Basada en el par de memorias más vendidas del padre y su hijo David y Nic Sheff, Beautiful Boy narra la desgarradora e inspiradora experiencia de supervivencia, recaída y recuperación en una... Leer todoBasada en el par de memorias más vendidas del padre y su hijo David y Nic Sheff, Beautiful Boy narra la desgarradora e inspiradora experiencia de supervivencia, recaída y recuperación en una familia que enfrentó la adicción durante muchos años.Basada en el par de memorias más vendidas del padre y su hijo David y Nic Sheff, Beautiful Boy narra la desgarradora e inspiradora experiencia de supervivencia, recaída y recuperación en una familia que enfrentó la adicción durante muchos años.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 10 premios ganados y 31 nominaciones en total
Brandon James Cienfuegos
- Kid
- (as Brandon Cinfuegos)
Resumen
Reviewers say 'Beautiful Boy' is a heartfelt depiction of addiction, focusing on a father-son relationship. The film is lauded for its raw portrayal of addiction's toll on families. Key themes include the struggle against addiction and its impact on family dynamics. Steve Carell and Timothée Chalamet deliver acclaimed performances, though some find the non-linear narrative distracting. Opinions on pacing and emotional impact vary, with some appreciating its realism and others finding it slow-paced.
Opiniones destacadas
This film could have been bogged down with its flashbacks and some narrative cliches, but man do Carell and Chalamet's performances make this film soar. 9/10.
This is the movie that made me fall in love with Timothee Chalamet. And a golden performance as always by Steve Carrell. It is a gutting movie, but an important story to be told.
As John Lennon's lyrics go:
"'Cause it's a long way to go, A hard row to hoe Yes, it's a long way to go"
And so it proves for young Nic Sheff (Timothée Chalamet). For - based on a true story - Nic has progressively worked through the encyclopaedia of drugs until he has arrived at "C for Crystal Meth" where he is working through a recurring nightmare of addiction and attempted rehab.
What's harder... being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The 'caring onlookers' in this case are Nic's father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple's natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David's ex-wife and Nic's mother Vicki (Amy Ryan).
This is only the 2nd English-language film from director Felix van Groeningen (after 2012's " The Broken Circle Breakdown") and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of "famous Belgians"! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy's childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn't find them confusing to follow although I can see how they might annoy some viewers who prefer a more 'linear' storytelling approach.
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It's excruciating watching Carell's parental anguish and then (like a blast of light) his realization of a truth he'd been avoiding for a long time. It's Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this. ER's Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
This is most definitely a gruelling movie from beginning to end - especially for parents of young teens - and as such it feels a lot longer than it's 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: "just say no". It rather frustrates me that the film is a UK 15 certificate. Not that I'm criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet's performance can't drill the message home to not climb onto that pole in the first place, then noone can.
(For the full graphical review, please check out One Mann's Movies on the web and Facebook. Thanks).
"'Cause it's a long way to go, A hard row to hoe Yes, it's a long way to go"
And so it proves for young Nic Sheff (Timothée Chalamet). For - based on a true story - Nic has progressively worked through the encyclopaedia of drugs until he has arrived at "C for Crystal Meth" where he is working through a recurring nightmare of addiction and attempted rehab.
What's harder... being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The 'caring onlookers' in this case are Nic's father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple's natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David's ex-wife and Nic's mother Vicki (Amy Ryan).
This is only the 2nd English-language film from director Felix van Groeningen (after 2012's " The Broken Circle Breakdown") and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of "famous Belgians"! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy's childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn't find them confusing to follow although I can see how they might annoy some viewers who prefer a more 'linear' storytelling approach.
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It's excruciating watching Carell's parental anguish and then (like a blast of light) his realization of a truth he'd been avoiding for a long time. It's Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this. ER's Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
This is most definitely a gruelling movie from beginning to end - especially for parents of young teens - and as such it feels a lot longer than it's 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: "just say no". It rather frustrates me that the film is a UK 15 certificate. Not that I'm criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet's performance can't drill the message home to not climb onto that pole in the first place, then noone can.
(For the full graphical review, please check out One Mann's Movies on the web and Facebook. Thanks).
Movies about addiction are typically incredibly difficult to watch, my mind always drifts to movies like Rachel Getting Married or in an extreme sense, Requiem for a Dream. Just brutal movies to get through, and Beautiful Boy seemed poised to take the next slot in that group of films. While it's not exactly as powerful as either of those films, it features to stellar performances, and one that should get Timothee Chalamet his second consecutive nod for best actor, unless of course they put him in as supporting. But it's his turn as a young adult addicted to Meth, among many many other drugs. And as I just said about 'Mid90s', this film (likely because it's directly based on two memoirs) feels entirely authentic. Something that can't always be said about Oscar bait movies like this one. And while at times the film feels jumbled and uneven, those performances are what keep you invested. Make no mistake, they are Oscar worthy material.
7.6/10
7.6/10
This film tells the sombre story of a young man hooked on drugs, and how the family members cope with the tragedy.
The story is depressing and sombre, and gets you down. This aspect is distinctly different from "Ben Is Back" which I watched yesterday. The music is sombre, the shots are slow, and the interaction do not give much hope either. The acting is brilliant though. This film hopefully will serve as an alarm for anyone who wishes to try drugs.
The story is depressing and sombre, and gets you down. This aspect is distinctly different from "Ben Is Back" which I watched yesterday. The music is sombre, the shots are slow, and the interaction do not give much hope either. The acting is brilliant though. This film hopefully will serve as an alarm for anyone who wishes to try drugs.
¿Sabías que…?
- TriviaThe real Nic Sheff stated in a Q&A that the drawing book that David Steve Carell in the movie finds of his son's addiction struggles was drawn by Nic's real-life half-brother, Jasper Sheff.
- ErroresDespite the fact that Nic's addiction story line is shown to cover a number of years, his younger siblings do not ever appear to age.
- Créditos curiososDuring the end credits, Nic is heard reciting the poem "Let It Enfold You" by Charles Bukowski.
- ConexionesFeatured in CTV National News: Episode dated 7 September 2018 (2018)
- Bandas sonorasHelicon I
Written by Dominic Aitchison and Stuart Braithwaite
Performed by Mogwai
Courtesy of Rock Action Records
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Detalles
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,649,973
- Fin de semana de estreno en EE. UU. y Canadá
- USD 218,888
- 14 oct 2018
- Total a nivel mundial
- USD 31,749,905
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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