Bachna Ae Haseeno

Ranbir Kapoor in his debut leading man role as Ranbir in Saawariya, didn't have the luck to snag the lady of his dreams, maybe because he was kind of a cad too, where karma had a part to return and haunt him. In his second feature film here, his Raj Sharma is again a cad, and credits himself being a "lady killer", able to woo any woman when he turns on his charms. We journey with him as he learns the true meaning of romance and love, and the first half of the movie before the intermission, gives the audience three situations over the course of 11 years where he toys with the emotions of different girls, broadly the sweet, sexy and sassy type, until of course, Karma catches up with him again for that all important lesson.

Girl 1: Sweet. 1996. Switzerland. In what would seem like a Before Sunrise storyline, Raj meets Mahi (Minissha Lamba) on board a Euro-train, and engineers his way to be able to spend time alone with his mark, on the pretext of sending her to Zurich to reunite with her family for their trip back to India. This episode sets the stage for Raj as the manipulative casanova, while Mahi is a very girly girl who harbours dreams of that perfect man, the perfect romantic encounter, and that perfect romance coming out just like her favourite movie. Only to discover that her puppy love, with sweet nothings and dedicated poems, resulted to naught when Raj's game is exposed. Broken Heart 1.

Girl 2: Sexy. 2002. Mumbai. Raj seemed to have moved on to another target, though it may seem from the onset he's already been domesticated by Radhika (Bipasha Basu from Dhoom 2), a hot model and aspiring actress who's his neighbour and they're living in together. Raj would have thought that a woman like her, stereotyped of course, would be easy and loose, living the fast life, and wouldn't want to be tied down to marriage because it will hamper her career. So when an opportunity to work in Sydney comes knocking and presents itself as a perfect moment to ditch her, to his surprise Radhika contemplates marriage, which he tries wholeheartedly to avoid. She's willing to sacrifice her career for him, but suffers the unthinkable in being left at the altar. Broken Heart 2.

Girl 3: Sassy. 2007. Sydney. It's actually quite a no-brainer to cast Deepika Padukone here given that she too, like Ranbir Kapoor, had 1 feature film under her belt, and are relatively successful newcomers to the industry (her first effort was in Om Shanti Om, and more recently, Chandni Chowk to China). And (ok Gossipy news ahead) this film actually was the catalyst for their much touted romance (and you can see the dynamics at work with some of the behind the scenes and interviews included in the 2nd disc). Anyway her role here as Gayatri, a business school student who works her way through school as a supermarket check out girl and a taxi driver, impresses Raj a lot, enough to romance her in Venice, and give up his gallivanting ways. Only of course for him to have met his match, and got spurned on his marriage proposal. She's a modern girl wanting to live life on her own terms, so being someone else's wife has never featured in her plans. What goes around finally comes around. Broken Heart 3. Raj's.

While the first half of the movie before the intermission was pretty plain sailing romantic stuff, the second half proved to be more powerful, because the protagonist finally has his eyes opened by his new experience, and realized he's been quite a bastard. So off he goes to make amends with the girls whose hearts he had broken, and mind you, in both real and reel life, this is never easy. Especially when you have to go back and face the women who had one point in time truly love you, and your actions had single handedly destroyed their belief in romance, and change or scar them for life.

We get a lot more jet-setting as well, all worked into the plot, such as the visits to Amritsar, Capri and Rome, as we follow Raj on his mission impossible to seek redemption and forgiveness from a housewife with a protective husband, and another who's now a renowned model with success to her head. I had enjoyed this section more because trying his best to be honest now, Raj has to strip his ego and really crack his head to device his forgiveness plan. Also, we get to see the different demeanours that both Bipasha Basu and Minissha Lamba had to tackle given their characters' failed romance with Raj, which had changed them either for the better, or worse.

The songs here proved to be catchy and fitting to each of the sweet, sexy and sassy persona that the girls bring to the table, and the beautiful locales they were shot in again were draws. Other than the very first musical number Bachna Ae Haseeno which opens the film, you don't get to see everybody on the same scene together, as each storyline took place under mutually exclusive terms, in timeline as well as locations.

If there's something to take away from the film, then it's the lesson that Raj learns, with the past being over and there's no longer control over it, but we can rectify things for the future if we take action in the present. Call me a sentimental fool, but somehow this works on me.

Siddharth Anand is one of the brilliant young Director in Bollywood. Salaam Namaste (2005) and Ta Ra Rum Pum (2007)was purely entertaining movie, and so is BAH. I am really surprised to see Ranbir Kapoor. He has totally broken down the "Saawariya (2007)" image. Some of his expressions surely make you laugh. He was brilliant all over the movie. Minisha Lamba, Bipasha Bashu and Kunal Kapoor also did a great job. But didn't like Deepika Padukone very much. I think her role was not to strong here and performance was so so. The locations were great. Songs were not so bad. Every shot is brilliantly taken. If you want a pure entertainment, buy the ticket and popcorn.

