CALIFICACIÓN DE IMDb
4.0/10
10 k
TU CALIFICACIÓN
Un cineasta antiamericano que quiere abolir el Día de la Independencia recibe la visita de tres fantasmas que intentan cambiar su percepción del país.Un cineasta antiamericano que quiere abolir el Día de la Independencia recibe la visita de tres fantasmas que intentan cambiar su percepción del país.Un cineasta antiamericano que quiere abolir el Día de la Independencia recibe la visita de tres fantasmas que intentan cambiar su percepción del país.
- Dirección
- Guionistas
- Elenco
Kevin P. Farley
- Michael Malone
- (as Kevin Farley)
Mark Vafiades
- Look Out! It's Those Christians!
- (as Mark Basil)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A funny spoof on all anti-American movies that seem to spew from Hollywood like fire ants through the Texas prairie. Far from being all about Michael Moore, as liberals profess, this movie takes dead-on shots at general liberal/anti-U.S. propaganda that is taken as truth by the mainstream media and gullible Americans. The director is not afraid to give credit to Lincoln for going to war to fight slavery, when the Democrat Party of that day was willing to let the South have its way, just to avoid a war. I had to laugh when Malone and the Rosie O'Donnell character put up that radical Christian video as evidence that America deserved 9/11. If you know history as it happened, you will like this movie. If you know history as told by Hollywood, you will understand nothing. Good job Zucker, and now I want to see the Ben Stein movie that was in the previews.
An American Carol is an entertaining movie on many levels. I found it to be humorous and extremely poignant. The last take off on Dickens' "A Christmas Carol" that was this funny and this entertaining was Bill Murray's Scrooged. Kevin Farley (yes, Chris' brother) is amazing as rotund, anti-American film maker Michael Malone. This film perfectly lampoons and wonderfully illustrates mindless liberal agendas across the board. It's even emotional and moving at times. The amazing cast includes many cameos (Leslie Nielsen, Dennis Hopper, Kelsey Grammar, James Woods, etc.) and many outstanding performances. Almost every scene delivers either something silly, flat out funny or something to think about. If this movie doesn't make you think and cherish America then your mind is already closed, what there is of it.
I loved Airplane! I think it's a staple on the American comedy scene. In fact, I love several of David Zucker's movies, but he seems to have lost his understanding of the American psyche in his last few attempts. An American Carol, for instance, could just as well have been a pro-Nixon movie, released soon after Watergate. I'm sure there will be a few who will find Zucker's portrayal of Michael Moore funny and they would likely find a Zucker portrayal of Martha Mitchell to be humorous, as well. The irony comes in Zucker's failure to realize that most people side with Michael Moore on his opinions, as well as the facts that support his opinions, which Zucker pokes fun at by treating them as if they were untrue.
As a Liberal, I didn't expect to agree with Zucker's political views, and yet, I felt compelled to watch it and give it a fair shake, believing that my difference in politics might not prevent me from finding it funny. Unfortunately, An American Carol ended up being as disconnected from reality as I'd feared beforehand and I can't help wondering what Hollywood genius figured it would be a good idea to make fun of a controversial American political icon, just as the vast majority of Americans were figuring out that his serious accusations were justified. If Zucker were around for the Boston Tea Party, he most surely would have had a blast ridiculing Samuel Adams, and those throwing tea overboard, and I'm sure he wouldn't have spared American revolutionaries for wanting independence, either, because Zucker seems all about protecting the establishment, no matter who it is and what faults it may have.
I may sound motivated by politics, but that's really not the impetus for my harsh review at all. We've all seen funny political humor that was driven by views that we didn't share, but this is different because Zucker is trying to force humor that just isn't there. Michael Moore offers a plethora of opportunities for humor, but there is nothing funny about portraying people as wrong, when in fact, they were right. And if I am wrong on this, then I have a great idea for a satire about Abraham Lincoln foolishly trying to end slavery, which I'm certain will have it's fans as well.
As a Liberal, I didn't expect to agree with Zucker's political views, and yet, I felt compelled to watch it and give it a fair shake, believing that my difference in politics might not prevent me from finding it funny. Unfortunately, An American Carol ended up being as disconnected from reality as I'd feared beforehand and I can't help wondering what Hollywood genius figured it would be a good idea to make fun of a controversial American political icon, just as the vast majority of Americans were figuring out that his serious accusations were justified. If Zucker were around for the Boston Tea Party, he most surely would have had a blast ridiculing Samuel Adams, and those throwing tea overboard, and I'm sure he wouldn't have spared American revolutionaries for wanting independence, either, because Zucker seems all about protecting the establishment, no matter who it is and what faults it may have.
