Endgame

Its not a great game but a very watchable film and with South Africa somewhat topical 2009-10 (I have faith like potatoes to watch) (and Invictus in the pipeline)I enjoyed the history lesson of the film and the insight that privateers such as Michael Young helper not only the peace in south Africa but are lending a hand with Hamas as we speak and involved themselves on the Northern Ireland peace deal as well. didn't Clerk come in and steal inevitable glory from Botha and I was left wondering more about Mandelas relationship with the ANC bad guys who are in power now (the real terrorists?0 but i did enjoy the movie. it is an objective film, not over-acted, doubt if it will win any awards but don't miss it!

"Endgame," a British film that premiered on PBS' "Masterpiece Contemporary" but also played briefly in theaters in America, provides us with a behind-the-scenes glimpse into the waning days of South African Apartheid.

The time is the 1980s. While political prisoner Nelson Mandela languishes behind bars and violent uprisings rend the fabric of the nation, the white-minority Afrikaner government led by President P.W. Botha has declared the ANC (the African National Congress) to be an illegitimate terrorist organization run by communists and therefore unworthy of a seat at the table in any negotiations concerning the role of blacks in the future of South Africa. Into the breach stride a number of crucial players who are attempting – at great personal risk to themselves and their families - to bring the two opposing sides together through secretive talks being held at an estate in the English countryside. Present at that event are Michael Young (Jonny Lee Miller), a British businessman whose company has vital interests in South Africa and who sees the eventual abolishment of Apartheid as a good and necessary thing on both a professional and moral level; Thabo Mbeki (Chiwetel Ejiofor), a representative from the ANC; and Willie Esterhuyse (William Hurt), a philosophy professor who seems to see both sides of the issue and can therefore serve as an honest broker between the two factions (though the government also sees him as a potentially useful spy for its own side). Mandela (Clarke Peters) and Botha (Timothy West) also appear as characters, with the latter trying to convince the former to denounce the ANC's acts of violence, using subtle tactics of persuasion to do so.

Written by Paula Milne and directed by Pete Travis, "Endgame," which is based on the book "The Fall of Apartheid" by Robert Harvey, strikes a careful balance between conversational sit-downs, where agreements are reached and terms hashed out, and the kind of breath-bating, cloak-and-dagger espionage sequences that are a crucial part of any political thriller. The characters are all thoughtful, three-dimensional men who have strong opinions on matters but who are also open to new ideas and compromise and who often have to contend with their own fears, prejudices and self-doubts before they can finally come to a workable resolution. The movie manages to be intimate in tone while, at the same time, never neglecting the broader political and social canvas against which this small-scale drama is taking place. The result is a well-acted, informative and dramatically compelling re-creation of recent history.

And beyond its purely academic function, "Endgame" serves as an inspirational reminder that it sometimes takes just a handful of brave, morally decent and right-thinking people willing to forget their differences and to come together in a common cause to make the world a better place.

The Apartheid system in South Africa was one of the most brutal, unpleasant regimes to inflect Africa and the world. It lead the discrimination and holding back of the vase majority of South Africa for the privilege of the White minority. It isolated South Africa as a nation and forced one of the world's greatest leaders in prison for 27 years.

In 1985 violence in South Africa is including, the townships are rioting and the South African security forces use force to stop them. In this background is Michael Young (Jonny Lee Miller), a senior employee of Consolidated Gold, a London based mining company. He sees that Apartiheid is a failing, dying system, and he wants to see its end. He goes on a mission, backed by his Chief Executive to bring the African National Congress, and the National Party (i.e. the white Boar party) together for secret talks in London. After struggling to find a moderate third party Young is able to recruit Will Esterhuyse (William Hurt), a philosophy professor who believes in the ideas of social justice. The ANC use Thabo Mbeki (Chiwetel Ejiofor), the then information director, as their chief negotiator. He is warned by the ANC Oliver Tambo (John Kani) that he must not tell anyone about the talks because there were forces within the South African security services and extremists with the ANC who want the talks to fail. Within the National camp the President of South Africa P.W. Botha (Timothy West) tries to use the talks to keep his own presidency going. He uses his intelligence services chief Dr Barnard (Mark Strong) to use the talks to find out how the ANC function and try and split the ANC in two. Barnard tries to woo Nelson Mandela (Clarke Peters), trying to make him more important again and therefore split the leadership and the followers.

