Tôkyô zankoku keisatsu

Wow. That's one word to say after this master's class in splatter-fest ends. But there's more, lots more. This is classic modern exploitation fare, not exactly a very good movie, no, but absolutely spectacular in everything that it sets out to accomplish. Which is, basically, to try and out-do whatever's come before it in terms of outrageous splendor of body parts, dismemberment, be-headings, sword-cuts, arm cuts, and blood flying out like it's a dam exploded. And on top of this the filmmakers have an incredible design conceit that allows for limbs, once torn off or exploded or shredded or whatever, to spring back crazy appendages that range from heat-seeking missiles to crocodile jaws to genital "restructuring." There is no other movie quite like it.

It's also, not so oddly enough, a rip-off in part of the Paul Verhoven RoboCop/Starship Troopers style of putting in advertisements and PSA's in honor and exquisite mockery of the police-state the movie is set in (thankfully, the director, Noshihiro Nishimura, is just as brilliant at these as Verhoven, especially when doing bits like "Cutting yourself is cute!" and "Don't commit Harakiri!"), not to mention the bubbly little Japanese girl ala Battle Royale communicating to the public. But the concept itself, however ripped-off, is not exactly what's important (it's police/revenge saga mixed with wacko sci-fi bits like splicing genes from various serial killers to create the perfect psycho). What's important with Tokyo Gore Police is the daring to just go and do whatever the f*** is possible within this scope of total abhorrent violence and death and blood and guts and limbs sometimes stacked in piles ("No, no, the *right* hand!" is a great throwaway line).

Basically, if there's any other movie aside from possible Dead-Alive that can contend with it, this is the goriest movie ever made outside of the US. Even for Japan, who have produced some of the craziest action/horror/sci-fi stuff anywhere ever (Miike especially can lay claim to some of it), it's extreme and it's certainly not for the faint of heart or easily offended or yada yada. It's for the fans, the die-hard group that just can't seem to, on the contrary of most, be offended by anything. In fact, that's the joy of watching Tokyo Gore Police, which with a few scenes as exceptions where they get into real "Dramatic" moments, being that so much goes on, one thing tops the next, that it's impossible to keep a straight face. Eihi Shiina (of Audition) as the hero of the story comes across so much craziness with the "Engineers" as they're called, who face off against the militant police in a dire battle, that by the time the end credits roll we can't keep up with the final body count.

In short, this is the kind of movie that Patrick Bateman or Alexander De Large would rent about 300 times. If you know who you are in the audience, and you love insane horror that is laced with bristling, so-over-the-top-it-reaches-the-moon comedy, seek it out. You won't be disappointed as far as after-midnight/gross-out-your-girlfriend flicks go.

I thought I would like this movie,it had everything that I was expecting and more but really after watching it I was a bit like...huh? The movie isn't bad, it isn't good, it's kind of just there, if you want to see bucket loads of gore and really bizarre creature people then by all means watch. I just wasn't grossed out by much of the movie, the uh club part was kinda sick though. I guess I was just expecting a bit more from this movie and it didn't deliver everything that I thought it would with such a high score on this website.

Gore fans will probably like it but in comparison to other Japanese horror or splatter films such as Koroshiya 1, it just didn't deliver.

Wowza! Along the lines of Evil Dead and Dead Alive, this splatterfest is sure to be a cult classic. Eihi Shiina, famous for playing the crazy girl in Takashi Miike's Audition, stars as a member of Tokyo's police force. Her specialty is hunting "engineers", genetically modified humans who can reconstitute their flesh wounds as weapons. I think 90% of this film's budget was spent on red Kool-Ade and fire hoses. Every severed limb produces approximately 30 gallons of fake blood. A movie like this can easily become repetitive and thus boring, but the true worth of Tokyo Gore Police comes from its endless inventiveness. Yoshihiro Nishimura, who has spent his career up to now as a makeup artist, keeps upping the ante, showing us some horrible new thing we've never seen previously in every sequence. It's all extraordinarily disgusting and depraved, but it's the best film of this type I've seen in a while.

Ever since that epic 4 minute trailer was released last year, Tokyo Gore Police has been my most sought out movie for the last few months. The trailer was quite simply a glorious showcase of screwed up gore with a cool score to back. I was slightly worried that the trailer showed all the gory parts, leaving the movie with nothing interesting (which happens all too often). Fortunately I was wrong, Tokyo Gore Police is nothing short of one of the goriest, most insanely f#cked up movies ever made. Now, I will get this out of the way now, this is technically not a "good" movie: the plot is flimsy at best, the SFX are low-grade and there is no character development; however, this movie is entertaining and fun.

There is a story, which is set in the future, where criminals called "engineers" mutilate their bodies and transform into half-machine half-human monstrosities to wreck havoc. Ruka (Eihi Shiina, from Audition fame) is an "engineer" hunter who uncovers some hidden secrets involving her past from an engineer which reveal a corrupted police force.

Really, that is the extent of the story, with the rest of the movie the director's way of showcasing some serious messed up mutations and plenty of arteriole spray. This is the only movie I think you will ever see something like a chair made of human flesh which urinates on a group of people into S&M, a man with a penis gun, a woman with a snail shell and a crocodile/vagina fusion. This is all OTT and played for laughs, and I think it works that way. In no way should this be taken seriously, much like The Machine Girl, this is a ridiculous movie that really accomplishes what it sets out to. Although it runs for a good 110 minutes, it feels like its over before it starts (due to its unrelenting pace).

Already I think this is a candidate for one of the best movies of the year, and I believe its guaranteed to be a cult classic! If you enjoy Cronenberg style biological horror and enjoyed Tetsuo: Iron Man then this is right up your alley.

4½/5

These movies are hard to be harsh on, since like Troma, which I feel this was inspired by, it knows its trash and sets out to be the trashiest of trash. And it succeeds.

Normally I'm not the most squeamish of people when it comes to movies, but this movie made me sick, which again, it was setting out to do. I kind of liked it, but won't watch it again. There's a lot of blood, a lot of gore, and a lot of fluids, and it's that last part that gets me. I don't like puss videos, I don't seek out LiveLeak stuff either. BUT when it's in a movie, and you know it's fake that's another thing.

Lady cop kills a bunch of mutant scum. There's no depth to it, no pretension, it is surface level. You'll either like it, respect and acknowledge that it did what it wanted it to do, or be annoyed by it not being more than as surface level as it is.

It's a silly movie with silly gore, and that's it. Since it is going for comedy, that's where it starts failing, while subjective, I feel like too many times things are forced in there be it jokes or gore. It rides that fine line of the camp it's going for and being trashy and ruining its goal.