Una mirada retrospectiva a la vida del astronauta Neil Armstrong y a la legendaria misión espacial que lo llevó a convertirse en el primer hombre en caminar sobre la Luna en julio de 1969.Una mirada retrospectiva a la vida del astronauta Neil Armstrong y a la legendaria misión espacial que lo llevó a convertirse en el primer hombre en caminar sobre la Luna en julio de 1969.Una mirada retrospectiva a la vida del astronauta Neil Armstrong y a la legendaria misión espacial que lo llevó a convertirse en el primer hombre en caminar sobre la Luna en julio de 1969.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 32 premios ganados y 192 nominaciones en total
- Marilyn See
- (as Kris Swanberg)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
I've been a 'space-nut' and an aficionado of NASA and the space program since I was a kid in the 70's. I'm not sure how they could have made a movie about Neil Armstrong and the first moon landing more sobby-eyed or depressing. It managed to capture none of the majesty, grandeur, or scope of the undertaking- it was just a wet-blanket of constant angst.
The close ups were so close-up that they made you want to back right out of the theater, and were shot in a way to make them resemble shaky-handed home-video footage shot on a hand-held. The camera just refused to hold still for anything in this movie, and it was infuriating.
I'm sure, at least at a few points in his life, Neil Armstrong cracked a smile. You wouldn't think so from watching this. I know he shunned public attention, but I find it impossible to believe Neil Armstrong could possibly have been as lifeless and wooden as he was portrayed in this film. Foy's portrayal of his wife came across even colder and less joyful than her depiction of Queen Elizabeth.
Sorely disappointing. 6/10, and I feel that's being fairly generous.
This isn't sci-fi; this isn't fantasy. This isn't a family movie. This is the experience of being Neil Armstrong over the course of several years and several missions. I found it incredibly interesting.
If you don't have a big TV screen and surround sound then I recommend not watching the movie because the air/space missions in this movie are beautiful and need to be properly experience or they won't be appreciated.
Seeing 'First Man', there is a lot to admire and it was not a problem for me that it took a different approach and an unconventional way of executing a biopic. Can see why 'First Man' hasn't connected with others though, it is a polarising film where one can see both sides of like and dislike and part of me was a little disappointed. With so much going for it, one expects a great film but 'First Man' for me was only good and not as good as 'Whiplash' and 'La La Land'. Ranking it amongst other 2018 films seen, it's nowhere near among the worst it also falls short of being one of the best.
Starting with the not so good things, 'First Man' runs a little too long, something that would have been solved by trimming a few of the scenes that went on longer than they needed to. Which would have tightened some of the pacing, some of the film drags.
At times structurally it's disjointed, with some of the back and forth not always clear while aspects could have been delved into further. Do have to agree too sadly that the shakiness of the camera work was excessive at times, did feel queasiness on occasions. The ending felt anti-climactic.
However, on the most part 'First Man' is visually stunning. It's immaculately designed and there is a lot of atmosphere and elegance in the way it's shot, an effective claustrophobia in the more tense scenes being evoked. Not everybody has liked the music, personally found it very haunting and like with 'Whiplash' and 'La La Land' Chazelle's utilisation of it is masterly. Chazelle's unique directing style is all over the film.
The script is intelligent and thought-provoking and while the storytelling was not perfect mostly it did engross me and boasts some thrillingly tense moments (like one of my favourite opening scenes of the year), a subtle intimacy and emotional power. The human drama is affecting and the training and flight sequences tight and have a suitable tension and grandeur. The characters are not what one calls likeable but there is a realism to them and 'First Man' is very strongly acted. Ryan Gosling shows a remarkable ability of conveying a lot without having to say a lot in scenes while Claire Foy provides the film's emotional heft magnificently. There is a detachment in their chemistry but that worked considering the situation, coping with grief and loss does drive a wedge and push people away. The rest of the cast do well, with Corey Stoll surprisingly providing one of the more colourful performances.
Summing up, good but could have been better. Not a giant leap in film-making, not a small step either. 7/10 Bethany Cox
¿Sabías que…?
- TriviaMark Armstrong and Rick Armstrong said that this film contained the most accurate portrayal of their father Neil Armstrong and their mother Janet Armstrong.
- ErroresThe interiors of the various spacecraft are shown as slightly grubby, with the appearance of grime and fingerprints. Actual spacecraft are kept scrupulously clean to reduce the possibility of floating debris causing an equipment failure.
- Citas
Neil Armstrong: I don't know what space exploration will uncover, but I don't think it'll be exploration just for the sake of exploration. I think it'll be more the fact that it allows us to see things. That maybe we should have seen a long time ago. But just haven't been able to until now.
- Créditos curiososNear the end of the closing credits, the music is replaced by radio chatter from the mission.
- ConexionesFeatured in Jimmy Kimmel Live!: Game Night: Ryan Gosling (2018)
- Bandas sonorasI See the Moon
Written by Meredith Willson
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- First Man
- Locaciones de filmación
- Cape Canaveral, Florida, Estados Unidos(Kennedy Space Center)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 59,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 44,936,545
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,006,065
- 14 oct 2018
- Total a nivel mundial
- USD 105,713,218
- Tiempo de ejecución2 horas 21 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1