Polytechnique

It's heartbreaking that this actually happend. The characters, for the film, were fictionalised, but Polytechnique shows a glimpse of what those innocent young people would have gone through. And it's truly saddening.

Handled as delicately as possible as the subject matter dictates, Denis Villeneuve's film is a haunting, and a deeply moving account, of an event in close history, that should never have taken place.

In contrast to the perpetrator's actions at the École Polytechnique in 1989, Denis Villeneuve's interpretation of the events is graceful, tactful and meaningful. Filmed in black and white, ostensibly in order to give the presence of blood a less invading quality, Polytechnique begins in the hours leading up to the attack and parallelly follows the killer and three of the affected students: two female victims and one male bystander who desperately tries to find the right course of action in the midst of the chaos. The film is narratively economical and passes no judgement explicitly. Instead Villeneuve lets the characters' actions speak volumes, and he gives his picture an extra zest by including some subtle jumps between timelines. An artistically fulfilled movie with a hard-hitting subject matter which would be Villeneuve's first stepping-stone towards larger projects.

From the opening scene of students busy doing their copying in front of an array of copying machines, and the sudden disruption caused by a burst of gun fire, Polytechnique grabs the viewers by the collar and placed them right in the middle of this horrific event that took place in Montreal in 1989.

The film claimed to be a fictionalized account of the massacre, in which 14 women were killed and many others were wounded, and I don't know to what extent it adheres to facts. But that does not matter. As far as story telling goes Denis Villeneuves did it with skill and without fanfare. B/W images, and a restraint use of dialogue and music add to the mood of this film, which is not an uplifting experience by its very nature. Acting was good by the several male and female leads. Editing was excellent.

Overall, I look at this films as Canadian cinema at its best - despite the depressing nature of the subject matter.

There is a beauty that pervades this movie, despite its awful subject matter, and perhaps that and the constantly falling snow, help imbue this with a sadness all the more profound. I was confused as to why there was no resistance or assistance and whether it was a hair colour change at the end that added to my confusion but none of this affected my feeling of reverence towards the film itself or its director. I'm not sure if I had seen this upon release I would have imagined Denis Villeneuve would be equipped to go on to make a successful sequel to Blade Runner a remake Dune or to tackle Cleopatra but the talent is certainly evident, even in this quiet, subdued, calm and effective account of a mass slaughter.

As a piece of cinema, this is truly a sight to behold. The filming is beautiful in its ability to tell the story of a horrific shooting in Montreal in 1989. The black and white filming and the direction remind of the "Dekalog" by Krzysztof Kieslowski.

The acting is exceptional. The performance by a young Karine Vanasse is powerful in its understated subtlety.

The story is deeply moving. This type of plot isn't for everyone, but if realistic drama is enjoyable to you, as it is to me, then you will be impressed by the quality of this movie.