Valiente

There's quite a bit about Brave that has marked it as a departure from Pixar's typical fare. The most memorable trailer was one of the best scenes from the movie, with Merida protesting her marriage by shooting for her own hand. That scene alone showcases the detail and quality of animation we've come to expect from Pixar. No other studio has managed to come near what they do. The motion of the characters is natural. Merida's gorgeous curly red hair is distracting in its details only at the perfect times. And, most impressively, when Merida holds her breath to shoot her last arrow the audience holds its collective breath as we watch her arrow shoot away in slow motion and in a beautiful use of depth of field that reminds us why 2D is still highly preferred to 3D.

That's not to say Brave is quite as visually astonishing as Sully's fur in Monsters Inc., the magical underwater world of Finding Nemo, or a landfill laden Earth in Wall-E. But, in some ways, it's not meant to be. We're dealing with a primarily human cast for once, and ones meant to look very different than the ones in Up.

Beyond the animation, the story is somewhat flat. The trailers do an excellent job of concealing the twists, but the twists are all easy to see well ahead of time. The story revolves around Princess Merida who is continually at odds with her Mother, Elinor. At the center of their arguments: marriage. Merida is to be married to the first born of one of the leaders of the other three clans. She'll have none of it as she'd much rather ride off on her own and perfect her archery skills than sit at home and be a proper Princess. In her more childish qualities, she's like her father: an overgrown warrior child who also happens to be King. It's not a bad story, but it's certainly a little too basic. Most people will most likely find the lack of creativity in the script's details the biggest disappointment in Brave. There's no moments where we marvel "how did these guys come up with this?"

It's a pity because Merida is one of the best protagonists Pixar has been blessed with. She's likable and hate-able in all the right ways. She has quite a bit of bratty teenager in her - as evidenced by the lack of morality she displays in trying to change her mother's mind about her upcoming betrothal - and yet heaps of bravery - as she shows when confronted with what she's done to her Mother. The best part about Merida and the story is that she's the one continually driving it forward and making the choices. That proves vital as the film doesn't really have a villain. This isn't a good vs. evil battle like all their other movies not named Finding Nemo.

Brave falls somewhere in the middle for Pixar. It's great that it's original (especially with Pixar selling out and giving us Monster's Inc. 2 and Toy Story 4 shortly), it's great the protagonist is female and so well rounded, and it's great the animation is somewhat subdued for once. I can't help but feel that Brave lacks some of the magic and creativity that really separate the upper echelon of Pixar's best work from the rest of it. Of course, that'll still probably be enough to make it the best animated movie of the year.

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Nice movie, not the best Pixar movie, but I really enjoyed watching it. Merida was a good character. Her relationship with her mother was excellent. The message of the film was excellent.

Everything about Brave is different from the Pixar norm, save the unequaled attention to detail and quality.

The Disney-Pixar animated feature focuses on Princess Merida as she searches for a way to change her fate. In a journey of magic, adventure and family, the fiery Scot is launched into the ranks of the elite Disney princesses.

As odd and understandably foreign as the accents felt watching the early previews for the movie, the voice acting was executed following, creating very real characters that fit their animated molds perfectly. By the end of the movie, what once sounded foreign blended into the scenery and visuals to create a completely immersing environment.

In fact, amid the magic spells and tall tales of times gone by, it's the historical, Scottish feeling that made Marida's journey and transformation (and that of her mother) that much more tangible and familiar.

Underneath the folk-tale storyline lies the same life lessons that ring true for young and old. Though the movie heavily focuses on a mother- daughter relationship, it's not just for girls anymore than Mulan was. Merida is a true Disney princess, with gumption, heart and an uncanny connection with nature, but the story could have been told from a male perspective and rung just as true, making it easy to empathize with Pixar's first female lead.

As has been the case with almost every other one of their movies, the company has reinvented the standard for animated visuals. The environments are based on real Scottish landmarks, adding real depth to the story, and the colors are as bright as they are grounded, creating a wonderfully real world. Such visuals lend credence to the upcoming 3D re-release of Finding Nemo, though not much, but also show just how far the studio has come.

All of the elements put together, Brave is a different sort of movie than many were expecting. More focused on a single pair and their quest together, not to mention darker by far, the story of Merida was a leap of faith for the once small studio.

Many will have their doubts, left wanting another heart wrenching love story from Up or creative take on a beat to death genre like The Incredibles. That was never the purpose. Just as with every one of their award-winning films (Cars 2 notwithstanding), a new movie means a new chapter, new story and new style of film.

Taken for what it is, Brave is a remarkable step into a whole new style of movie, proving the creative teams at Pixar will continue to write their own fate.

I watched this movie in 3D with my (very mature for his age) five year old grandson. He loved it and wanted to talk about the plot for most of the afternoon to anyone who would listen. However, other young children in the theatre were rather nervous and scared in certain parts of the film and a few very small (2 - 4 year old) children had to be escorted out of the cinema by their parents.

Personally, after the first five minutes, which were a bit slow, I became absorbed in the story and thoroughly enjoyed the movie. There was lots of action and the plot was attention grabbing and unique, with no soppy love story and little slang included.

While I must admit that "Brave" is not among my favorite Pixar films, I was totally blown away by the computer graphics. To some extent this is to be expected--as years pass, the CGI is bound to get better and better. But it's more than that--the textures, colors and depth were all incredible and I was in love with the animation throughout.

As far as the story goes, it was a mixed bag. While I was thrilled to see a Pixar film with female leads AND featuring a mother-daughter relationship, the story itself seemed a bit shallow and flat. It wasn't bad, but never hit that emotional spot within that you'd find in "Up" or "Toy Story 3". Now this isn't to say it's bad---it just isn't among the very best of the studio and is STILL well worth seeing. It's especially nice to see a FEMALE protagonist--and one who does NOT need to be rescued by a prince! Incidentally, my daughter and her friend loved the film--and my bet is that girls would generally prefer this film but it's a lot of fun for everyone.

By the way, there is a cute inside joke in the film in which they mention someone being out of town at the "Wicker Man" ceremony! This could be a reference to the wonderful 1970s film (see this one--not the remake) or to the actual ancient ceremony. I actually had no idea that this was a real event until dlwagner sent me an email informing me of this--but I certainly did NOT expect to hear them talking about it in "Brave".