Ahora que el mundo es consciente de su identidad como Iron Man, Tony Stark debe lidiar tanto con su salud en declive como con un loco vengativo con vínculos con el legado de su padre.Ahora que el mundo es consciente de su identidad como Iron Man, Tony Stark debe lidiar tanto con su salud en declive como con un loco vengativo con vínculos con el legado de su padre.Ahora que el mundo es consciente de su identidad como Iron Man, Tony Stark debe lidiar tanto con su salud en declive como con un loco vengativo con vínculos con el legado de su padre.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 7 premios ganados y 45 nominaciones en total
Paul Bettany
- Jarvis
- (voz)
Resumen
Reviewers say 'Iron Man 2' offers mixed reactions. Robert Downey Jr.'s performance is lauded for charisma and humor. Action scenes, especially the Monaco Grand Prix and final battle, are praised for excitement and effects. Criticisms include a cluttered plot, pacing issues, and lack of focus. Some feel it sets up future Marvel movies at the expense of a cohesive story. Villains, like Ivan Vanko, are seen as less compelling. Despite flaws, many find it entertaining and a valuable MCU addition.
Opiniones destacadas
70U
This movie contains some throughly enjoyable moments that are on par with some of Downey Jnr's highlights as Tony Stark. The relationship between Pepper and Tony is taken further and built upon brilliantly in this movie. It contains some really cool and innovative action scenes which are taken for granted now. However the poor villain, a pattern in Iron Man Solo Outings, and the lack of direction meant this is easily the poorest Iron Man Performance. It's still an entertaining watch but you wouldn't be wrong if you skipped this movie when rewatching MCU Classics.
At first, when a heard about a second installment, i thought, i was unsure in it, because Jon Favreau is relatively new on the director's chair, so could he pull of another classic superhero movie?The answer is simple-YES! I saw it in its opening day and the theatre was full.I went along with a few friends, and all of them loved it!Here are some things, we all agreed we liked.
CHARACTER DEVELOPMENT:It was pretty good in this movie-making aspect, although it is an action movie, there is some quite exciting development, especially the leads.Don Cheadle made a perfect substitute of Terrence Howard, and looked pretty good in the movie.So did the Gwyneth Paltrow and Scarlet Johansson's heroines.For me, Scarlet is one of the most gifted and talented and in the same time, the most beautiful actresses in the last decade and even more.And last, but not least, of course, the Iron Robert Downey Jr., making one of his unique, specifically for him, roles.He is smart, funny and in the same time, well, action hero type of guy-he adds so much to this otherwise, stereotyped role.Sam Rockwell was a little irritating, but that's what his role is supposed to be, and to those who have doubts, yes, Mickey Rourke made a decent and interesting role again.
TIMING:Almost perfect, except, maybe, the opening credits and a few over timed scenes afterwards, everything was alright and on the perfect spot.
PLOT/STORY:I finally can say it-YES, the day has come.A day, where superhero movies haven't got just CGI, put a pretty decent story, attached to the normal amount of CGI.Well, hard to say normal, a little bit over-the-top, but nonetheless fun, when you get use to the headache.The humor was perfect, brilliantly touched to the smallest line.And most importantly-it's not that predictable-i don't mean the ending, but the development, leading to it.Excecutet skilfully, when looked from this point of view.
CGI:10/10, nothing else to add.Believable Flawless.Perfect.
With no big flaws or plot holes, very funny dialogue, skillful acting and good directing, Iron Man is definitely the best movie of the year so far.The perfect blockbuster as well.I'm glad a saw it, and if the first one didn't made me a fan, this one did.I can't wait to see it again.Cheers to Iron Man Amazing! I would've given this a ten, but with some very few weaknesses, i'll lower this a little, although it did make me a bigger fan than before...
My rate: 7.5/10
CHARACTER DEVELOPMENT:It was pretty good in this movie-making aspect, although it is an action movie, there is some quite exciting development, especially the leads.Don Cheadle made a perfect substitute of Terrence Howard, and looked pretty good in the movie.So did the Gwyneth Paltrow and Scarlet Johansson's heroines.For me, Scarlet is one of the most gifted and talented and in the same time, the most beautiful actresses in the last decade and even more.And last, but not least, of course, the Iron Robert Downey Jr., making one of his unique, specifically for him, roles.He is smart, funny and in the same time, well, action hero type of guy-he adds so much to this otherwise, stereotyped role.Sam Rockwell was a little irritating, but that's what his role is supposed to be, and to those who have doubts, yes, Mickey Rourke made a decent and interesting role again.
TIMING:Almost perfect, except, maybe, the opening credits and a few over timed scenes afterwards, everything was alright and on the perfect spot.
