La directora

Absolutely smashes the zeitgeist of cancel culture. Sandra Oh, (the new and first female chair of an English faculty) is beset on all sides; from the old white male privelidge establishment to the campus fashion of shutting down anyone that doesn't chime with the latest political views. Free speech really is dead. Don't you dare debate classic literature unless it's via twitter with a meme.

I loved it yet shouted at the screen in frustration in equal measure. Bloody millennials.

Although this is purely a work of fiction with some excellent comedic moments it tells many truths. Yes, things have to change, the old ways certainly aren't the best, but to prevent any kind of discourse because of a bad choice of phrase or the wrong word? Utterly immature and counter productive, a bit like a 3 year old with their hands over their ears shouting 'lalalalalalala!' when told not to stick their finger in an electrical socket.

Highly recommended.

Finally, a show that's not about cops, crime, zombies, etc.

Perhaps I'm the right sort of age for this - mid forties - but I found this pretty funny and of course Sandra Oh is always compelling to watch.

What I find hard to get my head around is that while the subject matter and in fact what the characters are often talking about is race, gender and inequality, the characterization does not live up to those ideals. The characterization of white men, women and people of color are very tired and old. The female chair is always scrambling and in a panic perpetuating the idea that women are less capable in leadership positions, the sole black teacher has no backstory and exists only in relation to the other characters. There is a very typical white male role - 'brilliant washed up professor' who behaves without responsibility but it's excused because he's 1. Brilliant and 2. Sad. So bored of that narrative. The only decent representation is Joan for being a badass but still relies on the old trope that older woman doesn't feel appealing so says what's on her mind because she's nothing to lose.

If you're going to make a series that talks explicitly about issues of gender, race and inequality then your work need to be above what you're critiquing. Otherwise you're not hitting the nail on the head so much as missing the mark entirely. Which is a shame because you can see they're trying.

Perhaps more diversity in the leadership roles and less from the types of people who brought us the death of Khaleesi.

I recognize that this is a comedy, not a documentary.

Still, how can a show that's *so* spot-on in its casting, its writing, ts grasp of the issues roiling 2021 campus life, and (the issue closest to my heart) its understanding of the many ridiculous demands placed on department chairs, be so spectacularly or willfully out-of-touch when it comes to its portrayals of:

• gender disparity (a humanities department that's almost all male -- seriously?),
• age (a faculty with almost no one below retirement age -- seriously?), and, especially,
• costumes (professors wearing suits, ties, or jackets with elbow patches - elbow patches? In the 21st century? Are you f'ing kidding me? -- when teaching or when attending faculty meetings) ?

Seriously?

I love Sandra Oh & the rest of the cast was great, too. It's wonderful seeing a show discussing race & class & privilege in the workplace. I also enjoyed seeing the older actors with interesting storylines & doing comedy, too. Finally, the adoption story was very engaging and something I hadn't seen before. I thought it wrapped up nicely while still leaving room for a second season.