Grace

Well if you are looking for a gory movie, you should rather watch "It's Alive" with a similar theme, than this. Don't get me wrong, "Grace" is pretty graphic too, but the other movie will satisfy Splatter fans more. Not that it is better though, it's just more straight forward and doesn't take any prisoners.

Coming back to this one, it has one really great idea and can be summarized as a "Rosemaries Baby" meets "Little Shop of Horrors". And while that "sounds" great (and probably was a great read too), it doesn't translate to the screen. Especially considering the two movies that I mentioned above! It's a shame really, this movie being produced by Adam Green (of Hatchet fame), you could and should rightfully expect more. Speaking of Adam Green, he has a cameo in this movie that is beyond weird ... in a bad sense. I'm suspecting his appearance in a store is supposed to be spooky ... it's anything but. Unfortunately it's almost unintentionally funny ... again in a bad way!

While you could excuse those few miss happenings, what really drags the movie down (besides the slow pace), is the acting! I'm not saying the actors can't act ... but watching the movie, there is no evidence they actually can act. And it's really pivotal to a small budget movie, that it has performances in it ... It fails on quite a few levels.

TO MOM.... These are the last words to appear on the screen after end credits for GRACE. (You see, sometimes it pays to watch the credits to the very end!) Now if GRACE had been MY baby, (We're speaking metaphorically here, of course!) The absolute LAST person on earth I would have dedicated this film to would have been MY MOM! Well, that is unless my goal were getting her to disown me! Bizarrely quirky, Uber-creepy and I would say, definitely old-school film-making, but with an extremely dark fresh twist. The psychological equivalent of walking on eggshells inside your brain while running jagged fingernails across your mind's blackboard!

...And it's a Canadian flick!

Reviews here abound with Film "A" meets Movie "B" examples. Here is my take to try a give you sense of the GRACE's impact: Director Paul Solet, at heart, is a Hitchcock wannabe of the Horror/Psychological Thriller genre. He has also been greatly influenced by classics like ROSEMARY'S BABY, WHATEVER HAPPENED TO BABY JANE and near-Cult Classics like IT'S ALIVE! His D. O. B. Doesn't appear anywhere I could find, but since he received B. A. degrees from Emerson college in 2002 in, get this now: FILM and PSYCHOLOGY, I doubt he's over 30! BTW, he also is credited for the screenplay on GRACE! We will be hearing a lot more about Paul Solet in the future! GRACE really gets in your brain, with that imminent sense that something dreadful and/or horrific is going to happen any second...but for the most part, it doesn't. I know there are a lot of you who flat out reject that in a movie. You'd probably be better off passing on GRACE in that case. 9*!!!

I can see why people would not like this movie. First of all, Paul Solet is making satire and horror of something that people hold sacred. The very love of a mother. This is embodied by two characters. The protagonist mother Madeline Matheson (Jordan Ladd) and her mother-in-law Vivian Matheson (Gabrielle Rose).

The movie starts with a soft-core sex scene in which Madeline seem extremely bored. We soon find out she's lesbian, so it is implied she did only get a husband to get pregnant. This is also implied by her lack of care when her husband dies. The scene where Madeline for over two minutes hugs and kisses what looks to be a baby corpse was disturbing. Later on in the movie she proves that she loves her baby no matter what.

After Vivian loses her son,Madeline's husband Michael (Stephen Park) in the car accident she becomes desperate to get hold of the baby, as she does not trust in Madeline's being-mother knowledge. She shows disturbing behavior, wanting her husband to breastfeed on her, seemingly because she wants to have a child, and probably can't have one because her biological clock has run out.

Overall this is a pretty decent horror though. It has a very disturbing atmosphere to it, probably at the cost of pace. It has some moments I felt a little ill (in a good way), because of the mood and atmosphere. The dialogs were cheap. The characters were overall a little boring. Madeline was luckily the most interesting and best played character. Vivian was overplayed by Gabrielle Rose. I didn't get a grip of the husband, nothing was lost to the audience when he died. But the thing is, cheap dialogs and poorly developed characters is not uncommon in the horror genre, as I said the movie is pretty decent.

