Mafia II

Lasted the rest of time gameplay a little clunky now but a fantastic story and left you wishing there was much much more! With some finely polished gameplay up to date with newer systems this could have been perfect.

First of saying, I've been a fan of the Mafia series since Mafia: Lost Heaven came out back in the mid 2000's but when Mafia 2 came out it blew it right out of the water! The story follows a young Italian man named Vito Scaletta as him and his best friend Joe rise up into the ranks of the Mafia underworld in 1940's/1950's Empire Bay. Throughout the story there are a lot of twists and revelations that will leave you thinking, also glazed with gorgeous graphics for a PS3 game. The game play is solid, the handling of the cars when driving, the shooting and finally the explosions are smooth, they will complete your gaming experience (The DLC's aren't bad either check them out!) Finally, you have the historic accuracy of the real life events that also occur in game such as The Rosenbergs, Eisenhower, Auschvitz etc. The Soundtrack I couldn't ask for more great songs! A wide variation of R&B to Rock and Roll. Seriously if I haven't convinced you by reading this you need to read it again! Seriously 2K well done looking forward to Mafia 3 in October!!

The chronic oversaturation of the mafia in our international media has taught us much. Mafia II is an attempt to chronicle these teachings in game form. Fact number one: mafia men do lots of killing. Fact number two: they like suits. Fact number three: mafiosa don't call each other mafiosa; they use the term 'wiseguys'.

I've cross-referenced facts one and two with Mafia II, and they're definitely right – a lot of killing and a lot of suits. Fact number three isn't. 'Wiseguys', with its implied streetsmarts and cunning, doesn't fit Mafia II's mobsters. It certainly doesn't fit the mid-level gangster the game asked me to tail early in its middle act, who didn't have the presence of mind to check his rearview mirror as he drove away from a literal hatchet job. Had that guy done so, he'd have seen Sicilian-born WWII veteran and new-boy mobster Vito Scaletta about 20 feet behind, dressed in a red and white cod- Hawaiian shirt, driving a hot pink corvette with 'BUMS12' proudly displayed on the numberplate. That guy was not very wise.

Wise up

The other guy was me, and I was trying to be too wise. As Mafia II's protagonist, my first attempt to trail the escaping mobster ended in failure after my original car choice – an inconspicuous '50s saloon – was outpaced with ease on the motorways. I only chose that car, snatched unattended with a bit of pavement minigame lockpicking, to satisfy the mission briefing, which said my mark would notice anything too obvious. Dutifully I wrested against the vehicle's slightly clunky era-specific handling to try and keep pace. But after my AI target had pranged his own vehicle six times against anything and everything in his path, I realised that such forwardthinking wiseguyishness wasn't entirely necessary on my part.

That Mafia II so effectively harpoons its illusion of real life, showing its characters to be machines acting out prescribed paths, is to its detriment. But the fact that I bought into it in the first place is the game's greatest strength.

It's not that Vito is a sympathetic character. Returning from a war he held no moral stake in – after a botched robbery, it was that or prison – he joins the local mafia, even though his mum told him not to. Naughty. From there on, he relies upon menace through the typical mafioso triple-threat: punching, shooting, and scary staring. Best buddy Joe occasionally dips a toe into 'comic relief' territory, but then ducks back into 'just a bit nasty' land, gets his pistol and shoots everyone in comic relief territory. Those poor clowns.

City of dreams

It was the city that drew me in. An amalgamation of New York's streets and Hollywood's hills, Empire Bay is as interactively sterile as all other 'open-world' game-cities, but it's been coated in a veneer of dreamy credibility. Each street and hallway has a feature – a man shouting at an open window; a woman pressing her ear to a door; the sound of an argument. It's easy to see these details written down in a design document, but it gives Empire Bay a genuine rhythm, a pulse that Liberty City lacks. Plus, it helps that it is – on hefty machines – stunning. Turn up in the city in winter, and the streets are caked in snow, with layered bands of crystalline white on the untrodden paths contrasting with slush on the roads. And the lights! Even as the game transitions out of the 1940s and into the '50s, Mafia II's waxy lighting remains consistently arresting, casting pools of gold and yellow on windscreens.

