Casino Jack

How long can you screw someone before you get caught? The true story of super-lobbyist Jack Abramoff (Spacy) and his partner Michael Scanlon (Pepper). After finding a contribution loophole, Abramoff and Scanlon begin to exploit this and become very, very rich. I enjoyed this movie. I like true story movies, and I really enjoy political ones too. There was a lot of stuff in here I didn't know about. The amount he took and the favors he gave out are astounding. This movie really exposes the lengths that he and other senators will go to in order to get what they want. The movie is filled with different movie quotes from the "Godfather", "Rocky" and others, which is fun (Spacy is a pretty good impressionist). Overall I really liked this movie, and found myself liking Abramoff even less then before. The amount of money he through around to get his way is enough to make you sick, especially when you think a lot of our tax money went to helping him by a casino boat. Abramoff gets an F, as for the movie, I give it a B+.

Would I watch again? - Yes I would, this is the kind of movie I like

"Casino Jack" tells the real life story of Jack Abramoff (Kevin Spacey), who at one time held a successful career as a lobbyist in Washington, DC. Abramoff, like most lobbyists, was paid by big companies and organizations to help convince Members of Congress to vote for or against certain things in the senate. The film focuses on a massive corruption scandal that led himself, two White House officials, and 10 other lobbyists and congressional members to be convicted. This film is an interesting and somewhat humorous tale of just how far greed and money will take you in America.

I am not a news junkie by any means but I do remember this news story when it happened back in 2006. For those who don't recall, Jack Abramoff became a big focus in the news back in 2006 because he was convicted of fraud, tax invasion, and conspiracy. The film itself never really discusses his sentence however focuses on all the events leading up to it. Now given the fact that this is a movie, I am sure they took some liberties on the story to make it more entertaining. I will have to admit however that this movie seemed pretty realistic and seemed like most of it was based on fact. The people involved in lobbying probably fear films like this because I am sure it shows their true colors. The film really shows how anyone can be bought for the right price and the right amount of negotiation.

Kevin Spacey nails the role of Jack Abramoff in the film. We all remember Spacey from the 1990's when he amazed us in "American Beauty," "L.A. Confidential," and "Usual Suspects" but recently his films just haven't been delivering. However, I am happy to say with "Casino Jack" I really enjoyed his role. It was a very interesting role, he was a little crazy, a bit of a smooth talker, but yet overall a likable guy. I noticed Spacey got nominated for a Golden Globe for his performance in this flick and I have to admit either him or Paul Giamatti should get it. This is the first time since 2005 where I think Spacey has actually found a role that fit him as an actor. He was really superb in this flick.

Other than Spacey, there were some good supporting actors here. Barry Pepper, does a good job of getting the audience to hate him. He plays a young clueless womanizer who is also a lobbyist helping out Jack. Kelly Preston plays Jack's wife and she doesn't have much of a part but does add a little bit of flair to some of the scenes. Jon Lovitz plays a great overweight and clueless man who doesn't know a thing about bad investments. He like Barry Pepper's character is also a bit of a womanizer but than again isn't that how most of those people in politics are.

The film was directed by George Hickenlooper, who oddly enough died before the film was actually released. This officially marks his final film as a director. I can't say I have seen any of his previous work but I definitely like his take on this story. It was a very dark and sometimes funny look at things. His vision for Spacey as I said above was dead on. Huckenlooper really unlocked the dark side of politics with this film and really showcased how everyone has a price and even the most likable guys can have dark side.

Norman Snider wrote the screenplay for "Casino Jack" and really did a wonderful job creating the man known to the world as Jack Abramoff. With the help of Hickenlooper directing, Snider's script really made these actors seem like the people they were suppose to present. The script itself was very well written with great dialogue and focused on some of the key elements of the scandal. Snider did an excellent job with character development and that is really what made the film work. This is a very character driven story so its good to see that Snider made it his priority to focus on that.

In the end, I think with the right marketing this film could have been a lot bigger. I was surprised to see how middle of the road most reviews were for this movie. I thought it was a really solid drama with some comedic elements and a great performance by Kevin Spacey. I also have to say that the tag line for the film, "Honor. Integrity. Principles. Everything is Negotiable" is a perfect summary for the movie. If you like films based on actual events with a well written story than you will probably like this. This is definitely a very political film and really does make most politicians and lobbyists look like complete asses but than again don't well all feel that way now? Isn't everyone in government a crook and about themselves? I think a lot of people tend to believe this and this movie only showcases that more. It was a well made and well acted movie and for that I give it solid marks.

MovieManMenzel's final rating for "Casino Jack" is a 8 out of 10. Kevin Spacey's performance is worth the price of admission alone.

