Aashayein

Terminal illness is a depressing subject. Venturing into that territory is generally abstained. On that note, Hrishida's "Anand" and Mani Rathnam's "Geetanjali" feature in my top-of-mind-recall. Though both depressing but great writing pushed it high on entertainment quotient. Of course fantastic performances, sub-plots, auxiliary characters and the rich music add flesh to the bones.

"Aashayein" is is Mr. Kukunoor's ode to both classics (and very subtly he fits in the "Anand" bit into the story).

☼ John Abraham:: Perhaps his best performance till date. This time around you will certainly see an actor behind the good looks and the dimpled cheeks. About the character, I wasn't completely convinced with the compulsive gambler bit. He could have simply been rich carefree and cool character.

☼ Anaitha Nair:: Every terminal illness story warrants a character depicting "live life kingsize". This time around it is Anaitha Nair. She pours her heart out to breathe life into the character of Padma (paradoxical statement indeed!). The writing deserves a special mention.

☼ Sonal Sehgal:: Doesn't get enough scope as Anaitha Nair steals the thunder practically right under everyone's noses. Nearly gets relegated to "miss-goody-two-shoes" had her character was not resurrected in the penultimate moments.

☼ Girish Karnad:: Under-utilised.

☼ Farida Jalal:: Under-utilised again. And perhaps a younger actress should have been chosen for the role in question.

☼ Prateekha Lonkar:: Not enough meat in the role.

☼ Vikram Inamdar:: Nagya's lucky mascot from "Hyderabad Blues" gets a compassionate but short role.

☼ Elahe:: Another lucky mascot in a blink-and-miss role.

I particularly found that the sub-plots did not get enough screen time to be fleshed out (reference to Girish Karnad & Farida Jalal).

Music was not promoted adequately. Shreyas Talpade's special appearance was not warranted, in fact John Abraham should have done it for greater impact.

Though the response was a mixed bag, I particularly found the "Indiana Jones" layer complimenting neatly to the character of John Abraham.

"Aashayein" has suffered a great deal owing to the rift between the makers. Lack of promotions marred the recognition it rightfully deserves. And last but not the least, Nagesh is a well-rounded entertainer and no questions to that. Having said that, it is my opinion that he should let go the writing department and channel his creative abilities to deliver goods of his standards on a more frequent basis.

As far as the story plot is concerned, AASHAYEIN may not have anything new to say to the viewers. But talking about its fresh treatment, the movie does have few worth mentioning merits in its kitty which rightly differentiate it from all the previous ones made around this particular subject.

If we look back, then all the films revolving around a dying person made by many famous directors in the past, have two things in common. Firstly it's the fun element incorporated in them which lightens the mood of the viewer throughout the film, till it reaches its climax. Before coming to the concluding moments every such venture first makes you smile with few hilarious or enjoyable moments and then leads you towards the end, talking about the ultimate death of the hero. Secondly, all those movies have never been too verbal on the subject of death. If you can recall, their characters always talk about the most certain truth in a very subtle way without any strong offensive or direct dialogues in a sheer poetic kind of mood.

AASHAYEIN breaks all these preset modes of the subject and takes you into a more bitter, hard hitting and truthful kind of arena where every character clearly knows that he has to die in few months and they don't feel shy or uncomfortable talking about it freely with each other. All the key characters of the script live under one roof, getting their decent daily life facilities while waiting for their final moments to arrive any time. And it's the interaction between these different dying people in the film, which transforms it into a worth watching venture, dissimilar to anything you have seen before.

Especially the sequences between John Abraham and Anaitha Nair, which are beautifully written and superbly enacted by the talented duo. The verbal expressions of Anaitha when she talks about her experiences within and outside the help-house are simply a treat to watch. In fact, death has never been expressed so freely on Indian screen before as done by Anaitha in AASHAYEIN. In short she gives the most explosive performance of the movie which deserves to be seen as a must.

