Yi ngoi

if you like Johnnie's movies, this should be among your list remarkably, this movie is shot with only few characters but to an excellent portrayal not much talking with most of expression & meaning conveyed just by eye or facial movement

the curiosity & intense is able to get you focus through the entire movie unexpected death scenes much alike to the final destinations fame gives it extra entertainment

it's been quite some time we have enjoyed great hong Kong films since infernal affairs & exiled go watch it (definitely better than vengeance)

A paid killer kills the target with the help of his team and make it looks like accident..at one stage he face the bad situation and tries to getrid of it.. Must watch movie..!!

This Hong Kong crime drama is centred on a group of assassins who specialise in murders that look like accidents. They are Ho Kwok-fai, aka 'The Brain'; 'Fatty'; 'The Woman' and 'Uncle'. So far these murders have never been suspected as anything other than accidents but they know that one mistake could lead to them all being investigated. Their latest job is carefully planned but something goes wrong... a bus careers out of control, just misses The Brain and kills Fatty. Was it just an accident or is somebody trying to eliminate The Brain using his own methods. He quickly become convinced that it is the latter. Is he paranoid or is somebody really out to kill him?

One might expect a Hong Kong crime drama to be full of martial arts, shooting and exciting chases; this is different though. It eschews such things, instead opting for a '70s style paranoid thriller where the protagonist isn't sure what is happening but still struggles to stop what might be happening. This approach keeps the tension high as we don't know who can be trusted. Mostly it is gripping but one does occasionally have to suspend ones disbelief... solar eclipses are not surprise events they can be predicts centuries in advance! The cast is solid; I especially liked Louis Koo's performance as The Brain. Overall I'd certainly recommend this to fans of Hong Kong films looking for something a bit different.

These comments are based on watching the film in Cantonese with English subtitles.

This film is underrated. Oh well, not every movie can be made by Marvel.

This film is about a professional hit-man and his team of self-styled "accident choreographers", who kill their victims by trapping them in well crafted "accidents" that look like unfortunate mishaps but are in fact perfectly staged acts of murder. He is consistently plagued by guilt, and the memories of his recently lost wife don't make things any easier. Even worse, one of his team members dies in an apparent "accident", which forces him to stay one step ahead of their competition.

One important thing that you need to understand about "Accident" is that it's a non-stop exhibition of paranoia because the scriptwriting is first-class as it straddles the line between chance and intent through a number of events that may signify an orchestrated murder by another party. The way this works is that some events are immediately shown to be acts of human intent – for example, the opening scene is clearly shown to be a murder that is made to look like an accident – but other events are left ambiguous, and you're not sure if it's an act of human intent or a moment of coincidence (or chance). So you're placed in the same situation as the protagonist because he's also not sure. And that's really the foundation of the entire movie, and it's a solid foundation to stand on.

It may be a surprise to you that the story moves slowly, but this could be considered a positive because it allows the paranoia to take center stage and it focuses a lot on developing the main character. The entire film revolves around this guy, making this just as much of a character piece as it is a series of suspense sequences. With that said, the "accidents" themselves are very cool and the direction is top notch. This was actually directed by Pou-Soi Cheang, and "Accident" was his best film in his filmography up to this point – representing an improvement over his previous titles. And I still think this is his best work, despite the fact that he has given us some very entertaining stuff between 2009 and the present day (such as "SPL 2: A Time for Consequences", "The Monkey King 2", and "Motorway").

The lead actor is Louis Koo, who earlier in his career appeared in a bunch of the "Troublesome Night" movies. Most fortunately, his roles subsequent to that franchise were far more reliable and entertaining. He's definitely an actor whose filmography is worth exploring because he's been in a lot of good movies. "Accident" is one of them, and I really liked his performance in this. It's a bit on the eccentric and gloomy side, but that's important for his character.

I definitely recommend "Accident", which is one of the better slow-burn suspense thrillers in recent memory. It is widely available on DVD, so be sure to check this one out.

Accident might just be the most refined and intelligent piece of Hong Kong cinema since 2002's Infernal Affairs. The film probably won't prove as popular with mainstream audiences due to its almost meditative, slow-burn pacing - but for anyone with an interest in inventive genre cinema, Soi Cheang's newest outing is a must-see.

Taking its cues from Jean-Pierre Melville, Accident revolves around a group of assassins who stage their murders like accidents. The group is led by Brain (Louis Koo in a career-defining performance), who grows increasingly paranoid when one of the group's accidents goes awry and kills another member.

Thankfully, while the actual "accidents" are impressive and cleverly put together, Soi Cheang doesn't make the mistake of letting gimmicky set pieces dominate his film. Instead, Accident becomes a fascinating character study of a man who gradually destroys himself through paranoia and guilt. As such, the film largely depends on Louis Koo's performance - and what a performance it is; with this film, Koo finally deserves to be elevated from the hotpot of mediocre HK-popstars-cum-actors people used to include him in.

Add to this an elegiac score by Xavier Jamaux, elegant cinematography and you end up with the most compelling film to come out of Asia in the past 2 years.

If there is any problem to be found in this, it's that Accident is purely a Milkyway Image film, not a Soi Cheang film. Anyone hoping to find the director's trademark relentlessness here will be disappointed - although it could be argued some of the nihilism found in works like Dog Bite Dog was carried over into Accident's finale.