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Madre

Título original: Madeo
  • 2009
  • R
  • 2h 9min
CALIFICACIÓN DE IMDb
7.7/10
77 k
TU CALIFICACIÓN
POPULARIDAD
2,526
131
Won Bin and Kim Hye-ja in Madre (2009)
A mother desperately searches for the killer who framed her son for their horrific murder.
Reproducir trailer2:11
1 video
99+ fotos
Psychological DramaPsychological ThrillerSuspense MysteryTragedyWhodunnitCrimeDramaMysteryThriller

Una madre busca desesperadamente al asesino que acusó a su hijo del asesinato de una niña.Una madre busca desesperadamente al asesino que acusó a su hijo del asesinato de una niña.Una madre busca desesperadamente al asesino que acusó a su hijo del asesinato de una niña.

  • Dirección
    • Bong Joon Ho
  • Guionistas
    • Bong Joon Ho
    • Park Eun-kyo
  • Elenco
    • Kim Hye-ja
    • Won Bin
    • Jin Goo
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    77 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,526
    131
    • Dirección
      • Bong Joon Ho
    • Guionistas
      • Bong Joon Ho
      • Park Eun-kyo
    • Elenco
      • Kim Hye-ja
      • Won Bin
      • Jin Goo
    • 192Opiniones de los usuarios
    • 227Opiniones de los críticos
    • 79Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 44 premios ganados y 47 nominaciones en total

    Videos1

    Mother: Trailer #1
    Trailer 2:11
    Mother: Trailer #1

    Fotos167

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    Elenco principal65

    Editar
    Kim Hye-ja
    Kim Hye-ja
    • Mother
    Won Bin
    Won Bin
    • Yoon Do-joon
    Jin Goo
    Jin Goo
    • Jin-tae
    Yun Je-mun
    Yun Je-mun
    • Je-moon
    Jeon Mi-seon
    Jeon Mi-seon
    • Mi-seon
    Song Sae-byeok
    Song Sae-byeok
    • Sepaktakraw Detective
    Lee Yeong-seok
    • Junk Shop Elder
    • (as Yeong-seok Lee)
    Hee-ra Mun
    • Moon Ah-jeong
    • (as Hee-ra Moon)
    Chun Woo-hee
    Chun Woo-hee
    • Mi-na
    Byoung-Soon Kim
    • Group Leader
    Moo-yeong Yeo
    • Lawyer Kong Seok-ho
    • (as Ou-hyung Yum)
    Jeong Yeong-gi
    • Kkang-ma
    • (as Young-ki Jung)
    Go Gyu-pil
    Go Gyu-pil
    • Ddung-ddung
    • (as Kyu-phill Ko)
    Lee Mi-do
    • Hyung-teo
    Jin-gu Kim
    • Ah-jeong's Grandma
    Hong-jib Kim
    • Jong-pal
    Min Kyung-jin
    Min Kyung-jin
    • Secretary
    Jo Kyeong-sook
    Jo Kyeong-sook
    • Mi-na's Mother
    • (as Kyung-Sook Cho)
    • Dirección
      • Bong Joon Ho
    • Guionistas
      • Bong Joon Ho
      • Park Eun-kyo
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios192

    7.777.1K
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    Opiniones destacadas

    9howard.schumann

    Intense, witty, and engaging

    After a night of drinking, Do Joon (Bin Won), an intellectually-challenged young man, encouraged by his reckless buddy Jin-tae (Ku-jin), attempts to pick up a young high school girl Ah-jung walking home alone. Shockingly, the next day, Do Joon is arrested for the girl's murder as his mother looks on helplessly. Seen at the Vancouver Film Festival, Bong Joon-ho's Mother is an intelligent, suspenseful, and darkly comic revelation of the lengths to which an overbearing but deeply loving mother will go to pursue justice for her son who, she believes, has been wrongly convicted of murder.

    Though there is an evocative score by Lee Byeong-woo, the film's use of ambient sounds such as the slashing of Hye-ja's herb chopper and the rustling of leaves add to an ominous mood, though it often clashes with the absurdist events seen on screen. Set in a small Korean town, the elderly mother, played by Korean TV star Kim Hye-ja in one of the most nuanced and emotive performances of the year, makes a living by selling herbal medicine and providing illegal acupuncture treatments. Convinced of her son's innocence, she will stop at nothing, even violence, to find the real killer. She learns details about the dead girl's personal life and talks to alternative suspects, even though even she is not fully prepared for the twists and turns that her investigation will take.