But there's no point to any of it. The city breathes and grows, changing as the missions span the years, but it never moves or cries out. The game is presented in chapters, and each chapter has you wake up in your home. Vito, I can inform you, is a man who sleeps in the same vest and pants for nine years. Before the poor, smelly bugger can even get dressed, he's hit with news and a job. The game forces you to drive to a location: once there, Vito either shoots some men, punches some men or drives to another location.

Incidental chaos

Unless you make your own fun, that is. I enjoyed people-watching in a city where every pedestrian and car driver has the situational awareness of a frightened rabbit. Drive near one of the AI humans on foot and their preset reactions kick in, launching them in a seemingly random direction. Sometimes, this would be toward safety; more regularly, they'd hurl themselves into speeding traffic.

Having a woman – a few moments earlier happily strolling down a sunny street – chuck herself in front of a nearby van is certainly a surprise. Having that van then swerve to try to avoid her and plough through another three pedestrians is brilliant. Having that van then be spotted by a police car, having those police open fire before getting squished by the panicky, blood-leaking van driver, is better than another cover- shooting 'kill 50 goons' story mission.

Mafia II is a mafia movie run once through a game grinder, and that's simultaneously the worst thing about the game and the compliment it was developed for. In telling a story as convincing as most Hollywood depictions of the Cosa Nostra, 2K Czech have accomplished exactly what they intended to: only at the end does the artifice topple slightly, piling one too many game-cliché mass-battles onto the pile. But detach the story from its very familiar housings, and we're not left with much: a bit of walking, a lot of driving and too much shooting. Each is good, but rarely superb.

Mafia II is an excellent game for those who enjoy real time video games. In addition it has a very enjoyable game play and artistic graphics. I think one of the most interesting attributes of this game is it's story.

The story is very strong and attractive. It's more like an amazing playable novel! It's unpredictable and has many rises and falls and never gets boring. Dialogs are very impressive and perfectly present the characters. Characters look very lively and events are so real that you can feel yourself inside the game. Characters mostly aren't separated into absolute good and bad, some are better and some are worse. The story tries to teach us positive lessons out of anything that happens during the game with a logical perspective. I would love it more if the story could continue a little further because there were some things unfinished. Maybe it was one other elegant point that in the real world you can never finish everything. Or probably the rest will continue in the third part of the game.

Houses, streets, cars, shops, decorations, cloths, accents, musics and many other things give you a very close experience of living in New York 1940s. There are details everywhere which are artistically added. Traffic and pedestrian also look so alive that makes the city more real.

Shooting is very exciting in this game. Sounds of bullets when fired are very real. Taking cover and effects of bullets on objects and people makes the battles very natural and exciting. I would like it better if the number of weapons in player's coat were not unlimited and his garage could contain fewer cars as it was a small place. Game is played under various conditions ; winter, summer, war, prison etc. and each episode has a fresh action to do. Cars are so real as well and artistically made that makes driving enjoyable. Clothes also are so beautiful. I love it when some parts of the clothes like tie and coat shake and move around when the player is moving.

Altogether in my opinion, Mafia II is fantastic game which is definitely worth playing. It can be informative and makes enjoyable moments for you.

So this is Mafia 2. There aren't very many games out there such as these. This is a sandbox game a lot like GTA V but set in the golden age of American society when marijuana was warned to people as being an indigenous peoples poison. You play in a replica of New York city. You start from the bottom coming back from world war 2 to your home of Empire Bay. Then, you will in the end become a mafia man or made man. There is Mafia and Mafia 3, I only have Mafia 2 and Mafia 3 for now. You can play most of the game in single player campaign without having to fart around in diners, car panel beaters etc... etc.... If you play the DLC (downloadable content) it gets even better, You don't have to waste time in places where you would be more useful somewhere else. Steal cars, kill people, blow up trucks and kill a don or two nearer the end. I think there are downsides. Cars can be rather difficult to drive and sometimes the shooting in the game has a hit detection problem but, however, a passable cover system for the most part. I bought Mafia 3 from EB for just ten dollars. Just buy it given the price. I hope 2K games will release something again similar to this but if they can. I think gamers would enjoy it. I am not too familiar with 2K games however. I downloaded the other DLC but haven't played it yet I think I might move on to something else and come back to that later. Bada-bing-bada-boom.