I recommend this movie to everyone who likes the trailer, and are not bothered by a slow pace. The trailer is pretty much, what you see is what you get.

After looking into the director of "Grace" I found that this movie is obviously based on a short movie he did 3 years before. And that is more explanation than I needed because basically this movie has nothing but the premise you already get in the synopsis. Woman tries to get pregnant, then loses her child in a car-crash, still brings it to birth and miraculously the baby lives. Of course the baby was dead and so its now a kind of undead baby that needs blood instead of breast milk.

The whole movie is sloooow paced and tries to be edgy and have a kind of black humor (for example the woman is a vegan and pretty obsessed with healthy food etc.) but it leads nowhere. For a horror movie this is damn boring, for a psychological movie I miss any depth. It looks like the director just has the two odd ideas of the undead baby attracting a lot of flies and chewing on its mothers bloodied breasts. Apart from that I don't see much here. At first the strange calm atmosphere of the movie really captures you but about half through the movie you realize that "Grace" indeed is nothing but a short-story stretched to feature length. After all a real big disappointment.

"Grace", the long feature debut of writer/director Paul Solet, is an oddly unsettling but refreshingly inventive horror-drama hybrid that can't possibly be categorized into one single genre. This film is deeply disturbing, emotionally moving, darkly comical and intellectually engaging all at the same time and that is quite a remarkable thing to achieve for a young director who only shot a few short movies before, is it not? "Grace" literally baths in an unclassifiable grisly atmosphere, the detailed character drawings are unique and plausible and the concept – although rationally impossible – is nightmarishly upsetting. The announcer at the Belgian Fantasy Festival, where I watched this movie, advised for couples with young children and particularly pregnant women to leave the theater and that was definitely a good move (not that there were many), as this instant gem covers pretty much all the imaginable horrors of motherhood, like troublesome conception, intrusive mother-in-laws, alternate delivery methods, loss of husband and – worst of all – a still born baby. Madeline doesn't really care about too much except for the 7-months-old fetus in her wombs and bringing it into this world in an old-fashioned and natural way, with a traditional midwife and vitamins instead of a hospital doctors and anesthetics. When the baby stops moving after a tragic car accident, in which also her docile husband dies, Madeline is nevertheless determined to give birth when the time is due. The baby, Grace, miraculously comes out of the womb alive and seemingly healthy, but soon after Madeline's biggest ordeal comes to the surface. Grace needs blood instead of breast milk and, the devoted mother she is, Madeline does everything within her power to provide this. Meanwhile, mother-in-law Vivian tries to do everything to obtain guardianship over Grace as she's convinced Madeline is mentally incapable of nursing her granddaughter. The sequences where Madeline "sacrifices" her own health in order to feed her eccentric baby girl are simultaneously disruptive and affectionate. This is a peculiar combination of sentiment that we're really not used to witnessing in the horror genre, but it's extremely compelling to say the least. Also the sub plot involving the aging Vivian rediscovering her femininity is disturbing, but in a totally and never before experienced fashion. "Grace" contains multiple shocking moments and grueling images, especially near the end, but the violence or bloodshed is never at one point exploitative or tasteless. So, cult loving horror fans please don't start thinking this is a modern update of Larry Cohen's early 70's crazed killer baby flick "It's Alive" or you risk feeling very much ripped off. This is an often uncomfortably slow-paced and intriguing psychological drama/thriller, with stylish photography and hypnotizing acting performances. Jordan Ladd is amazing as Madeline and this was probably the first film set where she could demonstrate her talented acting capacities, because until now I only saw her in lighter horror stuff like "Death Proof" and "Club Dread". Ladd also receives superb support from Gabrielle Rose as Vivian (truly a courageous performance) and Samantha Ferris as the alternative midwife. "Grace" honestly is a movie you won't forget about easily, that is one guarantee I can give you.