CALIFICACIÓN DE IMDb
5.2/10
9.4 k
TU CALIFICACIÓN
Una chica amnésica despierta en un ataúd con una herida en la cabeza, descubre que es víctima de un asesino serial y lucha por sobrevivir.Una chica amnésica despierta en un ataúd con una herida en la cabeza, descubre que es víctima de un asesino serial y lucha por sobrevivir.Una chica amnésica despierta en un ataúd con una herida en la cabeza, descubre que es víctima de un asesino serial y lucha por sobrevivir.
- Dirección
- Guionista
- Elenco
- Premios
- 3 nominaciones en total
Seri DeYoung
- Bound Girl
- (as Seraphine DeYoung)
Mark Bentley
- Sheriff Bates
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If you are looking for some pretty graphic and realistic gore porn, this does the job. The fx are well done and really make you cringe with all the various cerated edge knife slayings. The killer is pretty cool with all his gadgets, he kinda reminds me of Deadpool from Marvel Comics (X-Men Origins: Wolverine). Accept instead of two katana blades he has two shiny knives as his main killing devices. Yeah the plot is full of gaping holes but its a fun movie if you're into this type of thing. The acting is decent, and the main female role is actually pretty humorous with how stupid some of the lines are. I recommend it for the kills.
"Laid to Rest" (2009), is a classic slasher film; facial deformity, mask, big knife, final girl, and all. People run, people hide, people die immediately after they have done something endearing or redeeming. Everyone tries to figure out who the killer is or why he is killing folks. Acting by Lena Kathren Headey (who later became famous as Cersei Lannisfer) largely carried the acting side of the film (think Jamie Lee Curtis in that other series). The kills were often essentially off-camera and there was not much gore (bar for the final kill). I could not really pick up on suspense building, but that is often par for the course for slasher films. In short, it was a pretty run of the mill slasher and gets a run of the mill.
This is a okay slasher with a few gruesome deaths that are actually sort of creative. The movie doesn't even really have a plot, just tries to make a excuse for some blood and gore. I am usually forgiving when it comes to movies like this but the plot holes were just way too noticeable. And it never tells or shows why the killer does what he does, he just goes around filming everyone of his kills while wearing a chrome skull mask. It had a strong start though, it was actually pretty creepy but after the first scene it quickly ran out of it's flair. A young woman waking up inside of locked casket with no memory of who she is or how she got there is a unoriginal but cool concept, but after that first scene the suspense dies. I thought it would have a cool build up and a decent twist, but the twist was actually pretty stupid as well. You just end up wanting the chrome skull killer to kill everyone, cause like I said I am forgiving but the characters or victims are just too damn stupid. I guess it's worth a look though for major slasher fans or if your in a appetite for slaughter.
4.2/10
4.2/10
A woman wakes up in a "dead box" (what most of us would call a coffin) and has no memory of how she got there or who she is. But she quickly discovers a man with a metal face is seriously interested in killing her, which isn't something she's particularly looking forward to. Will she be able to escape and find the answers she's looking for, or is her running just a delay?
The soundtrack music was provided by Deadbox and Suicidal Tendencies. I'm familiar with the latter, but not the former, and I have to give them a fair amount of credit for this film's mood. The opening scene and music really sucked me in, and I can't say I recall any opening having such a strong effect since the Nine Inch Nails' beginning of "Seven". Well played, maestro.
The director of this piece is Robert Hall, probably best known as a special effects artist. Not surprisingly, this film has pretty much the best gore effects ever. Okay, a slight exaggeration -- but not much. One scene where a man's face gets sliced clean off? Gloriously sadistic! The only film in recent memory I can compare this to is Ryan Nicholson's "Gutterballs", though there is a marked difference -- Nicholson goes for grit, Hall goes for shock and awe.
The killer, ChromeSkull, is both cool and cheesy -- he writes his own name on his car? I find it hard to believe a guy who does that remains uncaught. Especially a guy who films himself killing -- in the open sometimes -- and dresses like Destro. But he's a menacing figure, and far more threatening than Jason or Michael simply for his pure intensity. This is the kind of killer "Hatchet" promised us, but couldn't deliver.
Many of the classic horror clichés are here -- no phone, no gas, the killer tracks victims for miles. I almost wonder if this was done intentionally to be a bit over the top, because if not I think the writer (also Robert Hall) tried to hard to be clear about the peril. This many obstacles in one film takes the "isolation" factor and makes it more of a hilarity factor. I had trouble taking this film completely seriously.
"Laid to Rest" is likely to be overlooked by many, which is a shame. I freely admit I was not overly excited upon seeing the unoriginal skull and crossbones cover. My expectations were somewhat low, and I fear others will walk past this one in the video store, as well. Don't. Unlike other mask covers (this means you, "Bryan Loves You") this one is the real deal. I don't know if it's worth a purchase, but neglecting to rent it would be a mistake for any slasher fan -- a fatal mistake.
The soundtrack music was provided by Deadbox and Suicidal Tendencies. I'm familiar with the latter, but not the former, and I have to give them a fair amount of credit for this film's mood. The opening scene and music really sucked me in, and I can't say I recall any opening having such a strong effect since the Nine Inch Nails' beginning of "Seven". Well played, maestro.
The director of this piece is Robert Hall, probably best known as a special effects artist. Not surprisingly, this film has pretty much the best gore effects ever. Okay, a slight exaggeration -- but not much. One scene where a man's face gets sliced clean off? Gloriously sadistic! The only film in recent memory I can compare this to is Ryan Nicholson's "Gutterballs", though there is a marked difference -- Nicholson goes for grit, Hall goes for shock and awe.