This was a well-crafted thriller, with a good script focusing on action in both England and South Africa. It clearly shows who the main players are makes Mbeki, Tambo, Mandela and Esterhuyse into well rounded characters. Esterhuyse was a particularly interesting character. There are some very talented actors in Endgame. Chiwetel Ejiofor is a very talented actor, I could watch him in anything and again he is in good form. William Hurt was a surprising casting choice, but he pulls of his role and the South African accent well. He is the most conflicted character in Endgame. Jonny Lee Miller offers a decent performance as slightly wet Michael Young who is trying to improve the lives of South Africans. Mark Strong, another talented actor was decent, but was pretty much playing the smart role as he did in Body of Lies. I also thought Timothy West was pretty good as Nelson Mandela.

The problem with Endgame is the direction by Pete Travis. The type of camera used and the way it was shot made it look like someone was using small portable camera. The camera was shaking about for all the scenes, being very distracting and needless. I was thinking use a tripod for God sake. This was a film that should have been filmed in a conventional way, like many political thrillers or like an episode of the West Wing. The only moment of real directional flair showing the scene when a ANC car is bombed. As well the film is so focused on the talks like a laser that there is no look at the wider context. Of course most the audience should know about the events of Apartiheid, but there could have shown the affects of sanctions, the system on the people, the violence, the international situation and most importantly the political negotiations with the camps. The South African government was particularly ignored. Events in the film just happened with any explanation at all which is distracting.

However this is a worthy watch about an important topic.

Well, my knowledge of Apartheid is limited to my knowledge of a personality called Nelson Mandela and that he led a non-violent struggle for equality. That's about it. So, when I saw this title and the good reviews that it had received - I decided to try it out.

Unfortunately for me, I was thrown into South African history (this was expected) and I was surrounded with over 20 character (this was not expected). Botha, Thabo, Mbeki, Alie Sachs, Wille Esterhuyse, some gold consolidations organization, a PR agent - within the first twenty minutes, my head was spinning. And thus, whenever a new character came on screen, I had to press the pause button and look up Wikipedia. That is how I watched this movie.

So, for the first 35 minutes or so, I spent an equal amount of time reading Wikipedia (which was not bad, I got a lot of info) but what this means is that Endgame is not meant for the viewer who is not ready to break a sweat. Unless your knowledge of South African apartheid is not up to scratch, Endgame will make little sense by itself.

However, once you know the characters and their motives the movie turns into an extremely compelling drama and a case study of how negations are done. This would make a terrific add-on to a history course. It is a very educational movie and the acting by William Hurt and Chiwetel Ejiofor was excellent and very convincing. The direction was also very well done and the script writing was very effective (considering the nature of the subject).

In the end, this should have been a 3-4 hour miniseries. The treatment of Apartheid with proper introduction to the major characters ought to get that much time. Unfortunately Endgame is all that we get. Go ahead and watch it - it is worth the effort.

The end of the hated Apartheid regime in South Africa is an uplifting story, but also, as told in this drama-documentary, an oddly undramatic one. There was no revolution, nor even a commitment to reform from within. Instead, as the system became increasingly untenable on the ground in the face of growing popular unrest, a series of unofficial negotiations between prominent Afrakaaners and the opposition were eventually endorsed by F.W. de Klerk shortly after his appointment as leader of the country, in a tacit acknowledgement that he had run out of other options. Undramatic maybe, but this is still a worthy retelling of the mechanics of the process. It's surprising to see Thabo Mbeki, later much criticised as a later south African leader when he denied that H.I.V. causes A.I.D.S., portrayed here in such a positive light. William Hurt is completely convincing as an Afrikaaner, while 'Wire' veteran Clarke Peters captures the essence of Nelson Mandela with a delicate performance . There's an element of hagiography in the film's treatment of the men who negotiated, but it is justifiably an uplifting story, especially in the knowledge of how, in the main, Mandela has managed to justify his status as virtual deity since his release; and how, for all its continuing problems, South African society has not collapsed with democracy.