The Pleasure of Being Robbed

I stumbled upon this used DVD in a thrift store and knew nothing about it. It just caught my eye and something told me to buy it. I'm so very glad I did. Sometimes the stars align and miracles happen, and that's what it took for me to find out about this excellent little movie.

I was expecting it to be a micro-budget indie film with bad acting, and hoping for a few redeeming moments and a whole lot of charm, which is about the best you can ask for from that type of film (I thought). But I was blown away. Five minutes into the movie I realized I was watching something else entirely. I've never seen anything like it. I didn't know indie films could be made this well.

Everything about it is just perfect and far better than any attempt I have seen before. The cinematography is beautiful and the editing is very good, as it the acting, which surprised me the most. The actors here are all ones I'd never seen before, so no big stars, but they all did an excellent job (aside from a few moments of mediocre acting in some of the smaller roles).

Now let's get to the story. It's about a young woman in her twenties who lives in New York. We've seen it a hundred times, right? Nah, this woman happens to be a pickpocket. And for the first time ever, we get to watch a pickpocket going about her day. Some have argued that there's no plot, but wouldn't a plot just make it so boring? That's been done before! It's better just to watch the characters sometimes. This one is fascinating!

Everything was very well done for such a low-budget film, although I later found out that multimillionaires Andy and Kate Spade had something to do with this production. I believe that most of that money went to acquiring film stock, however, as this film was shot on good old film rather than digital, the latter being the preferred medium for films like this. But the film look really makes this all that much better, and really adds to the style and makes it look more legitimate while still maintaining wonderful raw and gritty feel.

Perhaps I've watched too many 2000s Williamsburg hipster flicks lately, but this one was a real tedious experience. There's certainly something intriguing about the feeling of dull desolation that characters like her, Francis Ha, and the girl in Eternal Sunshine invoke. It's a sort of, life's not that bad, but it's not that good either - a feeling that many people can relate to, especially the Passion Pit stans of the aughts. That said, it's difficult to feel sympathy or even irritation with the characters in this movie. They're aloof, they're flighty, they're criminals in the most pedestrian sense. You don't feel a connection with the characters, and maybe that's the point: they're dull mundane version of living on the fringe is a greater story about the boring dystopia that is America and youth culture. Maybe. Though, like with Frances Ha, it reads a bit more like at some point in history this mentality was cool or edgy. Sort of a last celebration of shoplifting graphic tees from Zumiez and sneaking into the mall movie theatre: it seems like a big deal while you're doing it, doesn't really matter to anybody else..

I just saw this at a university screening. After reading the reviews here, I wanted to add my response, too.

I thought this film was really moving. I think it goes a little way toward helping a viewer recognize the wild grip he or she places on things or expectations, and what's more amazing is that the logic of the film allows it to do this almost solely through humor and with a light touch. Many moments in the film are not that far from Gogol's Dead Souls or Tati's Hulot in their liveliness and scope.

At the very least, I'd recommend it to a friend--a thoughtful and surprising film.

I've seen a lot of terrible reviews about this movie, and I don't really understand why. It's not a terrible movie for the masses, it fits a select few tastes.

If you like Sofia Coppola type films, realistic feel without begin reality or a fake documentary, than you will probably like this one. Don't go into it expecting an amazing plot line, and a twist ending, because than you will be disappointed.

I think the cinematography was done beautifully. They got the right, and the wrong angles, in all the right ways. You almost feel as you are following her around and getting a real time look into someone else's life.

I don't want to give too much away, but I would give the movie a chance before you decided to hate it. Watch the trailer - so you get the basic idea of what kind of film it is.

The worst film I've seen in years. From the first minute to the last, nothing happens! Our (hugely unlikable) hero, Eleonore, who we follow through the film steals from people for unknown reasons. She is the same person from beginning to end thereby leaving the audience with absolutely no satisfaction. There is no character development, no arc, nothing. This film is as bland as puddy.

It's quite obvious the filmmakers were going for a John Cassavetes story-telling, rawness" but didn't even come close to reaching that bar. Instead they succeeded in showing off their immature, New York, self-indulgent "I'm too deep as an artist" arrogant ability producing this 70 minute film that felt like 3 hours. Everything comes down to idea, idea, idea. Concept, concept, concept. Character, character, character.

My favorite of the worst scenes in the film was the "driver's education film" stuck in the middle of this non-existent plot. I understand people in large cities don't drive & maybe have never driven, but come on: Eleonore, are you 3 years old? Are you mentally-impaired? I mean, you've seen cars, right? You live in NY city, they're all around you. You do get the basic idea of what a car does? How it works?? Ever taken a cab anywhere??? Watching the driver's-ed course which seemed like 45 minutes was pure torture! Seriously, is this really story-telling? C'mon, do you look at your own film & say, "WOW, it's so wonderful & deep."

Having screened at the L.A. Film Festival, when asked about certain character/story questions from the audience, the filmmakers had no clue how to answer these basic questions like, "why does Eleonore steal?", or "what's the meaning behind the title?". They just confirmed to the majority of the audience that they are just a bunch of white-kids with a lot of money, making films in which they have no business doing. I wouldn't have such a problem but knowing they think the world of themselves just because they went to NYU & live in some trendy area, living off mommy & daddy's allowance but play it down like "I'm a struggling artist just like you" is completely insulting.

I felt robbed after having seen this film. Can you give me back my time? How 'bout my money. There is NO pleasure in being robbed.