CALIFICACIÓN DE IMDb
5.5/10
3.6 k
TU CALIFICACIÓN
Cuando el primer ministro ruso es tomado como rehén en un concierto de rock en Moscú, depende de un batería, ex-motociclista, salvarle.Cuando el primer ministro ruso es tomado como rehén en un concierto de rock en Moscú, depende de un batería, ex-motociclista, salvarle.Cuando el primer ministro ruso es tomado como rehén en un concierto de rock en Moscú, depende de un batería, ex-motociclista, salvarle.
- Dirección
- Guionistas
- Elenco
Melissa Molinaro
- Venus
- (as Melissa Smith)
Zachary Baharov
- Mikhail Kapista
- (as Zahary Baharov)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Directed and co-written by Dolph Lundgren, the straight-to-DVD "Command Performance" which also starred Lundgren is a basic, run-of-the-mill siege / hostage outing similar in vein to "Die Hard". No surprises and quite clichéd in nearly every development (characters, story and script), but remained dependable when it came to the action stakes and a laconic Lundgren is in good form. During a stadium concert held for the Russian president, a group of mercenaries sneak in and take the president and his daughter's hostage while the army watches on. But they didn't count on a survivor; a drummer / ex-biker with a shady past to spoil their plans. Yep Lundgren plays an aging rock-star who just happened to be smoking some weed in the bathroom when the all excitement was going on. Lundgren goes up against these Russian mercenaries in redemption of sorts, handing out violence with violence but he doesn't use a gun. Well more like he doesn't like to use one due to past events. After a slow get-up, it kicks into gear with some meaty and frenetic action encounters that are shot on video. Melissa Molinaro shows up as a popular US singer and David Legeno is fitting as the ruthless head honcho of the mercenaries. A cheap, but diverting action thriller.
"Don't ever tell me to shut up!"
"Don't ever tell me to shut up!"
I really enjoyed watching movies like Dark Angel, Red Scorpion and even He-Man ^^, but there are a lot of his movies which suck bad, mainly the new ones. So i wasn't really sure if I wanted to watch another one.
After watching the latest Universal Soldier, i thought i give him a chance and watched his Command Performance.
And what should i say more? I liked it. You don't have a Hollywood blockbuster but you have a decent action movie, with some good jokes and lots of action. I really liked the way they were going with violent scenes. Nice use of cuttings and blending.
10 is far to much but 5 is to less, so i go with 7 points.
Watch it on TV with your male friends.
After watching the latest Universal Soldier, i thought i give him a chance and watched his Command Performance.
And what should i say more? I liked it. You don't have a Hollywood blockbuster but you have a decent action movie, with some good jokes and lots of action. I really liked the way they were going with violent scenes. Nice use of cuttings and blending.
10 is far to much but 5 is to less, so i go with 7 points.
Watch it on TV with your male friends.
'Command Performance' is not a very demanding movie, although saving the Russian President is a commanding act itself. No one expects some meaningful and profound movie when they sit down to watch a Dolph Lungren action movie. This movie is alright for a low budget straight to DVD action piece to spend an hour and a half with. Dolph is at his best, but the film itself is just not very original. Or anything special either. Only this time the savior of the day is a drummer with the combat skills of special ops soldier. The film is nicely paced and Dolph does a good job as a director. Some of the supporting actors seemed wooden, but that doesn't take away any attention from the main attraction - and that is Dolph Lundgren rocking and loading.
A ludicrous, but passable action flick that is quite enjoyable.
A ludicrous, but passable action flick that is quite enjoyable.
Lundgren won't win any originality awards for the script he wrote for "Command Performance". As you probably guessed by just reading the plot description of the movie, this movie is a rip-off of "Die Hard". But there are also elements of the "Die Hard" rip-offs "Under Siege" and "Sudden Death" - making this movie a rip-off of rip-offs! Also, the climatic action scene rips off the climax of "Commando".
So this story of this movie isn't very original. But I was entertained neverless. For starters, the production values are very good. Although this was a low budget movie, it looks very glossy and expensive at times. Lundgren's direction of the movie is good as well. He gives a lot of the movie a cinema-verite look, making it feel like we are seeing something that is "live" instead of staged and rehearsed. As for the action, Lundgren delivers the goods in these scenes as well. A lot of blood gets squirted, there are some exciting moments, and there are a couple of deaths done in ways I've never seen in a movie before.
There are a few minor quibbles I have with the movie. Lundgren's character is somewhat thin, speaking very little and not revealing too much of his past. The accents of some of the foreign actors are thick at times and make their dialogue sometimes hard to make out. (And some of the actors are obviously dubbed.) But overall, if you are wanting to see this formula again, this movie does the formula in an above average manner.
So this story of this movie isn't very original. But I was entertained neverless. For starters, the production values are very good. Although this was a low budget movie, it looks very glossy and expensive at times. Lundgren's direction of the movie is good as well. He gives a lot of the movie a cinema-verite look, making it feel like we are seeing something that is "live" instead of staged and rehearsed. As for the action, Lundgren delivers the goods in these scenes as well. A lot of blood gets squirted, there are some exciting moments, and there are a couple of deaths done in ways I've never seen in a movie before.
