Amor sin escalas

Up In the Air Movie Review

I finally got around to seeing the soon to be Oscar nominated movie, Up In the Air today. A lot of critics are putting it on their lists for top movie of the year and I will have to agree with them. This is a very good movie. It's funny and witty and has some good dramatic moments at the end that really hit you in the stomach. It's one of those rare movies that is fun to watch and makes you think at the end.

The movie stars George Clooney as Ryan, his job is to travel around the country and fire people personally and hopefully tries to help them move on with their lives. It's an art form that Ryan has perfected over the years and he is really good at it. I will have to warn you not to watch this movie if you have just been fired, because the movie is littered with scenes of people getting fired. Most of the people react in an angry fashion and it's almost comical in way they show these montages. Then there are people that react with a sadness and desperation that really makes you feel their pain. Ryan explains that he spends some 300 plus days traveling and a miserable 43 days at home. Through his travels he gives speeches at different hotels about putting your life in a backpack and feeling that weight. Your different attachments in life weigh you down. So he believes in having no attachments.

Anna Kendrick and Vera Farmiga play Natalie and Alex in the movie and their characters provide a challenge to Ryan's way of life. Natalie is a young college graduate with big ideas that will change the way Ryan will do his job. Ryan is not happy about this and thus there is conflict between the two. Ryan's boss, played by Jason Bateman, pairs Natalie with Ryan so that Ryan can show her the ropes. Their totally different personalities and philosophies on life clash and these provides for most of the funny and witty dialogue of the movie. Ryan is an older man who is calm and full of confidence in his job and in his life. Natalie on the other hand is young, naïve, and looks unsure of what to do most of the time. Alex is another business room that Ryan meets on the road and has a fling with. During the course of the movie they keep in contact and hook up as much as possible. Natalie seems to be just like Ryan in life only in female form. Ryan enjoys being with her so much is seems that he is reconsidering his whole theory on not being attached to other people. Is it possible that Natalie and Alex can change his whole outlook on life? That's obviously where this movie is headed.

So what is this movie all about? It's about life. Pretty simple but yet very complicated. There are two philosophies on life presented in this movie. There is Ryan who believes that relationships are the heaviest objects you can put in your backpack. Relationships weigh you down in life. There's too much negotiations and compromise that you have to do. You can't be truly happy with all these attachments with other people. As he likes to say, if you are not moving you are dieing. In a way we can see he is right. Relationships can be hard; you have to work hard at it. It's a drag sometimes. The people you are the closest too end up hurting you the most. We've all felt this at sometime in our life. We see in Ryan's life that he has no close relationships. He has no girlfriends, he has no plans to ever marry or have children, he has no close friends, he hardly has a relationship with his two sisters, he fires dozens of people daily and feels nothing for them, and he seems just fine with that. Natalie on the other hand can't help but being attached to other people. She has fond dreams of being married someday and having children. In fact she believes her life is not complete without this. You also see this when she has to fire people. She can't help but feel very bad for these people and can't detach herself from the situation of seeing these peoples lives destroyed right in front of her.

So at the end of the movie you have to ask yourself, are attachments and relationships worth the effort. The answer I came to be is yes, they are. At the end of the day what keeps you going in life. Is it your possessions or is it the love of your family? For me nothing can compare to the love I get from my family and friends. It's unmeasureable.. As they say you can replace your possessions but you can't replace your loved ones. This philosophy is even more evident in this movie when you think about the people who are fired in this movie. They are devastated by this turn of events but they also realize that they couldn't get through it if it wasn't for their family. You can lose everything but as long as you have a family to go home to you can be happy, you can have hope for the future. Without these relationships you are alone and have no one to help you through the bad times. So I would think about your own life and be grateful for all the people in it.

Grade- B

Rated R- Lots of use of the F-word and other cuss words through out the movie, 2 seconds of nudity of Vera Farmiga, lots of sexual innuendo and vulgar talk between George Clooney and Vera Farmiga.