Bachna Ae Haseeno is another modern Yash Raj fare. It is a romantic comedy at first and then turns into a... romantic drama. The film centres around the character of Raj, played by Ranbir Kapoor. Divided into three episodes each one presenting his relationships with three different women in his life, Bachna Ae Haseeno has a far stronger second half, but overall it's just another clichéd take on modern relationships. The movie shows the character of Raj as a guy who does not really take anything seriously but it aims to portray his growing maturity in life, and it partially succeeds. The first chapter presents a rather ordinary counter train meeting. It is a very cheesy episode which takes a lot from such films as Dilwale Dulhania Le Jayenge and Jab We Met and actually does it admittedly. The second one is another meaningless portion portraying his relationship with an ambitious yet selfless aspiring model, and the third chapter shows how he ultimately falls in love with probably the wrong girl - an independent young lady who, among other jobs, works as a taxi driver and sees marriage as an obstacle. The first two episodes show Raj breaking the heart of two different girls, and the third shows how a girl breaks his heart. His heartbreak motivates him to try and meet his ex-girlfriends and ask for their forgiveness.

As one can see, Bachna Ae Haseeno has a very unoriginal script. Not that it copies a certain film, but it just takes inspiration from so many famous romantic comedies that it really gets on one's nerves from time to time and looks very ordinary throughout. It also has many annoying references to previous Yash Raj flicks. The second half takes more shape but it's not without its flaws either. Expectedly, it unfolds in episodes, mainly two, in which the protagonist tries to atone for his sins and clean his conscience. The first episode with that girl Mahi is handled pretty well, but come on, why would a girl lose her faith in love because she was lied to by a jerk whom she knew for one sole day? The fact she even remembers him after 12 long years looks totally awkward. The second episode re-meets him with Radhika, who was deeply in love with him and was abandoned by him on the wedding day. She is now known as Shreya Rathod, a popular supermodel whose attitude has become most cruel, malicious and evil, something which reminisces of Meryl Streep's Miranda in The Devil Wears Prada. This sequence is far more credible and it is perhaps the film's most entertaining. And then, after doing what he so longed for, he goes back to meet the girl who broke and heart. What happens next is something I believe anyone can predict.

Bachna Ae Haseeno is traditionally made, with songs, emotions and moments of old platitude, but then again, it has its pluses. The soundtrack by Vishal-Shekhar is very good. "Khuda Jaane" is the best number - well composed, performed and visualised on-screen. The casting is quite okay. The script does not really require some great acting talents to begin with, so it's passable. Ranbir Kapoor is plain okay as the main lead. He is generally well cast, but he does not register the growth in his character with total conviction. This kind of a role would have suited perfectly someone like Saif Ali Khan, whose superb comic timing is matched by his ability to mature as a person throughout a film. Ranbir is just not there yet, and although he is confident, that too is overdone at times. The girls are mainly there to look pretty, and they definitely do. Minissha Lamba is vivacious and cute, Deepika Padukone is extremely pretty, but both get overshadowed by Bipasha Basu who is so amazingly attractive that at times it's hard to believe anyone could leave her like Raj did. It looks like she gets sexier with every film, but besides that, her performance is probably the film's most convincing. Despite its flaws, Bachna Ae Haseeno is not that bad a film and it has its moments, which make for quite a decent one-time watch.

Just when you thought, Bollywood's first family Kapoor khandan is ready to hand over the title to Bachchan family, here comes a young, handsome, dude, who is here to stay. I never cared to watch Sawariya (from all its promos, it looked too wimpy). But this one surely is going to place him on the hot-stuff category! The three heroines are adequate, with spl mention of Deepika P. Though the character is bit unrealistic (who cares for realism anyways in commercial bollywood films?), but she definitely carries on the role of an independent, yet vulnerable character! Music is great, Khuda Jaane is going to the classics. You just can't get enough of it. Jogi Mahi takes time to grow, but when it does, it sticks. Lucky boy is yet another dhin-chak number with less substance. Shreya Ghoshal & Lucky Ali's Ahista Ahista is a lovely track, that takes time, but it becomes addictive. Another good note: thanks to Vishal Shekhar to have given youngsters some chance: Raja Hassan and Himani Kapoor are on the tracks, though very small contribution.

Cinematography: well, I really don't believe in going to nice locations, Australia, Italy, Switzerland to make a nice 'looking' movies, however cinematographer has made use of locations well. While the movie cinematography is alright, but song picturization is surely a winner! Loooove the long sweeping camera movements in 'Khuda Jaane', the camera rotations in colorful 'Jogi Mahi' or the 'Bachna Ae Haseeno' title track with the morphs, or the scooter-on-the-move sequences in 'Ahista Ahista'! The movie is a great watch. Very contemporary, even the languages and dialogues. The other casts, like Kunal Kapoor, and Sachin (isn't he Paintal Jr?) do a great job.

Overall, a decent watch. If you do have the DVD, watch the deleted scenes too. Kapoor is definitely going to become the next Hrithik Roshan (though real HR is not going anywhere).

Raj (Ranbir Kapoor) thinks of himself as a lady killer, and seriously breaks the hearts of two young women: Mahi (Minissha Lamba) as a teen, and Radhika (Bipasha Basu) as a twenty-something. Shortly after devastating Radhika, Raj falls in love with Gayatri (Deepika Padukone), only to have his own heart broken. Seeing how it feels, he sets out to try to make amends with Mahi and Radhika.

I was surprised at how good this romantic comedy-drama was. All four leads were convincing, the film work was good, and the story was strong. The music ranged from really terrible to average. (That first song nearly put me off the movie entirely.) I enjoyed the overall movie enough to ignore the bad songs, though, and do recommend it.