Agrega una trama en tu idioma5 friends on a fishing trip discover a hidden training camp for homegrown terrorists.5 friends on a fishing trip discover a hidden training camp for homegrown terrorists.5 friends on a fishing trip discover a hidden training camp for homegrown terrorists.
Daxton Edwards
- Militant
- (as Talon DeSoto)
Amanda Leak
- Laurie
- (as Amanda Leek)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I heard allot about this movie and decided to check it out and I must say it was rather refreshing compared to all the mainstream big Hollywood money machine productions that are so hard to get into now a days. I was captured by this films intensity and storyline from the very beginning. It was believable. The actors were believable. The directing and camera work kept me on the edge of my seat. Even the dialog was original and witty. This movie Target Practice moves along with a gritty and precise determination leading to the climax., it is quite obvious someone knew what they were doing. I would recommend this movie to anyone with a thirst for something different. With a bigger budget, I would be very inclined to see what else these young film makers can accomplish.
Directorial Debut of Rich Riedel is a winner. A minuscule budget doesn't hamper the fun as a group of friends head out to the woods for a little r & r and run into the unexpected. Yeah, we've seen this type of story played out before in the action and horror genres (this one , strictly action), but Riedel's version puts a fresh twist on it. He keeps you guessing as the woods seem to be more populated with friends turned enemies turned friends then one would imagine.
For a group of unknowns, the actors deliver believable performances. The camera is always in the right place and Riedel ratchets up the tension effectively.
It seems like these type of straight ahead action pieces are a thing of the past, what with everyone trying to blend genres and "Tarantino" the story lines and dialog (often with unwatchable results). In many ways, Target Practice is a valentine to the action films of yore. He doesn't try to reshape the genre, he just hits all the right beats at the right times. A blast.
For a group of unknowns, the actors deliver believable performances. The camera is always in the right place and Riedel ratchets up the tension effectively.
It seems like these type of straight ahead action pieces are a thing of the past, what with everyone trying to blend genres and "Tarantino" the story lines and dialog (often with unwatchable results). In many ways, Target Practice is a valentine to the action films of yore. He doesn't try to reshape the genre, he just hits all the right beats at the right times. A blast.
I can see why this one divides people. No robots, massive explosions, or big-name stars. Just relentless mounting tension and a surprisingly intelligent script dealing with the scary topic of terrorist training camps in our own backyards. A group of friends head off into the mountains on a weekend fishing trip, already at odds with each other over a variety of issues, ranging from mundane things like stopping for bathroom breaks to more serious arguments over racial prejudice. When they almost run into a vehicle that's been left on the side of a mountain road, the argument becomes whether they should stop to see if anyone needs their help or just keep going.
They end up doing the good samaritan thing and it costs them big time; minutes after stopping, they find themselves the targets of a bloody ambush and the survivors are running for their lives through the forest. From that point on, the characters are battling for survival, trying to figure out who's hunting them down, and why, and facing a series of increasingly nerve-wracking, horrific discoveries. The level of suspense that the film generates is, at times, staggering.
The camera-work may be off-putting to some. It's not herky-jerky as in the Bourne movies, but it moves restlessly, picking out a subtle hand movement here, a nervous flitter of someone's eye there. And for the most part, the actors are previously undiscovered newcomers, which is to be expected in an ultra-independent film like this (ala "Blair Witch" or "Paranormal Activity"), but they're all very good. A couple of them are excellent, and there are some unexpectedly touching moments of genuine emotion between them.
If you need your toys to have lots of noisy whistles and blinking lights and to come in big boxes with shiny red ribbons, this one probably isn't for you. If you like your action films to be a little more well-developed, edgy, and thought-provoking, you'll really appreciate this tense little trip into the woods.
They end up doing the good samaritan thing and it costs them big time; minutes after stopping, they find themselves the targets of a bloody ambush and the survivors are running for their lives through the forest. From that point on, the characters are battling for survival, trying to figure out who's hunting them down, and why, and facing a series of increasingly nerve-wracking, horrific discoveries. The level of suspense that the film generates is, at times, staggering.
The camera-work may be off-putting to some. It's not herky-jerky as in the Bourne movies, but it moves restlessly, picking out a subtle hand movement here, a nervous flitter of someone's eye there. And for the most part, the actors are previously undiscovered newcomers, which is to be expected in an ultra-independent film like this (ala "Blair Witch" or "Paranormal Activity"), but they're all very good. A couple of them are excellent, and there are some unexpectedly touching moments of genuine emotion between them.
If you need your toys to have lots of noisy whistles and blinking lights and to come in big boxes with shiny red ribbons, this one probably isn't for you. If you like your action films to be a little more well-developed, edgy, and thought-provoking, you'll really appreciate this tense little trip into the woods.
It is rare that I actually register on a website to leave a review on a movie. This is that movie. It was by far the worst film I have ever seen. I want 90 minutes of my life back.
While the premise is sound, the execution was horrible. The acting was bad, the directing was bad, the script was bad, the editing was bad, even the sound engineering was bad. I could find nothing good at all in this film.
It seems like the whole movie was shot with one hand-held camera in shaky-cam/random-zoom mode. In one scene, the camera was not even focused on the actor that was speaking.
I was surprised by the 'good' reviews that this movie seems to have everywhere. They are not deserved. Do not waste your time on this movie.
While the premise is sound, the execution was horrible. The acting was bad, the directing was bad, the script was bad, the editing was bad, even the sound engineering was bad. I could find nothing good at all in this film.
It seems like the whole movie was shot with one hand-held camera in shaky-cam/random-zoom mode. In one scene, the camera was not even focused on the actor that was speaking.
I was surprised by the 'good' reviews that this movie seems to have everywhere. They are not deserved. Do not waste your time on this movie.
Rich Riedel's TARGET PRACTICE has a simple premise - after leaving for a weekend trip to the mountains, five friends find themselves the unfortunate prey of an unknown predator. However, despite the seeming familiarity, thanks to superb characterization and execution, the story feels refreshingly urgent and, most importantly, human.
Particular credit must be given to Riedel. He worked as a literal one-man-band, covering all the key crew positions in addition to directing and writing the film. With all these responsibilities falling squarely on one person's shoulders, the film could have easily felt like a backyard home movie. While it is a little rough around the edges at points, Riedel reigns over the proceedings with such a sure hand that it never feels anything less than visceral.
The cast is equally as strong, giving excellent performances that help to round out the characters and propel the events forward at breakneck speed.
In short, TARGET PRACTICE is truly independent film-making at its finest.
Particular credit must be given to Riedel. He worked as a literal one-man-band, covering all the key crew positions in addition to directing and writing the film. With all these responsibilities falling squarely on one person's shoulders, the film could have easily felt like a backyard home movie. While it is a little rough around the edges at points, Riedel reigns over the proceedings with such a sure hand that it never feels anything less than visceral.
The cast is equally as strong, giving excellent performances that help to round out the characters and propel the events forward at breakneck speed.
In short, TARGET PRACTICE is truly independent film-making at its finest.
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