CALIFICACIÓN DE IMDb
7.5/10
17 k
TU CALIFICACIÓN
Martín y Mariana son personas levemente dañadas que viven en edificios uno frente al otro. Si bien a menudo no se notan, la separación puede ser lo que los une.Martín y Mariana son personas levemente dañadas que viven en edificios uno frente al otro. Si bien a menudo no se notan, la separación puede ser lo que los une.Martín y Mariana son personas levemente dañadas que viven en edificios uno frente al otro. Si bien a menudo no se notan, la separación puede ser lo que los une.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 9 nominaciones en total
Woody Allen
- Isaac
- (material de archivo)
- (sin créditos)
Mariel Hemingway
- Tracy
- (material de archivo)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Two young adults live lonely, isolated existences in modern Buenos Aires and repeatedly fail to meet each other despite living on either sides of a street.
Javier Drolas is a web designer living in a cluttered, one room apartment. He doesn't like to go outside and only does for his therapy appointments and to walk the dog his American girlfriend left with him when she returned home for a visit and never came back. He has a brief sexual relationship with a young, emo dog walker, but it's not very satisfying.
Pilar López de Ayala is a young architect working as a window dresser. She has a series of unsatisfying relationships and is happier relating to the mannequins she keeps in her apartment.
The film teases several meetings between these two, but along the way, muses on life in modern Buenos Aires, a city that has grown so fast that it's a mishmash of haphazard architectural styles and most people live in tiny apartments in giant high rises. The growth of online relationships and slow death of personal, physical ones is killing the romantic lives of young people like our protagonists.
It's a very slight, but quite engaging film. You never doubt that a film with this light a tone will end with these two meeting, but it's a pleasant journey. Gustavo Taretto telescopes his indebtedness to Woody Allen by having our protagonists both watching the climax of "Manhattan". This film is more like "Annie Hall" with a steady narration by both leads and a blend of many styles ... animation, on screen graphics and many other gimmicks are dropped in.
Javier Drolas is a web designer living in a cluttered, one room apartment. He doesn't like to go outside and only does for his therapy appointments and to walk the dog his American girlfriend left with him when she returned home for a visit and never came back. He has a brief sexual relationship with a young, emo dog walker, but it's not very satisfying.
Pilar López de Ayala is a young architect working as a window dresser. She has a series of unsatisfying relationships and is happier relating to the mannequins she keeps in her apartment.
The film teases several meetings between these two, but along the way, muses on life in modern Buenos Aires, a city that has grown so fast that it's a mishmash of haphazard architectural styles and most people live in tiny apartments in giant high rises. The growth of online relationships and slow death of personal, physical ones is killing the romantic lives of young people like our protagonists.
It's a very slight, but quite engaging film. You never doubt that a film with this light a tone will end with these two meeting, but it's a pleasant journey. Gustavo Taretto telescopes his indebtedness to Woody Allen by having our protagonists both watching the climax of "Manhattan". This film is more like "Annie Hall" with a steady narration by both leads and a blend of many styles ... animation, on screen graphics and many other gimmicks are dropped in.
Martín and Mariana are slightly damaged people who live in buildings just opposite one another. Both are afraid of the outside world. While they often don't notice each other, separation might be the very thing that brings them together.
The film opens with a Manhattan-like montage showing the many buildings in Buenos Aires, a monologue from Martín (played by Javier Drolas) describes how architecture is the ultimate human expression and a mirror-accurate reflection of how we are – disorganized, contradictory, chaotic and disconnected. Martín states that his entire life is in his apartment: he works, sleeps, eats, has sex (with himself) and entertains himself there. He blames architects because they have designed the outlines of his life. Modernity has made our homes so comfortable that being outside and interacting with other people now seem daunting.
The characters are quirky but realistic. We are presented with their inner monologues along with animations visualizing their inner thoughts. It is never quirky for the sake of being quirky. Let's just say if Zoe Deschanel suddenly manifested in this movie, she would have been quietly escorted out by Latino security guards. No seriously, Martín and Mariana's quirks come from a real damaged place of hurt, heartbreak and a loss of faith in people. Something that felt really real for me was how Mariana likes to lean on a specific spot in her apartment -a wall besides the 5-step walkway up to her bedroom area. It does not look particularly comfortable or anything special, but she leans there and uses it like a place of safety. That hit me on a personal level.
Sidewalls provides a precise portrayal of isolation and loneliness and underneath asks some challenging questions. Why is all this interconnectivity setting us apart? How can someone feel alone on a subway full of people? Is love the answer? It might be the answer, but it's goddamn hard to find amidst all this interconnectivity. Suffice to say, Martín and Mariana do get to meet potential lovers and it is interesting to see how they play out and how it affects the two protagonists. There are many whimsical moments and I smiled through most of the film. It gets a bit dark at times too. Mariana purchases a mannequin and interacts with it in all sorts of ways and I hoped that her condition wouldn't worsen into anything darker. For that, I think actress Pilar López de Ayala has the meatier role. After this film, I think I have a new crush.
I liked what the film had to say about urban loneliness. I liked and cared for these characters and wanted to see them together. It's a nice charming gem of a love story. I would have wanted to see more interaction between the two characters, but maybe that's a good thing. It left me wanting more.