There are a few minor quibbles I have with the movie. Lundgren's character is somewhat thin, speaking very little and not revealing too much of his past. The accents of some of the foreign actors are thick at times and make their dialogue sometimes hard to make out. (And some of the actors are obviously dubbed.) But overall, if you are wanting to see this formula again, this movie does the formula in an above average manner.
Command Performance delivers! It's a well made, well paced action flick. Like Mechanik, it's better than a lot of the theatrically released rubbish of it's year. I've seen too many horrendous action flicks at the cinemas this year, that rely purely on big budgets, but have nothing else, no effort, no integrity. Like Fast and Furious, Wolverine, Terminator 4. There's a concerted effort here to do something good, that's not only fun, tense, but has a bit of drama thrown in as well. CP is an action fans film. It's 80's style action gold. It kicks ass!
Dolph stars as Joe, former bad ass biker, with a shady past, who's since turned drummer. The film opens on a rock concert in which Joe is playing in the band backing up star turn Venus (Melissa Smith), who's pretty much a Britney clone. The Russian president and American ambassador are in attendance, meaning that naturally, terrorists will come and start shooting, and hold Presi, hostage. Joe is the reluctant hero, who teams up with an FSB agent to try and bring Kasov (Dave Legano) down. We know from then on what'll happen. Dolph is gonna open a big old can of whoop-ass, and make the terrorists drink it down. Much like the Defender, D's first directing gig, once the terrorists show up, the pace never really lets up. And the film has scatterings of action until the finale. Joe himself is a different character to what Dolph normally plays. He's not straight laced. He's not driven by revenge, and he's not always been on the right side of the law.
The action itself is good. It's simple put it punches. It's tightly edited, giving it a good pace, and when someone gets shot or killed in close combat, there's a good delivery of blood to show that they ain't gonna be getting back up. The surroundings are tight, claustrophobic, making the action quick, rough, frantic. When Dolph takes someone on in a fight, he goes in fast and hard, using any weapons he can at hands. Dolph's gone for pretty grounded action. Everything needs a base in reality. Joe's tough, he can kick ass, but he kicks ass like a biker, so D doesn't whip out the martial arts moves. And his showdown with Dave Legano, is very much like the end fight in Men Of War. It's down and dirty. The only thing that lets this down, is the budget. After all, this is a Die Hard formula, and it lacks the one big set piece, or a good money shot stunt. Think Bruce jumping off the Nakatomi plaza, or Seagal jumping off a boat in Under Siege.
The film looks great. Dolph and his DP Marc Windon, have gone for a Bourne/docu kind of vibe. Once the action kicks in, the pace of cutting picks up as well. It gives everything a sense of kinetic energy, without resorting to mindless shaky cam. But more-so, the energy helps hide the small budget. Windon's lighting is naturalistically stylised I supposed you could say. He was going for part Bay, part music vid, part Bourne, and it works. It certainly enhances the production value of the film. As for Dolph, his direction gets better every film. The opening of the film really establishes the style of it brilliantly. It's well shot, and very well edited by veteran cutsman, Peter Hollywood (Adventures of Baron Von Munchhausen, Robin Hood: Prince of Thieves). Most importantly, he's got a good sense of cutting action.
Dolph gives a good performance as Joe. He's laid back, cool, and a bit of a kid at heart. But he's got a bad streak in him, and he has to bring his dark side out when it comes to kicking some A-holes. I worry sometimes about Dolph directing himself, because he's not got the outside perspective on his performance. As Dolph's FSB tag along Mikhail, Zahary Baharov is good. It's an important role that demands not sucking, and Baharov is far from sucking. Melissa Smith does okay. She's not got much of a role at all. As is typical of action flicks, she's got a pretty wafer thin female role. There's little chemistry between Dolph and Smith, if only because the coupling looks pretty funny on screen, more than anything else. Lundgren the 2nd, Dolph's daughter Ida, also stars, and for her screen debut, at 12 years old, does pretty well. The biggest worry was also the bad guy. Die Hard formula flicks live or die by the bad guy. I worried that Legano could bring down the film single handed, but he's actually pretty good. In fact he's one of the best DL villains in a long time. He gives his role plenty of intensity. He's a different villain to Gruber (Die Hard), or Stranix (Under Siege), driven by a different goal. He doesn't wallow in smug, he just gets on with it.