PLOT/STORY:I finally can say it-YES, the day has come.A day, where superhero movies haven't got just CGI, put a pretty decent story, attached to the normal amount of CGI.Well, hard to say normal, a little bit over-the-top, but nonetheless fun, when you get use to the headache.The humor was perfect, brilliantly touched to the smallest line.And most importantly-it's not that predictable-i don't mean the ending, but the development, leading to it.Excecutet skilfully, when looked from this point of view.
CGI:10/10, nothing else to add.Believable Flawless.Perfect.
With no big flaws or plot holes, very funny dialogue, skillful acting and good directing, Iron Man is definitely the best movie of the year so far.The perfect blockbuster as well.I'm glad a saw it, and if the first one didn't made me a fan, this one did.I can't wait to see it again.Cheers to Iron Man Amazing! I would've given this a ten, but with some very few weaknesses, i'll lower this a little, although it did make me a bigger fan than before...
My rate: 7.5/10
Reading Iron Man 2's plot summary, things sound bleak for our characters. But not at all. This is a breezy, light-hearted, inoffensive affair that saunters at a magnetic pace, with emotional discomfiting a far thought. Which is pretty refreshing, to say the least. In fact, Iron Man 2 is the complete of antithesis of recent comic book movies. For one, it certainly isn't darker than its predecessor, absent its slow-burning first half and latched-on social commentary. It also gives itself the poetic license to stretch credulity. This is a movie about a man who flies around in metal suit, blasting away multicolored-haired Russians with electric whips. Realism simply doesn't apply, and thankfully director Jon Favreau and writer Justin Theroux take affectionate liberty with the bonds of belief. Yes, Ivan Vanko can secretly build super technology unbeknownst to his suppliers. And yes, the only way to incapacitate a drunken Tony is to beat the crap out of him in a Iron Man suit. No complaints here!
Iron Man 2 is also very much Iron Man's superior, although partly by default. The first movie was stuck with a pedantic origin story. However, the sequel had no shortage of possible paths to take. Which did it choose? The way you should always go; the road of characterization. Rather than tediously expand upon its universe, Iron Man 2 simply reprises its dramatis personae and sticks them into situations graver than before, upping the ante but reiterating the overall heart and spirit of its predecessor. The characters are well-etched, each snappy exchange rendered with a mature pathos that contrasts with the spurious scenarios that they feature in between of. Iron Man 2 could easily be called a comedy, but the naturalism of the comedy is seamless; you get the sense that it would be impossible to write this movie without having these vibrant characters joke and jeer.
To bring the clever screenplay to life is the phenomenal cast. Robert Downey, Jr., as always, is effortlessly captivating. Charisma defined and an scandalously unsung master of versatility (he's not just playing himself, people!), it's no breaking news that he's still one of the most watchable actors ever. He is the perfect Tony Stark, and a more-than-worthy representative of the thinking man's action star. His chemistry with Gwyneth Paltrow as the pragmatic Pepper Pots is electric, and she too turns in a fine performance. Wistful, but by no means a damsel in distress, she is probably the realest character.
The baddies, just as essential as the hero, don't disappoint either. Another wrong from last time round successfully remedied is the lack of genuinely menacing villains. Jeff Bridges honored us with his always-welcome presence in Iron Man, but his warm affability was anything but menacing. This time, however, Mickey Rourke and Sam Rockwell (oddly, both novices to blockbuster attention) are on duty, offering more than enough bang for your villainy buck. Rourke as Anton Vanko/"Whiplash", supplements a composite of the unintentionally hokey showman, supercilious mastermind, and the seemingly unstoppable behemoth. This effectively fends off one-noteness, and Rourke perfectly embodies the duality of Vanko's deceptively boorish visage and surprisingly vast intellect, while still indulging in the welcome irreverence that comes with the comic book villain (his Russian drawl is humorous but gives him an otherworldly conviction).
Rockwell, on the other hand, is flat-out comic relief as Stark's weaselly rival – though not necessarily a threatening one – Justin Hammer. He is excellent in the part; an absolute delight to watch, whether irascibly mugging in a loss for words with his insubordinate partner Vanko or, in one of the movie's best moments, shamelessly accolading his own (faulty) inventions with juvenile zeal.
Unfortunately, with all these characters butting heads for screen time, co-stars Don Cheadle and Scarlett Johansson as Tony's pal Colonel James "Rhodey" Rhodes and eventual partner War Machine and alluring temptress of a new assistant Natalie Rushman, respectively, are given the short straw. Both are more than able of carrying a scene, but while the script lavishes Tony with many moments in which to brood his way into some fine character development, and to convey Pepper's many grievances, neither supporting character is as lucky. Cheadle's moments of potential are all obstructed by the War Machine suit, and everything otherwise requires him to lucidly voice reason as a foil to the devil may care Tony. Johansson is a non-event, her Natalie Rushman an amoral nothing role, and her Black Widow guise is not so much daring femme fatale as listless sex symbol. She acts as merely a vessel for fan service, be it in her skintight suit for the general audience or that she represents another stepping stone to an Avengers movie for esoteric comic book fans.