Based on the novel by Walter Kirn, George Clooney stars as corporate downsizing expert Ryan Bingham, who is hired to help ease the transition of long-term employees to the unemployment line across the country. Taking his job very seriously and loving the 290 days away from home—the only problem with that is the 70 days at home in his empty apartment—his world gets turned upside-down when a young upstart in the company threatens to ground the company to fire people via the internet. Not standing for a change in his life, nor the chance for his life goal of total airline miles to end, ("Let's just say I have a number and I haven't hit it yet"), he goes on a mission to prove how personal his job is and how key a face to face meeting can be to talk down an emotionally unstable person and really do the victim a service in an otherwise horrible moment in his life. Along the way, he and the recent college grad, of which the boss loves due to her budget slashing game-changing idea, Natalie, played by Anna Kendrick, both find out what has been lacking in their lives and how to become better people, opening up to love, heartbreak, and the need to grow up.

Clooney's Bingham is the loner businessman whose only relationships exist from random meetings with attractive females at the multiple airports he frequents. His wallet of plastic has become his lifeblood—credit cards from airlines that accumulate his mileage, hotel status perk cards that let him cut the disgruntled travelers and go straight to the front, and numerous room keys that never seem to be thrown out, causing him to always use more than one before finally opening his hotel suite's door. Detached from his family for years as the brother that exists but cannot be counted on for anything, he contemplates whether he should, or really wants to, attend his sister's wedding—the little girl of the family and someone he should have been involved with after the passing of their father. A series of style cramping incidents for him begins with a phone call from his other sister and the request to take a cardboard cutout of the happy couple, (Melanie Lynskey and Danny McBride, in a role that might actually show some nuance for a guy that usually flies by the cuff), and photograph it in front of famous places he travels to for work "like that French gnome movie,"—I love the Amélie reference. Then comes the threat of being taken out of the air, his home for decades, in order to impersonally let go more people more efficiently; the challenge of taking Natalie on his next schedule of jobs to prove to her why the new system won't work; and the addition of a love interest in Vera Farmiga's Alex, a woman who describes herself to him with "just think of me as you with a vagina"—one of many great lines.

There is a lot of subtlety and intricate weaving of plot lines throughout the story, details and sequences that need to be seen fresh to get the full benefit of the film. What you might initially think is a witty comedy about a jerk of a guy who not only thinks he's better than everyone else, but actually is, that either finds the error of his ways or gets dropped down a peg or two, eventually becomes a tale chock full of heart and emotion. The real success story of the film is a revelatory performance from Clooney who really knocks this on out of the park. He always showed the charisma and chops to play confident and successful, but here is allowed to also branch out and express the pent-up frustration that comes with isolated loneliness, the passion one can have for a job that seems horrible, yet, when treated carefully, is a job to take seriously, and the compassion for humanity on the whole, softening enough to realize that there are people around him that need help besides his laid off strangers, help that only he can provide. The evolution he undertakes is really pretty amazing and I credit Kirn, Reitman, and Clooney for pulling it off with grace and laughter.

Every single actor is unforgettable—even the bit parts like Zach Galifianakis and especially J.K. Simmons as two corporate employees who's jobs have been eliminated. Jason Bateman is hilarious as Clooney's smug boss, fully embodying the take no crap nonchalance he made famous in "Arrested Development"; Farmiga is gorgeous and competent to be able to go toe-to-toe with Clooney in the detachment and power-hungry attitude of flying in style for half a year or more; and, if George's reinvention of character is revelatory, then Kendrick's naïve Natalie is masterful. This girl was top in her class, able to get a job in her field wherever her heart desired, yet settled for this firm specializing in firing people so as to not dirty the workers' real superior's hands. Young and confused about life in the big world of adulthood—set on a plan for marriage and children to occur as though set times on a clock—her eyes are opened to the intimacy and fragility with which a person's mental state can be affected by mere words. When you put them all together, Up in the Air resonates on so many levels; deserving of any praise and accolades to be bestowed upon it. Hilariously funny every second of the way, it is still unafraid to dig into the dark moments of life and treat them with respect and relevancy, going places you wouldn't think it would have the guts to go. You really can't say too much about the film, a top ten of the year entry for sure. Reitman proving to be a force to reckon with and Clooney that he just keeps getting better with age.

