it could've been an in-depth and intelligent look at the snuff film 'industry,' but ends up being just a bunch of people without real reason talking about gory movies, war, and serial killers. Interesting subjects turned boring by uninteresting speakers on them.

Oh, also, I don't think I could get more annoyed than I do when I hear someone say, "It is very unlikely that ever in the history of cinema was a person killed on a camera for the purpose of profit." Really? Unlikely? Of the billions of people in the world and the many million that could've afforded to pay someone to do that, you have to assume that at no point did some rich guy have a murder fetish and paid someone, say, $100,000 (or more) to film someone getting killed? The odds that that NEVER happened are extremely slim just by the fact that EVERYTHING is done. Rant over.

Final Verdict: 5/10. Simply for the gore scenes and occasional bit of info.

-AP3-

Ever since Michael and Roberta Findlay made their low budget Manson family cash-in Slaughter, and producer extraordinaire Allan Shackleton breathed new life into it by tacking on the post-script death sequence and renaming it Snuff, the term has sparked controversy and debate wherever it appears. Whether it be over the top porn-lobbying feminists, reactionary journalists, or BBFC watchdogs, the (still unproven) phenomena known as the snuff film has been the trigger for many inflammatory headlines and public scandals over the past three decades and I'm sure will be for many to come.

Paul Von Stoetzel's documentary explores the history behind the snuff film myth and tries to discover if there's any reality behind it. Throughout the course of the film ex-FBI agents, policewomen, film producers, directors, cinephiles, and even an Iraqi war correspondent are interviewed and put forward their opinions on snuff films. Interwoven with the interviews are clips from many of the exploitation films that have at one time or another been considered "the real thing" and/or have snuff themes including; Snuff, Emanuelle in America, Flower of Flesh and Blood, Cannibal Holocaust, Faces of Death, Henry: Portrait of a Serial Killer, etc.

The majority of the interviewees state that they consider a snuff film - i.e: the actual killing of a human being recorded on film for monetary or entertainment purposes - an urban legend. Although one subject, onetime Texas Chainsaw Massacre producer Mark L. Rosen relates a couple of emotional anecdotes that, depending on your point-of-view, are rather disturbing: the first is regarding the investigation of a Russian internet child pornography ring that supposedly produced made-to-order kiddie snuff porn in October, 2000. This was all over the internet when it happened and judging from the sensationalised anti-Semitic (they were Russian Jews) articles that are rather ambiguous about the facts, plus the reality that all but the leader of the group were released from prison due to overcrowding(?!), it sounds a little dubious to me but if it is indeed true then it must be the first documented case of an actual snuff film.

The second story is Rosen's account of how in the 70s when he was a porno distributor he was approached by some dudes from the Philippines who said they had an adult film they wondered if he'd be interested in, what he ends up witnessing is some authentic snuff-porn that traumatises him for life. Now, I gotta say I'm very sceptical about all this as there are plenty of stories floating around about people who've seen a "real" snuff film, but who am I to say if they're telling the truth or not? I mean sure, Rosen's story sounds realistic enough, but why didn't he contact the authorities immediately afterwards and have something done about this "horrific" snuff film? When it comes down to it, I think it's a lot to pin on one man's (melodramatic) words and I personally need more than that, like corroborated facts.

The second half of the film covers the misogynist serial killing duo of Leonard Lake and Charles Ng - the two men who built a torture chamber / snuff film studio in their remote Northern California ranch - and even shows some clips from their home videos which depict them verbally & sexually humiliating their victims for the camera. The duo did indeed kill women on film and this is probably the closest any footage has come to actual snuff film-making. The last segment focuses on the war in Iraq: specifically the Abu Ghraib prisoner torture case and the beheading / execution footage that is constantly leaking onto the internet. This section is intercut with many of the actual clips including the decapitation of US soldier Eugene Armstrong and scenes from Abu Ghraib.

All in all this is a competently put together doco that takes an in depth look at all the elements surrounding the snuff film myth and our societies ongoing obsession with death. It is obviously impossible to say whether snuff actually exists or not but Von Stoetzel presents all the possible situations, including one man's tearful testimony and leaves it up to you to decide.

This really isn't a good documentary about the topic of "Snuff" but is mostly about movies in the open market that has some realistic looking killings on camera. It's interesting though, for the most part but a lot of it seems to be over done. And I did enjoy it talking about real snuff films around the world, particularly about the Russian crime ring tale even if some claim it to be fake and if it is, it's a interesting lie. But as a whole this really isn't a good documentary and you will not gain that much info about snuff but more about realistic killing in certain films that is in the open market like I said, and I do agree with a lot of what the other reviewers are saying, some of the stories in this does sound a bit fishy. Cause they mention a interesting topic they can really get into, but after mentioning it, they never really get into it. The main flaw with this documentary is how it goes way past it's point and not in a good way either, it should of just stuck with the main topic at hand instead of stretching it. So not a good documentary, but interesting to say the least.

4.6/10