The movie is inter cut between the scenes of terse characterization and octane action. The latter is a dizzying combination of rapid vicissitudes and toe-to-toe skirmishes, high on CGI, low on genuine peril. In fact, Iron Man 2 could quite possibly have been a masterpiece of the genre had it lived up to its first forty minutes of exuberance and intrigue. But once the clumsy pugilism of Iron Man and Whiplash takes place, the movie falls flat. The power play is nonexistent, because it's hard to believe anyone could stand a chance against ol' Shellhead. And if no sense of alarm can be conveyed when Iron Man is caught in an unusually melee showdown, the flight sequences leave no impression. Yes, the special effects are astounding, but it's all for nothing if there's no dramatic undercurrent.
Otherwise, please, don't mistake my raving for fanboy hyperbole; Iron Man 2 is great. It's well-written, well-acted, and simultaneously a loving throwback to comic book norm and a break from recent tradition. It's a rare occurrence to be thankful for, because God knows if this follows the superhero trilogy formula, the third one will suck. Which would tragically make this movie's thrilling departure from cliché null and void.
Iron Man 2 is also very much Iron Man's superior, although partly by default. The first movie was stuck with a pedantic origin story. However, the sequel had no shortage of possible paths to take. Which did it choose? The way you should always go; the road of characterization. Rather than tediously expand upon its universe, Iron Man 2 simply reprises its dramatis personae and sticks them into situations graver than before, upping the ante but reiterating the overall heart and spirit of its predecessor. The characters are well-etched, each snappy exchange rendered with a mature pathos that contrasts with the spurious scenarios that they feature in between of. Iron Man 2 could easily be called a comedy, but the naturalism of the comedy is seamless; you get the sense that it would be impossible to write this movie without having these vibrant characters joke and jeer.
To bring the clever screenplay to life is the phenomenal cast. Robert Downey, Jr., as always, is effortlessly captivating. Charisma defined and an scandalously unsung master of versatility (he's not just playing himself, people!), it's no breaking news that he's still one of the most watchable actors ever. He is the perfect Tony Stark, and a more-than-worthy representative of the thinking man's action star. His chemistry with Gwyneth Paltrow as the pragmatic Pepper Pots is electric, and she too turns in a fine performance. Wistful, but by no means a damsel in distress, she is probably the realest character.
The baddies, just as essential as the hero, don't disappoint either. Another wrong from last time round successfully remedied is the lack of genuinely menacing villains. Jeff Bridges honored us with his always-welcome presence in Iron Man, but his warm affability was anything but menacing. This time, however, Mickey Rourke and Sam Rockwell (oddly, both novices to blockbuster attention) are on duty, offering more than enough bang for your villainy buck. Rourke as Anton Vanko/"Whiplash", supplements a composite of the unintentionally hokey showman, supercilious mastermind, and the seemingly unstoppable behemoth. This effectively fends off one-noteness, and Rourke perfectly embodies the duality of Vanko's deceptively boorish visage and surprisingly vast intellect, while still indulging in the welcome irreverence that comes with the comic book villain (his Russian drawl is humorous but gives him an otherworldly conviction).
Rockwell, on the other hand, is flat-out comic relief as Stark's weaselly rival – though not necessarily a threatening one – Justin Hammer. He is excellent in the part; an absolute delight to watch, whether irascibly mugging in a loss for words with his insubordinate partner Vanko or, in one of the movie's best moments, shamelessly accolading his own (faulty) inventions with juvenile zeal.
Unfortunately, with all these characters butting heads for screen time, co-stars Don Cheadle and Scarlett Johansson as Tony's pal Colonel James "Rhodey" Rhodes and eventual partner War Machine and alluring temptress of a new assistant Natalie Rushman, respectively, are given the short straw. Both are more than able of carrying a scene, but while the script lavishes Tony with many moments in which to brood his way into some fine character development, and to convey Pepper's many grievances, neither supporting character is as lucky. Cheadle's moments of potential are all obstructed by the War Machine suit, and everything otherwise requires him to lucidly voice reason as a foil to the devil may care Tony. Johansson is a non-event, her Natalie Rushman an amoral nothing role, and her Black Widow guise is not so much daring femme fatale as listless sex symbol. She acts as merely a vessel for fan service, be it in her skintight suit for the general audience or that she represents another stepping stone to an Avengers movie for esoteric comic book fans.