Apart from John-Anaitha's brilliant on-screen chemistry, the movie has some highly enlightening scenes featuring Farida Jalal, Girish Karnad, Sonal Sehgal and a charming child actor Ashwin Chitale. Here I would like to mention a dialogue which has never been used before in a movie on the same theme, where in Sonal explains her trauma to John saying, "Your pain gets over within few days when you would be gone, but what about us, the people you will leave behind. How are we suppose to live with this pain all our life?" Indeed a well written thought put in by the writers.

John Abraham being the central character surprises you with an honest and heartfelt performance. After the few initial moments, you just forget about his killing looks and star status and start believing in his pain as he easily establishes an emotional relationship with the viewers. Undoubtedly he delivers a performance he can always feel proud of. Other than the main lead, Nagesh extracts some great performances from his entire supporting cast (including himself in a cameo) and with this; he once again proves his mastery over the medium when it comes to emotional and sensitive subjects.

Salim Suleiman's music works as you are watching the movie, but the song featuring Shreyas Talpade as the rock band leader remains the one in your mind while walking out of the theater. And Shreyas is also equally good performing it on the screen. Another merit of the movie remains its Cinematography which captures both the indoors and the outdoors fantastically.

Now let's talk about the main avoidable glitch in the movie which serves as a big unwanted interruption in its otherwise smooth progression. Here I am referring to all those sequences in the film wherein John imagines himself as Indiana Jones leading to some strange dream sequences inside a cave where there are many white faced ghosts tied in thick chains. The relationship of the dream with the reality was fine but why it was used in such a length was quite weird and out of my understanding as it hampered the overall impact of the film on its audience.

Along with this big mistake, Nagesh also uses another half baked and unexplained character in his script who gets no justification of any sort right till the end. This refers to the character of a small child who is shown to have some magical healing powers in his body. Now whether he really had some powers…., if yes then how did he actually benefit John with his powers in the end remains a mystery.

So, in all AASHAYEIN could have been a much better and highly appreciated movie in absence of The Indiana Jones character in its script. It certainly has its own highly commendable moments to watch and learn from. But minus all those dream sequences it surely would have impressed a lot more people in the theaters as well as in the industry. Still it didn't deserve to be canned for more than a year for whatsoever reasons.

Regarding its box office prospects, the chances are not so bright as today's busy generation is simply not interested in seeing a movie revolving around the theme of Death, unless there is a Shahrukh, Aamir, Salman or Hrithik dying on the screen. But I would really like to recommend it to my readers, for the effortless performance put in by Anaitha Nair and its few not to be missed enlightening moments, capable of teaching some new lessons of life to all of us.

Sensitively portrayed. This movie was very moving and clearly one of John Abraham's best performances ever. I loved the theme: there is hope even in the face of dying. Loved Padma (Anahita Nair) and Govinda (young messenger of god) because they both gave John's character reasons to live. This movie will bring tears to your eyes, so bring the tissue box - you will need it.

I watched this movie because I like John Abraham and kind of liked some of it's songs, and I am literally thrilled after watching this movie. I agree that many things didn't go well in this movie like writing part, cinematography part and in some of the scenes acting was clumsy too but the overall impact of the movie was very intense. I don't know that is it a rumor but some of the sources claimed that John and Nagesh Kuknoor(director) didn't charge at all for this movie as the subject was beyond economics. Padma(Anaitha Nair) was the cream of the movie and she enlightened the screen every time she appeared, I hope she will get more project like this. Sonal Sehgal got the more publicity then Anaitha Nair although her appearance and impact was low, and I personally enjoyed the on-screen chemistry between John and Anaith. I recommend this movie as a must watch movie for everyone as it has a great message and elements concerning everyone

Movie seems to be a low budget movie.But i like the fact that there are no villains in this movies, at least physically. This movies is a great example to show how much fragile life is. Here 'Indy' get struck by fortune and disaster at the same time.

Whole movie is an emotional roller coaster while the main character struggles through his own illness and also struggle to cope with the deaths of his fellow mates. Movie has a good ending which make the audience think about life in a different prospective.

For me character 'Padma' was the main attraction where she enlighten the sad mood in the movie with her stubborn and obnoxious behavior.

I think everyone should watch this movies to understand life on prospective of people who already try to live while they are obviously dying. thank you!