Cinco amigos que se reúnen en un intento de superar su épica carrera en los pubs de veinte años atrás se convierten sin saberlo en la única esperanza de supervivencia de la humanidad.Cinco amigos que se reúnen en un intento de superar su épica carrera en los pubs de veinte años atrás se convierten sin saberlo en la única esperanza de supervivencia de la humanidad.Cinco amigos que se reúnen en un intento de superar su épica carrera en los pubs de veinte años atrás se convierten sin saberlo en la única esperanza de supervivencia de la humanidad.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 28 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Saw it at a midnight premier last night (free Cornettos were given out!) and myself and the rest of the audience were laughing throughout, having a thoroughly enjoyable time. I thought it was great, definitely on a par with Hot Fuzz, though - to me - not quite as good as Shaun of the Dead, which is fair enough as it is one of my all-time favourites. It is definitely a worthy close to the "trilogy" though, and it stands up well against the other two.
Amongst the highlights were seeing another former Bond actor, even if it was in a small role, along with various other regulars from the past films and Spaced - Tyres, Julia Deaking (Marsha), Bill Nighy's voice, Mark Heap, et al.
With a plot as ludicrous as this one the film relies on the strength of it's leads to succeed, and they pull it off admirably. I liked that there was a role reversal of Pegg and Frost's usual character dynamic, with Frost especially noteworthy in his performance. The lads have clearly come a long way over the years. Pegg is clearly having a whale of a time, and carries us the audience along with him. Having such a talented group of back-up actors in Marsan, Considine and Freeman helps massively too.
I feel they missed a trick by not using the line "You've got blue on you", though.
Amongst the highlights were seeing another former Bond actor, even if it was in a small role, along with various other regulars from the past films and Spaced - Tyres, Julia Deaking (Marsha), Bill Nighy's voice, Mark Heap, et al.
With a plot as ludicrous as this one the film relies on the strength of it's leads to succeed, and they pull it off admirably. I liked that there was a role reversal of Pegg and Frost's usual character dynamic, with Frost especially noteworthy in his performance. The lads have clearly come a long way over the years. Pegg is clearly having a whale of a time, and carries us the audience along with him. Having such a talented group of back-up actors in Marsan, Considine and Freeman helps massively too.
I feel they missed a trick by not using the line "You've got blue on you", though.
When you're the third film in an unofficial trilogy that includes Shaun of the Dead and Hot Fuzz then there is a lot of pressure on you to maintain that quality and unfortunately this film doesn't do that. There are good aspects to this comedy but not enough of it really comes together well enough to make it stand up to the previous two films. The plot here sees Gary King trying to reclaim happiness by convincing a group of his friends to revisit the "good old days" by going on a pub crawl they attempted when their lives lay ahead of them and they felt full of potential. However, when they do return to their home they feel like they have changed too much and should never have come back – but they are only half right, because they should not have come back, although it isn't them that has changed.
I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent – a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.
This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work – not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here – likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.
The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here – but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.
I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent – a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.
This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work – not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here – likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.
The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here – but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.
The movie-making team of Simon Pegg, Nick Frost, and Edgar Wright has been one of the biggest success stories of British cinema of the past decade. With "Shaun of the Dead" (2004) and "Hot Fuzz" (2007), the trio demonstrated originality, ingenuity, and most significantly, capable of drawing a large, appreciative audience. Now they're back with the long-awaited third movie of what's become unofficially known as the "Cornetto trilogy." Like it's predecessors, director Edgar Wright loves paying homage to American cinema; "Shaun" pays its respects to George Romero, "Fuzz" nods its head to over the top action, buddy flicks, and "World's End" takes a page from our classic American sci-fi films.
In "The World's End," 20 years after attempting an epic pub-crawl, five childhood friends reunite when one of them becomes hell-bent on trying the drinking marathon once again. Once convinced to stage an encore by Gary King (Simon Pegg), a 40-year- old man trapped in the mindset of his mid 20's, drags his reluctant friends back to their hometown, and once again attempt to reach the fabled pub - The World's End.
"The World's End" plays on the notion that any time you return to your old stomping grounds, changes are inevitable. Upon returning to their small town roots—a place so boring it boasts about having the first roundabout in all of England—the crew notices that things are a little strange. As it turns out, the town residents are now blue- blooded alien robots. Pretty soon, the group of friends find they are not only fighting to recapture who they once were, but to preserve who they are.
"The World's End" follows similar thematic and structural paths as the other films in the trilogy. While it is definitely intended as a satirical spoof on one level, it also works just as well as a fully functional sci-fi story. You have elements of body snatching, invasions, and more than a few overt nods to John Carpenter's classic "They Live" (1998), in the way the aliens integrate into their society and take over. It's satire in such a loving fashion that it comes across as infectiously charming.
If there is anything to criticize here, maybe it's that the genre is a bit more skewered and less defined than in its predecessors. However, "The World's End" does cap an unofficial trilogy, and the grievance is overly critical given the nature of the movies. Long-time fans of the trilogy will appreciate the reversal of roles, casting Pegg as the selfish screw-up, and Frost as the one who has it together. This allows Pegg to fully unleash his gift for gab, and for Frost to show off his considerable skill for physical comedy.
With great gags, better fights, and fan pleasing cameos, "The World's End" is exactly the sort of British-accented, genre-blending pleasure we've come to expect from its creative trio, and we can only anticipate to what the future holds.
