Pasajero 666

After boarding a flight, a woman and her daughter heading home to visit her family are confronted by a series of strange supernatural figures hinting at the same figures that left her the sole survivor of an earlier plane crash are back and must sort out her horrific visions to keep them alive.

This was a pretty solid overall genre effort. Among the better features here is the intriguing setup that provides this one with a solid setup with plenty of likable factors. With a lot of great work here involving her backstory of surviving the original crash while the current setup featuring her fear of flying and general unease with the status of the flight creates a fun setup with the first half of the film. Taking the cue of the usual motions found in these kinds of efforts about the general sense of discomfort once the visions start happening provides a nice furthering of these issues by creating a highly effective atmosphere within the plane going forward. That leads to a lot of fun here with the rather impressive setups designed to showcase something that may be happening on the flight with her and the rest of the passengers. The shots of the strange demonic beings in the various seats around the plane or the clawed hands pounding on the windows that go alongside with some decent enough kill scenes on the other passengers which offers the kind of setup works rather well. The grounded approach inside the plane as well as the eventual reveal of the whole affair makes for a fun tone as the events become more terrifying, and with a breakneck approach to the pacing here there's a lot to like here. The film does have some big issues. The main factor here is the rather flimsy and generally unimpressive storyline that tells a highly predictable type of setup where the type of scenes that emerge are rather suspect and familiar. The whole idea of the supernatural curse being in play once again at a special anniversary of the initial scaring incident coming back around is an over-done concept that doesn't have any impact in the long run with very little of this requiring a running time to portray this. As the film goes along, there's not a whole lot to offer up in terms of changing that up which makes this feel overly repetitive and familiar. This ties very heavily in the other flaw where its finale is so overly predictable and familiar that it's really hard to be impressed by what's happened. This one tends to go for the most obvious route here in exploring how the past trauma of her survival has to come to pass in one form or another which is a rather pedestrian way of doing this. Very little of this will be unique to viewers who are able to piece together the storyline based on how familiar this overall concept will be since it plays rather comfortably within the parameters of the style, but that's pretty much all that hold this one down.

Rated Unrated/R: Graphic Language and Violence.

The synopsis for the 2021 thriller "Ryad 19" (aka "Row 19") sounded interesting, and I also liked the movie's cover. I had not heard about this thriller from writer James Rabb and director Alexander Babaev prior to sitting down to watch it, so I didn't know what I was in for here.

Well, this movie was unique. Let's just call it that. But I didn't find it particularly enjoyable or entertaining. The movie's storyline felt like a collection of the writer's nightmares penned down on paper and given to the director. Much of it didn't really make much of any sense, and felt like random fragments shot independently by different directors that weren't working on the same script. So there was a sense of chaotic randomness and a lack of coherent red thread throughout the course of the movie.

Visually then "Ryad 19" was good, but special effects and CGI is only worth so much without a proper storyline forming around them. And "Ryad 19" was lacking just that.

The acting performances in "Ryad 19" were good, despite the fact that the storyline felt like rubbish to me. I wasn't familiar with the cast at all in this movie.

I didn't finish this movie, because I simply gave up on the storyline as it fell short of capturing my interesting. So it was somewhat of a swing and a miss from writer James Rabb and director Alexander Babaev.

My rating of "Ryad 19" lands on a generous three out of ten stars.

I watched this one in an English dubbed version. I must say, it's a bit different. I am not claiming I completely got the movie,but when I thought about it as the titles roled I was thiy well yes, it's a different movie. The storyline is very vague but it's more of a physiological horror, it makes you think. I enjoyed the movie, screenplay, acting and production quality is not bad. Some idiots hating it here on IMDB are fools, they should rather appreciate the effort director and story board have come up with.

Not a bad way to pass a dull evening, enjoy. It deserves a better and mature viewing and rating too.

When the translation of the title simply takes its meaning out of context (in time, Row 19 is the row of seats the survivor was in, and which her daughter always says is hers) A Russian horror film, in the style of "Final Destination", a little slower and less interesting, could have delved more into the terror and the passengers and less into the protagonist's thoughts and delusions, the premise is interesting, with only reasonable execution...

A doctor on a night flight comes across mysterious deaths among the passengers while losing touch with reality and revisiting a childhood nightmare, all while taking care of her young daughter.

I chose to watch Row 19 because of its short runtime (77 minutes) and because the synopsis sounded interesting. And indeed, it turned out to be an intriguing Russian supernatural thriller with some unexpected plot twists. I often found myself guessing what kind of turn the movie would take next based on the hints we, as viewers, are given, but it was surprisingly difficult.

Some of the characters are quite unique, and if the acting had been better, I would rate this higher. Unfortunately, none of the cast delivers a stellar performance. The emotionless acting might just be the Russian style-who knows? Another annoying aspect, also pointed out by others, is the English voiceover for the little girl. She really sounds like an adult, and I wonder if they couldn't find anyone better suited.

All in all, I could certainly have spent that 1 hour and 17 minutes in a worse way than watching Row 19. I also learned that, in Russia, there's apparently an airline that flies with just a few passengers onboard, even when all other flights are canceled for the day. But putting that peculiar and illogical aspect aside, I enjoyed the movie and would recommend it to anyone looking for a short and entertaining movie experience.