Overall though, this does not disappoint. It delivers what you want in an action film. It's well made too. The film probably needs a bit more humour in it, though there are plenty of one-liners and sight gags, but could do with a bit more. All the scenes are well done, bar one, which features the three young women of the film. It briefly halts the film, and the dialogue is terrible. But it's the only scene in the film that isn't at least competently done. Mercifully it's short, and then returns back to the D-man. Still, CP is the best DTV actioner of the year by far, and one of the better action films in general. It's just about on a par with The Mechanik. ****
Dolph stars as Joe, former bad ass biker, with a shady past, who's since turned drummer. The film opens on a rock concert in which Joe is playing in the band backing up star turn Venus (Melissa Smith), who's pretty much a Britney clone. The Russian president and American ambassador are in attendance, meaning that naturally, terrorists will come and start shooting, and hold Presi, hostage. Joe is the reluctant hero, who teams up with an FSB agent to try and bring Kasov (Dave Legano) down. We know from then on what'll happen. Dolph is gonna open a big old can of whoop-ass, and make the terrorists drink it down. Much like the Defender, D's first directing gig, once the terrorists show up, the pace never really lets up. And the film has scatterings of action until the finale. Joe himself is a different character to what Dolph normally plays. He's not straight laced. He's not driven by revenge, and he's not always been on the right side of the law.
The action itself is good. It's simple put it punches. It's tightly edited, giving it a good pace, and when someone gets shot or killed in close combat, there's a good delivery of blood to show that they ain't gonna be getting back up. The surroundings are tight, claustrophobic, making the action quick, rough, frantic. When Dolph takes someone on in a fight, he goes in fast and hard, using any weapons he can at hands. Dolph's gone for pretty grounded action. Everything needs a base in reality. Joe's tough, he can kick ass, but he kicks ass like a biker, so D doesn't whip out the martial arts moves. And his showdown with Dave Legano, is very much like the end fight in Men Of War. It's down and dirty. The only thing that lets this down, is the budget. After all, this is a Die Hard formula, and it lacks the one big set piece, or a good money shot stunt. Think Bruce jumping off the Nakatomi plaza, or Seagal jumping off a boat in Under Siege.
The film looks great. Dolph and his DP Marc Windon, have gone for a Bourne/docu kind of vibe. Once the action kicks in, the pace of cutting picks up as well. It gives everything a sense of kinetic energy, without resorting to mindless shaky cam. But more-so, the energy helps hide the small budget. Windon's lighting is naturalistically stylised I supposed you could say. He was going for part Bay, part music vid, part Bourne, and it works. It certainly enhances the production value of the film. As for Dolph, his direction gets better every film. The opening of the film really establishes the style of it brilliantly. It's well shot, and very well edited by veteran cutsman, Peter Hollywood (Adventures of Baron Von Munchhausen, Robin Hood: Prince of Thieves). Most importantly, he's got a good sense of cutting action.
Dolph gives a good performance as Joe. He's laid back, cool, and a bit of a kid at heart. But he's got a bad streak in him, and he has to bring his dark side out when it comes to kicking some A-holes. I worry sometimes about Dolph directing himself, because he's not got the outside perspective on his performance. As Dolph's FSB tag along Mikhail, Zahary Baharov is good. It's an important role that demands not sucking, and Baharov is far from sucking. Melissa Smith does okay. She's not got much of a role at all. As is typical of action flicks, she's got a pretty wafer thin female role. There's little chemistry between Dolph and Smith, if only because the coupling looks pretty funny on screen, more than anything else. Lundgren the 2nd, Dolph's daughter Ida, also stars, and for her screen debut, at 12 years old, does pretty well. The biggest worry was also the bad guy. Die Hard formula flicks live or die by the bad guy. I worried that Legano could bring down the film single handed, but he's actually pretty good. In fact he's one of the best DL villains in a long time. He gives his role plenty of intensity. He's a different villain to Gruber (Die Hard), or Stranix (Under Siege), driven by a different goal. He doesn't wallow in smug, he just gets on with it.
Overall though, this does not disappoint. It delivers what you want in an action film. It's well made too. The film probably needs a bit more humour in it, though there are plenty of one-liners and sight gags, but could do with a bit more. All the scenes are well done, bar one, which features the three young women of the film. It briefly halts the film, and the dialogue is terrible. But it's the only scene in the film that isn't at least competently done. Mercifully it's short, and then returns back to the D-man. Still, CP is the best DTV actioner of the year by far, and one of the better action films in general. It's just about on a par with The Mechanik. ****
¿Sabías que…?
- TriviaDolph Lundgren is a drummer in real life.
- ErroresDuring red carpet arrivals we can spot Dolph Lundgren (as director, candid with headphones) in the back among the press when the reporter Ali Connor calls for the blond Russian singer Irson.
- Versiones alternativasGerman version was cut by ca. 2,5 minutes to secure a "Not under 18" rating. Almost every violent part was shortened or completely removed to achieve this. The German version was also presented in the wrong image aspect ratio of 1.78:1 instead of the original 2.35:1 cinemascope.
- ConexionesEdited from Avión presidencial (1997)
- Bandas sonorasLost In Love
Written by Phillip "Taj" Jackson and Rex Rideout
Performed by Melissa Molinaro (as Melissa Smith)
Published by EMI Blackwood Music Inc. (ASCAP) / Notting Hill Music Publishing o/b/o Uncle Buddies Music,
Inc. (ASCAP)
Courtesy of Notting Hill Music
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- How long is Command Performance?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Небезпечна гастроль
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Tiempo de ejecución1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Command Performance (2009) officially released in India in English?
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