    The film opens with a shot of a lone elderly woman walking in a vast expanse of open field, reminiscent of the opening shot in Shunji Iwai's All About Lily Chou Chou. As she approaches the camera, the background music becomes rhythmic and the woman begins a strange, almost provocative dance. The scene then shifts to her business where she is keeping a close eye on her 27-year-old son Do-Joon who she feels needs her constant protection. Playing in the street with a dog, the boy is knocked over by a speeding hit and run driver in a Mercedes-Benz.

    Uninjured, Do-Joon and Jin-tae chase the car to a golf course where the two attack the drivers of the Benz with sticks while collecting numerous golf balls, later to be used in evidence in court. On the fateful night, after Do-Joon is thrown out of a bar for being drunk, he pursues Ah-Jung home and the next day is arrested for murder, although details of what happened are murky. Bong shows the police procedural as in Memories of Murder to be on the lackadaisical side and conveys the impression that everyone involved is only out for their self-interest, including police, lawyers, friends, junk dealers, and schoolgirls.

    Reminiscent of the quirky, offbeat films of Alfred Hitchcock, Mother is an intense, witty, and engaging psychological thriller with enigmatic characters that do not just populate the screen but are vitally alive. In one outstanding scene that will etch itself forever in your memory, Hye-ja attends the funeral of the girl her son is alleged to have murdered. Although besieged by distraught family members who think her son is a murderer, she has the fortitude to look them in the eye and proclaim "my son could never do something like that". Although "barking dogs don't bite", this woman is one "mutha" of an exception.
    10sitenoise

    No idea this film would end up the way it did (and I'm not telling)

    It's too bad that because this film is ostensibly about an old lady it must be considered a "smaller" film in Bong's oeuvre. It's not. It is every bit as brilliant, and as large, as Memories of Murder, in my opinion.

    In many ways this is the natural, and equal, follow-up to Memories of Murder. It's every bit the caper film that one was, and, although slightly more somber in tone, the film keeps unraveling in directions you don't expect making it much more a plot driven movie than a character study. Kim Hye-ja is, however, magnificent as the titular (gawd I hate that word but I'm using it anyway) mother. There is a scene in this film where she tells the family of the victim her son didn't do it and her eyes are so electrically charged it made me jump back from the screen. Mother fires on all cylinders. The direction, cinematography, script, and acting are all grade A. It's one of those films where each of the secondary characters steals the show for a brief period. (How 'bout that cop who kicks the apple from Won Bin's mouth?) Bong does a remarkable job of populating the world of this film with real people and manages to give them depth and development in a very short period of time. I confess to having a little trouble tracking the other female characters in the film, but no matter. There is a scene (without spoiling anything here) where Kim Hye-ja asks the other 'retarded' kid if he has a mother and it's one of the most complex and heart-rending scenes in cinematic history. Hyperbole notwithstanding, just freakin' WOW! on that one when you ponder just why she is crying.

    I wasn't sure where Bong was going to end up going as a film maker. Barking Dogs Never Bite was a reasonable debut. Memories of Murder, a masterpiece. But was it a lucky shot? I'm glad I don't have to consider the dismal Antarctic Journal a Bong film if I don't want to. The Host was lots-o-fun, but that's the one that worried me. Maybe he was going to start making blockbuster type films. But now, after recently seeing his contribution to Tokyo!, and now Mother, I have every reason to believe he is going to kick my butt with interesting film for a long time.
    8Jurguens

    A slow burning thriller that rewards the viewer

    Yoon Do-Joon has an intellectual disability. His friend is a bit of a trouble maker. His mother is always worried about him and protective to the extreme. A young girl is murdered and the lazy police of this small Korean town blame the obvious and helpless Yoon Do-Joon. The police interrogate him and make him sign a confession but Yoon Do-Joon is not really aware that he is signing his entry to prison. The mother, confident about her son's innocence will investigate the case and will go to any extent to free her son.