In "The World's End," 20 years after attempting an epic pub-crawl, five childhood friends reunite when one of them becomes hell-bent on trying the drinking marathon once again. Once convinced to stage an encore by Gary King (Simon Pegg), a 40-year- old man trapped in the mindset of his mid 20's, drags his reluctant friends back to their hometown, and once again attempt to reach the fabled pub - The World's End.
"The World's End" plays on the notion that any time you return to your old stomping grounds, changes are inevitable. Upon returning to their small town roots—a place so boring it boasts about having the first roundabout in all of England—the crew notices that things are a little strange. As it turns out, the town residents are now blue- blooded alien robots. Pretty soon, the group of friends find they are not only fighting to recapture who they once were, but to preserve who they are.
"The World's End" follows similar thematic and structural paths as the other films in the trilogy. While it is definitely intended as a satirical spoof on one level, it also works just as well as a fully functional sci-fi story. You have elements of body snatching, invasions, and more than a few overt nods to John Carpenter's classic "They Live" (1998), in the way the aliens integrate into their society and take over. It's satire in such a loving fashion that it comes across as infectiously charming.
If there is anything to criticize here, maybe it's that the genre is a bit more skewered and less defined than in its predecessors. However, "The World's End" does cap an unofficial trilogy, and the grievance is overly critical given the nature of the movies. Long-time fans of the trilogy will appreciate the reversal of roles, casting Pegg as the selfish screw-up, and Frost as the one who has it together. This allows Pegg to fully unleash his gift for gab, and for Frost to show off his considerable skill for physical comedy.
With great gags, better fights, and fan pleasing cameos, "The World's End" is exactly the sort of British-accented, genre-blending pleasure we've come to expect from its creative trio, and we can only anticipate to what the future holds.
I was lucky enough to score some tickets to the NZ premier of this. We were pumped full of food and booze before the movie and i realized not ten minutes in that i needed the bathroom. Only i found the movie far to funny to want to leave at any point.
There were some real classic moments in this movie, honestly, the whole theatre was in fits of laughter almost the whole way through the film. There was even some cheering (more than once)
Edgar really has his business sorted with the directing thing, and Pegg, Frost and Freeman really help to bring this movie together!
I recommend this film, especially if you just want a good laugh! Personally, Frost was my fave in this one, he had the greatest moments!! In regards to the acting, It was all wonderful, i believed every second. This film was on par!
I feel really privileged to have been lucky enough to see it before a whole lot of people, and I hope that everyone else likes it as much as everyone in our theatre did :)
10/10
There were some real classic moments in this movie, honestly, the whole theatre was in fits of laughter almost the whole way through the film. There was even some cheering (more than once)
Edgar really has his business sorted with the directing thing, and Pegg, Frost and Freeman really help to bring this movie together!
I recommend this film, especially if you just want a good laugh! Personally, Frost was my fave in this one, he had the greatest moments!! In regards to the acting, It was all wonderful, i believed every second. This film was on par!
I feel really privileged to have been lucky enough to see it before a whole lot of people, and I hope that everyone else likes it as much as everyone in our theatre did :)
10/10
The World's End is a decent film and not bad by any means, but it is easily the worst of the Cornetto Trilogy and does not come close to the quality of Hot Fuzz and Shaun of The Dead.
I really liked the concept for this film and the ideas behind it, but the execution wasn't as good as I wished for and I think that it needed stronger writing. Pegg's character isn't very likeable. The last third of the film is very messy and everything just seems to change in tone too quickly. It feels rushed somewhat. There were some funny moments scattered around but they occur far less frequently than the other two.
I think I would have liked it more had I not known that this team could do better, but nonetheless this is a decent watch.
I really liked the concept for this film and the ideas behind it, but the execution wasn't as good as I wished for and I think that it needed stronger writing. Pegg's character isn't very likeable. The last third of the film is very messy and everything just seems to change in tone too quickly. It feels rushed somewhat. There were some funny moments scattered around but they occur far less frequently than the other two.
I think I would have liked it more had I not known that this team could do better, but nonetheless this is a decent watch.
¿Sabías que…?
- TriviaFelicity, Andy's assistant from the start of the film, is named after a young woman from Stockport, called Fliss, who tragically passed away. She was a massive Simon Pegg fan and he had sent her signed pictures at the request of her dad when she was ill. She passed before she could receive them. When Simon Pegg found out, he wrote the character into the movie in her memory.
- ErroresWhen Gary crosses off the 10th pub on the map, the figure of the "modern art" statue can be seen on the map just below the second and third pubs. But since this is the same map he used for the original crawl before The Network arrived, and since the statue is apparently part of The Network, it should not appear on the map. It is also apparent that the statue was not there at the time of the original Golden Mile since they wonder about what it is when they pass it earlier in the night.
- Citas
Oliver Chamberlain: WTF, Gary. WTF.
Gary King: What the fuck does WTF mean?
Peter Page: [getting out the cubicle] What the fuck?
Gary King: Ooohh yeah!
- Créditos curiososPeople going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations.
- ConexionesFeatured in Projector: The World's End (2013)
- Bandas sonorasSummer's Magic
(Luc Aulivier, Jacques Charriere, Serge Danot, Alain Legrand, Mark Summers)
Performed by Mark Summers
Courtesy of Island Records Ltd
Under license from Universal Music Operations Ltd
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- How long is The World's End?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The World's End
- Locaciones de filmación
- The Cork Public House, Welwyn Garden City, Hertfordshire, Inglaterra, Reino Unido(The Famous Cock pub)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 26,004,851
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,811,790
- 25 ago 2013
- Total a nivel mundial
- USD 46,092,117
- Tiempo de ejecución1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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