The movie is inter cut between the scenes of terse characterization and octane action. The latter is a dizzying combination of rapid vicissitudes and toe-to-toe skirmishes, high on CGI, low on genuine peril. In fact, Iron Man 2 could quite possibly have been a masterpiece of the genre had it lived up to its first forty minutes of exuberance and intrigue. But once the clumsy pugilism of Iron Man and Whiplash takes place, the movie falls flat. The power play is nonexistent, because it's hard to believe anyone could stand a chance against ol' Shellhead. And if no sense of alarm can be conveyed when Iron Man is caught in an unusually melee showdown, the flight sequences leave no impression. Yes, the special effects are astounding, but it's all for nothing if there's no dramatic undercurrent.
Otherwise, please, don't mistake my raving for fanboy hyperbole; Iron Man 2 is great. It's well-written, well-acted, and simultaneously a loving throwback to comic book norm and a break from recent tradition. It's a rare occurrence to be thankful for, because God knows if this follows the superhero trilogy formula, the third one will suck. Which would tragically make this movie's thrilling departure from cliché null and void.
I went to go see this with a friend on Saturday night. Now, I heard the film from others that this a step or two below the original, but I went in with an open mind. By the time the movie was over, I was pleased. But then, after thinking about it more, this is a disappointment. The film is drastically different in pace. Honestly, it gets a bit of a bore for awhile, which never happened in the original. Sometimes, its just hard to take this film seriously as a superhero film. In my opinion, the overwhelming number of laughs and silliness in this film makes it hard to take seriously. There is a large list of new things in this sequel. First, we learn much more about Tony Stark's father than we ever did in the original. Its quite interesting. Jon Favreau has a much, much bigger role in this film than the original, and I absolutely loved his role in the film. We learn his character has a personality. The talented Don Cheadle replaces Terrence Howard as Rhodey,and I actually liked him better in the role. They both seem so different in the role. There's Scarlette Johansson as Black Widow. I was honestly disappointed with her role in the film. It was too small, I thought. Mickey Rourke is raw and sinister as Whiplash, the main villain, and its a perfect fit. He does an absolutely perfect Russian accent. Sam Rockwell as Justin Hammer is a good fit for the most part, although it was hard for me to take his character seriously after awhile as a villain. Sometimes, it seems like all his character does is be funny. Samuel L. Jackson has a much bigger role in this film as Nick Fury (he had a credit ending scene in the original). In a way it succeeds over the original, but for the most part it doesn't. It's missing some of the excitement and originality that made the original a truly great achievement in film. This is quite a bit different from the first, and you may not like how different it is. I certainly didn't. Many new actors, and a whole different type of ballgame. There's a bit, I think, too much silliness in this film. But still, it'll do. Go see this. Its not as fun as the first, but its not as disappointing as Spider Man 3 was. And do be sure to stay after the credits if you're a fan of Marvel Comics. Make sure you notice Stan Lee's cameo in this as well. Its rather brilliant. Overall, good film.
Positives:
Negatives:
- Robert Downey Jr.
- The first act
- Ideas with potential
Negatives:
- Second and third acts
- Inconsistent story and pacing
- Villain(s)
¿Sabías que…?
- TriviaScarlett Johansson dyed her hair red before she even got the part of Natasha Romanoff, a.k.a. Black Widow, because she wanted the role so badly.
- Errores(at around 1h 1 min) After Rhodey lands at Edwards Air Force Base, in the wide shot both the B2 Stealth Bomber and War Machine have disappeared. This is because the Air Force wouldn't let them film the aircraft from that angle, and War Machine was eliminated to save production costs.
- Créditos curiososThere is a scene after the closing credits: Agent Coulson arrives in New Mexico and locates a crater in which lies the war hammer Mjolnir. This was a contracted version of the same scene from Thor (2011).
- Versiones alternativasThe mainland Chinese release obscures Vanko's nationality by reversing all Russian references on the soundtrack. For example, the word "Russia" comes out as something like "Ashar", and "Siberia" as "Ayuribias". The subtitles and the Mandarin-dubbed version simply delete these references altogether.
- Bandas sonorasShoot to Thrill
Written by Angus Young, Malcolm Young and Brian Johnson
Performed by AC/DC
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Rasputin
- Locaciones de filmación
- SpaceX - Rocket Road, Hawthorne, California, Estados Unidos(Hammer Industries Factory)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 312,433,331
- Fin de semana de estreno en EE. UU. y Canadá
- USD 128,122,480
- 9 may 2010
- Total a nivel mundial
- USD 623,933,331
- Tiempo de ejecución2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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