CALIFICACIÓN DE IMDb
6.8/10
4.7 k
TU CALIFICACIÓN
Un hombre está obsesionado con el personaje de baile de John Travolta de Fiebre de sábado por la noche.Un hombre está obsesionado con el personaje de baile de John Travolta de Fiebre de sábado por la noche.Un hombre está obsesionado con el personaje de baile de John Travolta de Fiebre de sábado por la noche.
- Dirección
- Guionistas
- Elenco
- Premios
- 19 premios ganados y 16 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It is a very interesting Chilean film; it has a strange plot and the acting is good; it is a very bizarre experience.
TONY MANERO (dir. Pablo Larraín) The film is set in Chile during the fascist reign of Augusto Pinochet, and focuses on a man who is obsessed with John Travolta's discotheque super-star character in Saturday NIGHT FEVER. This might have been played for laughs, but Pablo Larrain's film is an evil fantasy of disco glory that portrays an obsessive and twisted character who is willing to kill to to fulfill his grotesque vision of acclaim. The frenzied violence in this film is so sudden and inexplicable that it literally takes your breath away. The film seems to present a subtle metaphor that compares the highly stylized nature of disco to the uncompromising fascist posturing of totalitarianism. ABSOLUTE MUST SEE
This film has lingered in my mind for a very long time.
The lead character is probably one of the scariest and most disturbing I have seen on cinema . He is without any morality and empathy but for some reason you are captivated by him and his life. You want him to succeed at first but as the film progresses you ate repulsed by him but stills obtain a fascination in his life. This is due to the writing and directing.?
The conditions and larger political scope of the film are well thought out, to live in that kind of fascistic government one such as the lead of this film is created and thrives. He is the logical product of that environment.
The scene when he kills the old woman for the TV is so disturbing i still think about it to this day and I saw it about three years ago.
The most haunting aspect for me was when he gets on the bus at the end and watches the winner of the competition and we all know what will happen, what he will do and what is store for his prey. Brilliant ending.
This is brutal, disturbing and amazingly directed.
The lead character is probably one of the scariest and most disturbing I have seen on cinema . He is without any morality and empathy but for some reason you are captivated by him and his life. You want him to succeed at first but as the film progresses you ate repulsed by him but stills obtain a fascination in his life. This is due to the writing and directing.?
The conditions and larger political scope of the film are well thought out, to live in that kind of fascistic government one such as the lead of this film is created and thrives. He is the logical product of that environment.
The scene when he kills the old woman for the TV is so disturbing i still think about it to this day and I saw it about three years ago.
The most haunting aspect for me was when he gets on the bus at the end and watches the winner of the competition and we all know what will happen, what he will do and what is store for his prey. Brilliant ending.
This is brutal, disturbing and amazingly directed.
For a hit movie, 'Saturday Night Fever' is a surprisingly bleak and serious film; but not quite as dark as 'Tony Manero', a Chilean movie about a criminal whose life dream is to emulate the character played by John Travolta in the earlier film. Both the anti-hero, and the society he lives in (it's the Chile of Augusto Pinochet) are pretty rotten, and the film cuts neither any slack. Indeed, behind the black comedy, this is a portrait of a civilisation on the brink of collapse through a loss of respect for basic human dignity: the fake Manero desperately seeks dignity for himself in his act, but shows no respect for anyone else's. It's compelling, convincing, and yet, as a story, ever so slightly pointless: 'Satruday Night Fever' had its own redemption narrative, and while one can mock this as Hollywood softening, without any such story a film can seem slightly devoid of direction: it's hard to even imagine what a happy ending would have been for 'Tony Manero', so hopeless is the initial premise. It's still a good film; and fundamentally a political one, even though the politics is all implicit.
THis film sneaks up on you - there is something unsettling and powerful about it. The lead performance is raw, real and sad. This guy is a low street thief who has a circle of whores and other lowlifes around him. It doesn't matter if you know a bit about the horrible regime of General Pinochet who was in power when the film is set - 1978 but the movie is a metaphor for this brutal dictator's control of the country - insane behavior creating insane results. The lead guy is obsessed with Travolta's film Saturday Night Fever - he watches it in a movie theatre endlessly - memorizing the dialogue and all of Travolta's moves and dance steps. A Chile TV Variety show has celebrity look-a-like contests and he was to enter and win the Tony Manero contest - white suit and all. This movie feels like a documentary - and there are moments of calm followed by shocking displays of violence. I can see that this film might not be for everyone but I found it to be incredibly powerful. I disagree with the summary on this page though that describes the guy as a "serial killer" - he is not a serial killer - he just makes sure to get anyone out the way who stands between him and his obsession.
¿Sabías que…?
- TriviaSome clips and tunes from both Fiebre de sábado por la noche (1977) and Vaselina (1978) appear in this film, the most prominent song heard is The Bee Gees' "You Should Be Dancing" from Saturday Night Fever. The final credits acknowledge Paramount Pictures for use of both films in this picture.
- ErroresThe "Members Only" jacket worn by Raul wasn't introduced until 1981, and the film takes place in 1978.
- Citas
Title Card: [first lines]
Don Enrique: [subtitled version] And now we present our look-alike contest: 'The One O'clock Festival'
Security Guard: Wait here, please.
- ConexionesFeatured in Sin maquillaje: Alfredo Castro (2011)
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- How long is Tony Manero?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 20,677
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,305
- 5 jul 2009
- Total a nivel mundial
- USD 687,406
- Tiempo de ejecución
- 1h 37min(97 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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