Castillos de cartón

This movie's a unbalanced boat which tampering itself with little rocks that keeps pushing itself to touch the beach but after got close the boat realise that it wasn't beach it was a island!

Marcos, Jaime and Jose build up a particular relationship in their lives. The story about three painters and friends is going to be the excuse the director focuses on to tell something about personal affairs, friendship and how love can be shared. As part of it, painting will be the connecting thread so that the three main characters express their fears, frustrations and ambitions. The rhythm is slow, sometimes seems slow motion, though it is offset by an intimate closeness with the characters, to whom the spectator almost knows at the end. Also the music and interior shots make the film cozier and suitable to describe in a particular way the world of art in the eighties/nineties in Spain. If you are expecting a masterpiece, won't find, but will discover three personal stories that seem to be only one.

3some isn't just about romance-it's about the messy, complicated nature of desire and self-discovery. Marcos, Álex, and Carla's dynamic is charged with tension, attraction, and the unspoken fears that come with breaking societal norms. The film's greatest strength is its honesty; it doesn't shy away from the confusion of exploring one's identity, nor does it force its characters into easy resolutions. Instead, it embraces the fluidity of emotions, making every moment feel both intimate and unpredictable. It's a raw, thought-provoking story that lingers, not because of shock value, but because it dares to be real.

Visually, the film takes a minimalist yet deeply evocative approach. The cinematography is often intimate, using close-ups and natural lighting to enhance the rawness of emotions. There's a delicate balance between warm, inviting tones and cooler, detached visuals that reflect the shifting dynamics between the trio. The soundtrack subtly underscores key moments without overpowering the narrative, allowing the performances to breathe. Every artistic choice feels intentional, creating an atmosphere that mirrors the film's themes of vulnerability, passion, and the uncertainty of youth.

Two friends, Jaime and Marcos, both studying painting at an art school in Valencia, decide to use a two-pronged hook-up strategy on a female fellow student, Josey. The handsome, sensitive, upper-class Marcos is the bait in their honey-trap, but unfortunately he's impotent - so dogged, workmanlike Jaime steps into the breach when Marcos fails to consummate the seduction. Consequently the trio become an unlikely item, and concoct rules to deal with the lopsided asymmetry of their triangular relationship. Various issues arise, but the group dynamic is kept in balance by Josey's inability to have orgasms within the arrangement, much to the frustration of Jaime who prides himself on his prowess as a sexual swordsman. The three of them engage in a series of shallow, self-important discussions about art, life and love as the affair progresses, but "3some" doesn't convey that the relationship is either credible or valuable, since they keep making big mountains out of small molehills. The film's glibness is exemplified in the sequence where Marcos' longstanding impotence is suddenly and implausibly cured - not in a moment of safety and intimacy - but with a hurried encounter in the bathroom during an awkward visit to Josey's parents' small apartment. The balance shifts after this episode, and fracture lines begin to appear. Unfortunately for "3some", it's hard to believe very much is at stake when the tensions manifest in petulant jealousy, dishonesty and broken rules.

I was also amazed at how little rating this film has gotten. I gather it is one of those films that either connect with your senses, or it doesn't. The story may be a classic menage-a-trois with an, some would say, unavoidable outcome. But there was nothing classic about this film. It is a very unique piece of work. It was among the best 10 films I have seen. The authenticity of the play, and the scenes where so much was said and no one spoke, is sublime. It is a film that is suppose to be felt more than seen, or heard. If you like Korean instructor Kim Ki-Duk's film, you'll love this one. A very fine portrait of the seeking nature of youth, with a logic that seems so evident at the time. Yet later on in life is discarded as rash or not prudent, or outright promiscuous. It portraits the dilemma between open mindedness and and the fear of loosing the tender moment.