For more reviews, please visit my film blog @ http://hkauteur.wordpress.com
The film opens with a Manhattan-like montage showing the many buildings in Buenos Aires, a monologue from Martín (played by Javier Drolas) describes how architecture is the ultimate human expression and a mirror-accurate reflection of how we are – disorganized, contradictory, chaotic and disconnected. Martín states that his entire life is in his apartment: he works, sleeps, eats, has sex (with himself) and entertains himself there. He blames architects because they have designed the outlines of his life. Modernity has made our homes so comfortable that being outside and interacting with other people now seem daunting.
The characters are quirky but realistic. We are presented with their inner monologues along with animations visualizing their inner thoughts. It is never quirky for the sake of being quirky. Let's just say if Zoe Deschanel suddenly manifested in this movie, she would have been quietly escorted out by Latino security guards. No seriously, Martín and Mariana's quirks come from a real damaged place of hurt, heartbreak and a loss of faith in people. Something that felt really real for me was how Mariana likes to lean on a specific spot in her apartment -a wall besides the 5-step walkway up to her bedroom area. It does not look particularly comfortable or anything special, but she leans there and uses it like a place of safety. That hit me on a personal level.
Sidewalls provides a precise portrayal of isolation and loneliness and underneath asks some challenging questions. Why is all this interconnectivity setting us apart? How can someone feel alone on a subway full of people? Is love the answer? It might be the answer, but it's goddamn hard to find amidst all this interconnectivity. Suffice to say, Martín and Mariana do get to meet potential lovers and it is interesting to see how they play out and how it affects the two protagonists. There are many whimsical moments and I smiled through most of the film. It gets a bit dark at times too. Mariana purchases a mannequin and interacts with it in all sorts of ways and I hoped that her condition wouldn't worsen into anything darker. For that, I think actress Pilar López de Ayala has the meatier role. After this film, I think I have a new crush.
I liked what the film had to say about urban loneliness. I liked and cared for these characters and wanted to see them together. It's a nice charming gem of a love story. I would have wanted to see more interaction between the two characters, but maybe that's a good thing. It left me wanting more.
For more reviews, please visit my film blog @ http://hkauteur.wordpress.com
The movie "Sidewalls" is very different from the movies I usually watch and to be completely honest I'm not sure if I liked it or not. I thought it portrayed real life very accurately; real like is sometimes slow and a bit dull. In real life you go through conflicts caused by others or sometimes the conflicts are within; depression, anxiety, insomnia, loneliness, etc, and I think "Sidewalls" showed that. I would prefer if the movie was in English, mainly because I focused on the dialogue and didn't see some of the detail that was put into a couple shots. However, I thought "Sidewalls" was filmed very well; I personally really like it in movies when there is a voice over with shots that complement what is being said and this movie did that multiple times. I really liked how the two main characters went to the same places, were connected in several ways (the chair, the crosswalk, etc), but they never met until the end of the movie. I think the director wanted this movie to accurately portray reality: mental health issues controlling certain people's lives, how the internet is ruining face to face communication, but can also bring people together, and how everyone, at one time in their life, will feel completely and utterly alone. I think this movie can be directed towards a wide variety; mainly teens-adults. I definitely don't think this movie is appropriate for children because of some of the content and I don't think most elders would like this movie, but besides that I think this movie is targeted to most ages. I think that "Sidewalls" was a movie; it did have some things you could learn from and say was "educationally", but I do think it is more for pleasure. Overall, I do think "Sidewalls" was a good movie; I would suggest it to a friend and may even watch it again myself.
This is a movie about life and solitariness in modern capitol of Argentina. Urban chaos, modern way of life and new technology keep people apart which was the first point of the movie and title "Sidewalls" is just metaphor for those things. Sidewalls describes main protagonists lives of loneliness, displeasure and endurance. In the end Internet unites them and sidewalls lost its purpose which was the second point of the movie. Maybe the end is in some kind of way like in Hollywood style but it is not very bad flaw. This movie has in my opinion artistic qualities 'cause production, direction and acting really worked here. Storyline was good as well.
A Spanish 500 Days of Summer mixed with a more urban and up to date You've Got Mail. I liked this film a lot. I watched on a whim, this being the first movie I've actually watched fully subtitled and I've got to say, personally it made the experience of the movie that much more enjoyable.(I think it added a feeling of being connected, seeing that there are people out there from a different culture feeling and hurting and living just like me) Now even though dialogue is primarily in Spanish, English songs are used and this also brought an even more familiar tone to the movie as a whole. I connected with both the main characters in the film. Their feelings of loneliness on the inside, yet, still going on with their day to day all while being mixed with their phobias, longings, quarks, and vulnerabilities. This movie works, it works on every cylinder. Beautifully shot and beautifully written.. Watching this will not be a waste of your time.
¿Sabías que…?
- TriviaThe movie that the main characters watch on tv is Manhattan (1979), by Woody Allen.
- ConexionesFeatures Manhattan (1979)
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- How long is Sidewalls?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Sidewalls
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,377
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,304
- 30 oct 2011
- Total a nivel mundial
- USD 1,008,116
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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