Movies like this, Spinning Boris, Barbarians at the Gate, Recount, bla bla bla... A lot of the reviewers on this board are treating this like a real movie and complaining about the style, the pacing, the acting, or whatever. They don't realize that the HBO docudrama is a genre of its own, and they all are directed like this, and have this kind of music and structure and pacing and so on. If you've seen one, you've seen them all. They are fakey, boringly executed accounts of real things that happened, they feel like they take a million years to watch, and they really only appeal to people the first time they see one.

Republican culture is full of sleazy, cynical con artists with big dreams that hinge on manipulating people and ripping them off. This movie is about two such men, Jack Abramoff and Mike Scanlon, and they are worthless people that no one with a soul can empathize with or relate to at all. Watching them make their plans and cheat people and be disloyal to their friends and lovers is boring. there's no entertainment value to it.

In movies like this it is important for the screenwriters to feel that they've painted their main character as an irascible, charismatic character, rascally and witty, full of little zinger lines and whatnot. The real Jack Abramoff seems to be a boring douchebag, and he probably did constantly do impressions of celebrities, but I doubt he was as interesting to watch as Kevin Spacey (who is not interesting enough to save this movie).

2010 seems to be the year that Hollywood universally decided to take its look at one of the great government scandals this past decade, producing both the documentary Casino Jack and the United States of Money, and this accompanying (albeit more fictionalized) account of disgraced lobbyist Jack Abramoff. After seemingly searching for a juicy role since his duel Oscar winning performances in the mid to late '90s with The Usual Suspects and American Beauty, Kevin Spacey is back in fine form and dominates the screen in this frequently enjoyable, though heavily flawed, rise and fall fable.

Oddly, what makes this movie great also represents its largest shortcomings. The acting is as varied as Abramoff's excuses pertaining to the generous "donations" he receives in the film itself. Barry Pepper as Jack's right-hand man Michael steals scenes at a whim when given the chance and could have easily elevated the film further if given more screen time. Spacey is superb bringing a delicious blend of pompous charm and sleazy anger to the role, and even manages to deliver both a credible Sylvester Stallone and Al Pacino impression amidst the political turmoil his character eventually encounters.

On the other hand, there are some disastrously misguided casting choices, beginning with Kelly Preston as Jack's wife and even though she exhibits some swagger towards the beginning to the film, she is unable to keep up with more skilled thespians as situations escalate towards the finale. The most egregious error is most certainly the inclusion of Jon Lovitz as the owner of a cruise line and casino who undertakes business dealings with Abramoff. Lovitz has proved himself a skilled comedian in supporting roles and did consistently great voice work on The Simpsons. Here, he is an unmitigated disaster, single handily sinking the picture on multiple occasions. He seems oblivious as to when to calm down, his camera mugging and inflections are grinding, and he is apparently unable to quit being Jon Lovitz and simply shut up; this is simply a poor choice by late director George Hickenlooper.

The story at play is a fascinating one, and seeing Jack at his manipulative best even as his world comes crashing down is engrossing. The middle portion however does its bookend acts an injustice, sagging down the segments exploring the infamous lobbyist rise and his inevitable fall. Hickenlooper seems unable to decide how to structure the transition; not how Spacey handles the material pertaining to his character's downfall, but rather the jumble of events by which it is precipitated. Though the event itself makes for inspired reading in venues such as the news or a fact-based doc, perhaps there is not enough substantial material (or maybe too much) to make a fully compelling fictionalized account.

Though ultimately less than the sum of its parts, Casino Jack is timely, passionately constructed and true to its source events. Abramoff is successfully made into the three-dimensional character that those close to him likely knew, and that the media was never able to (or more likely never wanted to) capture. Spacey is without a doubt a large part of this indelibly fiery characterization and strangely (obviously for reasons we will never know) seems more invested in this character than he has in any during the last ten years. Casino Jack's follies are all the more disappointingly glaring considering how strong the hard-hitting portions were, and though better than the average fact-based account, good enough is never good enough when greatness seems to be within reach.

Both gobsmakingingly awesome in its (true) take on Washington and just way OTT look at the Beltway, CJ is just so good. Honestly, if this had been made as fiction you'd shoot it down as implausible - the stink goes how high? - but here we see lobbyist and senators in cahoots to get the dollar in their pocket at the expense of just about every body else.

Spacey is in fine form, with a sterling support cast, and the film is best viewed as a buckle up and grin fair ride to the underbelly of politics - it really is so way beyond your standard black comedy or satire that it's just jaw dropping.

We enjoyed CJ - it doesn't aim to be a political thriller or have any great message but it is a lot of black comedy and seriously messed-up situations from beginning to end.....

Have fun now.....