Director Jason Reitman, that has brought us great Indie classics such as Thank You for Smoking and Juno has crafted his most personal and most effective portrait to date, Up in the Air. The film stars George Clooney, also giving his most intimate and beautiful performance of his career, as Ryan, a traveling "Firing-Man," who plans on racking up as much frequent flyer miles as he can. Completely void of human connection and emotion, even from his two sisters, one of which is getting married, Ryan seems completely content with his choice of living. All seems well until he meets his female version in the beautiful and charismatic Alex, played with sexual force and intensity by Vera Farmiga. At the same time, a change at his job makes him acquire a student, Natalie, played with sensitivity and vigor by Anna Kendrick, to learn the ropes of the business before potentially making a devastating change to Ryan's way of life.

The film, based on the book of the same title, is a moving and witty piece of cinema. The line deliveries given are some of the best liners of the year. The adaptation by Reitman and Sheldon Turner is of beautiful and social importance in today's day and age. There was no better time than now, to bring a film like this to the table. Dana E. Glauberman's crisp and precise editing sets the pace as we travel with Ryan in this beautiful account. Reitman's direction shows he's a force to be reckoned with and should be in full blown force for Oscar consideration along with the adaptation shared with Turner.

George Clooney, who's having one hell of a year along with his other comedic turn in The Men Who Stare at Goats, gains sympathy and emotion from the viewer, which up until now, Clooney had always struggled for. The role is right up Clooney's alley and with humorous strength, conveys the pain and loneliness of an otherwise charming man successfully.

Vera Farmiga as Alex, is a beautiful as she is dark, and as sexy as she is ugly. Farmiga has finally landed the right role that, in her years of wrong place at the wrong time, should land her a first-time Oscar nomination. Never showing her hand, Farmiga keeps and earns your trust, attention, and admiration. It's one of the most divisive and structurally brilliant supporting turns of the year.

Seemingly not playing with a full deck is Natalie, played most beautifully by Anna Kendrick, who portrays brains don't equal smart choices. Kendrick earns your care and concern for the character, as she follows Ryan around and constantly badgers him about happiness and love, she naïvely and courageously shows the tenderest parts of youth in today's world. Kendrick will likely be sitting along side Farmiga at Oscar's ceremony.

Jason Bateman, playing Craig Gregory, the boss in charge, is amusing in a brief but memorable role. Amy Morton and Melanie Lynsky, who play Ryan's sisters, are valuable and sufficient enough to book end a wonderful tale. Danny McBride, an outstanding comic talent to watch, is as good as ever. And finally, in otherwise cameos, Sam Elliott and the great Zack Galifianakis are uproarious in their respective roles.

This could very well be the crowd and critical pleaser of the year. It has what the 2004 film Sideways lacked, the emotional edge. Long after the film, you take these characters home with you and remind yourself of its authenticity in delivery, poise, and premise. Up in the Air is one of the best pictures of the year. ****/****

Up In The Air takes a strange premise that could easily feel stale or cold, especially given the perfunctory connotation that airport travel has, but succeeds as a pleasant, if forgettable, movie. Clooney is very good as a detached but thoughtful lead, and Kendrick also impressed, injecting life and uncertainty into the movie. The comedy works well and doesn't feel overdone. The way the travel scenes were cut also showed Bingham's comfort and intimate knowledge of the airport drill in a way that was fun to watch. Reitman does a good job of keeping each scene engaging and is at his best when he uses subtle social commentary. The themes of personal connection and security were amusingly turned on their head by Clooney having to teach Kendrick about maneuvering firing, as she makes the job he loves obsolete. The twist with Farmiga's character was also good and surprising, keeping the film from being a by- the- numbers rom-com. The timing and reaction to the 10 million miles was also well done. It's not a movie that's exceptional in any area and not one that will ever immediately come to mind, but it's a solid, pleasant watch with some originality.

This film is about a man who fires people for a living. His world becomes upside down when his job is radically changed by a newly recruited young fresh graduate.

"Up in the Air" is a well made film. The plot focuses on character development and emotional changes of the characters. It is not easy to make characters interesting and memorable, but "Up in the Air" does just that. Both the characters of George Clooney and Anna Kendrick have strongly divergent attitudes and personalities, but they have great chemistry and change each other slowly but surely. How they radically shake each others core belief is engagingly told. I enjoyed watching "Up in the Air" a lot, as it tells an engaging story of self discovery.