The killer, ChromeSkull, is both cool and cheesy -- he writes his own name on his car? I find it hard to believe a guy who does that remains uncaught. Especially a guy who films himself killing -- in the open sometimes -- and dresses like Destro. But he's a menacing figure, and far more threatening than Jason or Michael simply for his pure intensity. This is the kind of killer "Hatchet" promised us, but couldn't deliver.
Many of the classic horror clichés are here -- no phone, no gas, the killer tracks victims for miles. I almost wonder if this was done intentionally to be a bit over the top, because if not I think the writer (also Robert Hall) tried to hard to be clear about the peril. This many obstacles in one film takes the "isolation" factor and makes it more of a hilarity factor. I had trouble taking this film completely seriously.
"Laid to Rest" is likely to be overlooked by many, which is a shame. I freely admit I was not overly excited upon seeing the unoriginal skull and crossbones cover. My expectations were somewhat low, and I fear others will walk past this one in the video store, as well. Don't. Unlike other mask covers (this means you, "Bryan Loves You") this one is the real deal. I don't know if it's worth a purchase, but neglecting to rent it would be a mistake for any slasher fan -- a fatal mistake.
Laid to Rest: 7 out of 10: Laid to Rest is a real slasher film. A movie truly for hardcore horror and gore fans only and will make viewers, such as myself, who often enjoy a less serious outing really wonder if I want to see a true horror film. (Turns out I do) This film scared me in places and made me look away in joyful disgust in others. It is a film that raises the bar for horror.
On a lighter note let’s pretend you are married to a B movie actress whose claim to fame is a brief appearance as an Orion Slave Woman on an episode of The Star Trek spin off series Enterprise (Season 4 Episode 4 Borderland to be exact). She has large breasts but refuses to do a topless scene and she is seemingly challenged in the acting ability department. Oh and if she doesn’t star in your next project the audience will not be the only people to be denied a nude scene.
Solution? One brain damaged protagonist coming up.... Some people have trouble getting past the um acting of our star (and directors wife) Bobbi Sue Luther but I think poor acting is as much a part of the slasher genre as the false scare or lame back-story reveal and it good to see it represented here. (Strangely I don’t recall a false scare in Laid to Rest and what back-story reveal there actually is turns out to be fairly well done.) As if to make up for the main lead, the rest of the cast is much better than any slasher film deserves. For one thing they act like a real people would if confronted with such horror. (This is a credit to the script as well; but the cast really does sell this.) Kevin Gage in particular gives a performance that carries the film and what Lena Headey (The queen in 300 and Sarah Conner in the Terminator: The Sarah Connor Chronicles ) is doing in a slasher film like this is a true mystery.
The direction by Robert Hall is also top notch with the ability to create tension and true scares. The real star of this show however is the make-up effects that are simply out of this world and make this worth a look just for that reason. (No cheesy digital blood here) The only real negatives to the film, outside of Bobbi Sue Luther performance (which isn’t really that bad and fits a brain damaged character), is the opening credits and the ending. If you hate quick cuts, shaky cam and techno music all combined together the opening credits will put the fear of God into you. Don’t worry it stops as soon as the film proper starts. The ending is simply disappointing on a few levels. Characters act... well out of character, and the whole thing is anti-climatic and gimmicky.
Overall Laid to Rest is an excellent slasher film for those people who like that sort of thing. But be forewarned this is for fans only; if you don’t like real horror stay far away.
On a lighter note let’s pretend you are married to a B movie actress whose claim to fame is a brief appearance as an Orion Slave Woman on an episode of The Star Trek spin off series Enterprise (Season 4 Episode 4 Borderland to be exact). She has large breasts but refuses to do a topless scene and she is seemingly challenged in the acting ability department. Oh and if she doesn’t star in your next project the audience will not be the only people to be denied a nude scene.
Solution? One brain damaged protagonist coming up.... Some people have trouble getting past the um acting of our star (and directors wife) Bobbi Sue Luther but I think poor acting is as much a part of the slasher genre as the false scare or lame back-story reveal and it good to see it represented here. (Strangely I don’t recall a false scare in Laid to Rest and what back-story reveal there actually is turns out to be fairly well done.) As if to make up for the main lead, the rest of the cast is much better than any slasher film deserves. For one thing they act like a real people would if confronted with such horror. (This is a credit to the script as well; but the cast really does sell this.) Kevin Gage in particular gives a performance that carries the film and what Lena Headey (The queen in 300 and Sarah Conner in the Terminator: The Sarah Connor Chronicles ) is doing in a slasher film like this is a true mystery.
The direction by Robert Hall is also top notch with the ability to create tension and true scares. The real star of this show however is the make-up effects that are simply out of this world and make this worth a look just for that reason. (No cheesy digital blood here) The only real negatives to the film, outside of Bobbi Sue Luther performance (which isn’t really that bad and fits a brain damaged character), is the opening credits and the ending. If you hate quick cuts, shaky cam and techno music all combined together the opening credits will put the fear of God into you. Don’t worry it stops as soon as the film proper starts. The ending is simply disappointing on a few levels. Characters act... well out of character, and the whole thing is anti-climatic and gimmicky.
Overall Laid to Rest is an excellent slasher film for those people who like that sort of thing. But be forewarned this is for fans only; if you don’t like real horror stay far away.
¿Sabías que…?
- TriviaLead actress Bobbi Sue Luther and director Robert Hall used to be married.
- ErroresAt 54 minutes, the survivors retrieve the cellphone that belongs to the killer. They try to call 911 but can't because the phone is locked and password protected. All cellphones even if locked can still call out to 911. It is the only feature that remains unlocked.
- Versiones alternativasIn order to get a "not under 18" rating from the FSK, German version had to be censored to remove 18 seconds worth of graphic violence.
- ConexionesFeatured in Chromeskull: Laid to Rest 2 (2011)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Cỗ Máy Giết Người
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 1.78 : 1
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