    After the success of The Host (2006), Joon-ho Bong has crafted an intimate slow burning thriller with suspense elements that is contained in a small town, with small characters, but has a great scope. This movie is more similar to his first two movies, which I highly recommend. Hye-ja Kim is excellent as the mother. Her performance is understated but at the same time intense, cold and at the same time powerful. The cinematography is beautiful. The film moves along and builds slowly, more akin to the tempo of the small town we're visiting for the duration of the film, but the twists, turns, and suspense make it a highly rewarding and satisfying ride.
    8DICK STEEL

    A Nutshell Review: Mother

    If you're familiar with Bong Joon-ho's works, then Mother comes without surprise at how he deftly weaves a story about mother's love into a mystery thriller that will keep you guessing every step of the way, with enough emotional firepower to twist a knot in your stomach when the truth gets played out. It's a standard three act structure here where the first hour establishes the strong family bonds between Mother (Kim Hye-Ja) and child Yoon Do-Joon (Won Bin), bordering quite close to being incestuous (but this is glossed over since we're dealing with a man-child here), before they key murder scene beocmes the catalyst for Mother to do some serious investigations work in order to prove her son's innocence, given that the perverted justice system provided that bad after-taste.

    I particularly enjoyed the epilogue, which ties in with the inexplicable opening credits which made more sense once you've come full circle at the end. It's the classic mantra of two wrongs never making one right, and how in the protection of loved ones, one will resort to extreme measures that blind common, good sense, and become a "rather you than me" syndrome, which I believe every one of us are capable of if we find ourselves pushed to a corner with no where to run. Bong Joon-Ho is again at his element in unravelling the investigations process, which ties in black comedy with painful, dramatic moments, being evenly paced with heightened tension at appropriate moments.

    And kudos of course must go to actress Kim Hye-Ja, who almost single-handedly carried the film on her own, since Won Bin disappears mid-way through. Her single mom, with so much affection for her son, just dazzles and makes it convincing that she's been that single pillar of strength and shelter for her son when he gets up to shenanigans brought about by no good company of his. It's not the first time Do-Joon got himself into a fix, given the strange mannerisms he's been taught to try and jog his memory, and Won Bin showcases his acting chops as the dim-witted boy whose disability gets frequently exploited, coming off as endearing at times, so much so that you're quick to judge and side with him as a victim of circumstances, being at the wrong place at the wrong time.

    Mother is definitely recommended stuff, especially if you're a Bong Joon-Ho fan as he delivers yet another powerful film that will leave plenty of post-screening discussion.
    8Fella_shibby

    A mother's love for her child knows no law, no pity. It crushes down remorselessly all that stands in its path. - Agatha Christie.

    Was looking forward to this film after enjoying the director's earlier films, Memories of murder, The host n Snowpiercer. The film is about a mentally challenged kid who is also being overprotected by his single mother who is a specialist in herbs n acupuncture. The kid is arrested n charged with the murder of a young girl but the mother believes he is innocent n she goes out to prove his innocence. The best part about this film is the acting by the lady who played the mother. Another good aspect is the details. When the dead body of the girl is kept on the terrace of a dilapidated house for the whole town to see, we as viewers really wants to know the reason n the reason is explained towards the end well suiting. The direction n cinematography were brilliant. The only problem was the editing. Found it to be a bit slow n long.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Because of phonetic differences between English and Korean, both "Mother" and "Murder" are spelled the same when translated to Korean characters. The movie title, "Madeo", is a play on this similarity, suggesting both "Mother" and "Murder".
    • Versiones alternativas
      A black and white version (overseen by Joon-ho Bong) premiered at the Sydney Film Festival in 2015. The cut (and duration) remain that same, with colour altered.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Hot Tub Time Machine/City Island/Chloe/How to Train Your Dragon/The Girl with the Dragon Tattoo/Mother/The Eclipse (2010)
    • Bandas sonoras
      Song of Joy
      Written by Ludwig van Beethoven

      Heard on the lawyer's phone

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    Preguntas Frecuentes28

    • How long is Mother?Con tecnología de Alexa
    • What was the significance of Mother cutting herself with the herb cutter in the very beginning?
    • What is "Mother" about?
    • Is "Mother" based on a book?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de mayo de 2009 (Corea del Sur)
    • País de origen
      • Corea del Sur
    • Sitios oficiales
      • Official site
      • Official site (France)
    • Idioma
      • Coreano
    • También se conoce como
      • Mother
    • Locaciones de filmación
      • Busan, Corea del Sur
    • Productoras
      • CJ Entertainment
      • Barunson E&A
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 5,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 551,509
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 35,858
      • 14 mar 2010
    • Total a nivel mundial
      • USD 17,271,439
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 9 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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