I may sound motivated by politics, but that's really not the impetus for my harsh review at all. We've all seen funny political humor that was driven by views that we didn't share, but this is different because Zucker is trying to force humor that just isn't there. Michael Moore offers a plethora of opportunities for humor, but there is nothing funny about portraying people as wrong, when in fact, they were right. And if I am wrong on this, then I have a great idea for a satire about Abraham Lincoln foolishly trying to end slavery, which I'm certain will have it's fans as well.
I can't say that my politics are very conservative (except in making government smaller), but this film makes "Baby Geniuses" seems like "Citizen Kane."
I can appreciate a well-made film regardless of its agenda. "Patton" and "Dirty Harry" are great, quality films with a Conservative bent. "An American Carol" is not.
This movie is not quality film-making. The writing, as Shakespeare wrote, "is a tale told by an idiot: full of sound and fury and signifying nothing." And NOT funny.
The acting - (Dennis Hopper, go watch your early work and strive for half of that artistry) - is painful. They say, "drama is hard, but comedy is harder." In this case, Kevin Farley (the Frank Stallone of the comedy world) must think drama is impossible.
As to the dual credits of direction/writing, David Zucker has completely lost it. I loved his earlier work, but he hasn't worked on an artistically successful film in over ten years, and it shows. Sort of like Dennis Hopper.
I can appreciate a well-made film regardless of its agenda. "Patton" and "Dirty Harry" are great, quality films with a Conservative bent. "An American Carol" is not.
This movie is not quality film-making. The writing, as Shakespeare wrote, "is a tale told by an idiot: full of sound and fury and signifying nothing." And NOT funny.
The acting - (Dennis Hopper, go watch your early work and strive for half of that artistry) - is painful. They say, "drama is hard, but comedy is harder." In this case, Kevin Farley (the Frank Stallone of the comedy world) must think drama is impossible.
As to the dual credits of direction/writing, David Zucker has completely lost it. I loved his earlier work, but he hasn't worked on an artistically successful film in over ten years, and it shows. Sort of like Dennis Hopper.
Some slapstick, mostly the kind of stuff you laughed at when Tom & Jerry did it thirty or forty years ago. Script-wise, it makes 'Goodburger' seem like comic genius. If you loathe Michael Moore, you'll probably find it hysterical. If you watch any network but FOX News, you'll possibly get a chuckle. But if you're just looking to throw away $9, go buy nine scratch-cards and save yourself the hour and half of your life.
I thought it was going to be good farce, going in. I'm no fan of Michael Moore, but it takes some particularly vile cowardice to claim that anyone "hates America" because of their political views. Neither Barack Obama nor John McCain hate America. Joe Biden might accidentally call it the wrong name and Sarah Palin can't locate it on an unmarked world map, but they don't hate it. If the producers were seeking to attract the attention of independent moderates in the election season, they needed to put more work into the humor and less into making their already-fanatical base bark and clap like seals.
I thought it was going to be good farce, going in. I'm no fan of Michael Moore, but it takes some particularly vile cowardice to claim that anyone "hates America" because of their political views. Neither Barack Obama nor John McCain hate America. Joe Biden might accidentally call it the wrong name and Sarah Palin can't locate it on an unmarked world map, but they don't hate it. If the producers were seeking to attract the attention of independent moderates in the election season, they needed to put more work into the humor and less into making their already-fanatical base bark and clap like seals.
¿Sabías que…?
- TriviaWayne Knight and Frank Caliendo turned down the role of Michael Malone.
- ErroresPatton speaks dismissively of his portrayal in Patton (1970) ("That Patton was an actor!"). And yet throughout the film Kelsey Grammer speaks in the gruff, gravely voice that George C. Scott used in that picture. In fact, the real historical Patton spoke in a sharp, nasal, and slightly Southern accented voice.
- ConexionesFeatured in The O'Reilly Factor: Episode dated 18 September 2008 (2008)
- Bandas sonoras1968
Written and Produced by Allen Simpson
Additional Lyrics by Lewis Friedman
Performed by Bobbie Bates, Lisa Fredrickson, Marcy Goldman, Sandra Asbury-Johnson,
Brian Michael Jones, Anthony Marciona, Stan Mazin and Allen Simpson
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Big Fat Important Movie
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,013,191
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,810,000
- 5 oct 2008
- Total a nivel mundial
- USD 7,013,191
- Tiempo de ejecución
- 1h 23min(83 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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