Cansada de buscar marido

Wjile maybe not the best film of the year it certainly is better than most of the trash that's been released thus far. No car chases, explosions, killings, drugs or sex nor foul language. No wonder it was a flop at the box office. Tis a pity as this is an exceptionally dramady. Good performances from the entire cast, down to the tiniest bits. Rene Zellweger was at the top of her game here. The boys playing her sons were sensational with the character of Robbie having the best one-liners and delivering them with zest. Very authentic look of the film which makes it even better. An extra scene here and there would have helped with what was going on part of the time. A couple of scenes seem to jump as if there was something missing. The only unreal thing is the taxi driving up to the sound stage at the end. That couldn't happen in real life. It's a shame this didn't have a broader release as no one saw it. Hope the DVD release is seen by many.

Usually, the people on the road are wanderers, hippies, addicts etc., but no ladies with no coping experience - to crown with 2 juvenile children. But so is the plot, based loosely on a true story - and it seems credible. Of course, the events happening are not so wild and crazy as among the first mentioned types, but it is still catchy to follow - first and foremost thanks to 2 great performances: Renée Zellweger as Ann Deveraux (Zellweger has proved herself to be a versatile and talented actress) and Logan Lerman as George Deverau (so far, his 2nd best performance after Charlie Kelmeckis from The Perks of Being a Wallflower). Of course, most of supporting actors are not bad either, Kevin Bacon could have spent more time on screen though.

This warmhearted, realistic movie, with both ups and downs, successes and disappointments, should definitely get more attention and praise. If not in cinemas, then on TV - a pleasant time is guaranteed, including for families with teen children.

Maybe his mother telling George Hamilton that stuck with him. It explains a lot.

This film is beautifully photographed with beautiful people, beautiful sets and beautiful period clothes.

Though the performances are good, something is lacking in this film. The characters are likeable but it moves a bit too slow and lacks drama.

It is definitely worth a watch but don't expect a masterpiece. It is just a simple little film that lacks a bit in plot and character development.

I looked up George Hamilton. Though the basics are there, most of the story is embellished for entertainment.t. It definitely leaves you wanting more from it.

Although many of the male characters depicted in this film are exaggerated and portrayed unsympathetically, I believe it was a cinematic device to move the story along more quickly. It wasn't necessary to further develop the character of the men who sought to marry the down-on-her-luck Zelleweger--it wasn't their stories being portrayed, but that of the story of Zelleweger's determination to provide for her sons. If the men were stereotypical and one dimensional, it was done to make a point. I found a lot of sly humor underlying some of their personalities. Having been raised in the 50's, I know it was a sad reality of that time that most women had fewer choices when it came to relationships. It was a man's world and women very often had to rely on their good looks and being connected to the right man to provide for their needs. If Zelleger's character seemed devious and contriving in trying to find a husband, it was because of those hard realities. Maybe one needs to be a woman who has experienced a similar life to appreciate this. I enjoyed the movie and although it wasn't laugh out loud funny, it was entertaining and worth seeing.

This is in many ways a fascinating movie. It is certainly entertaining and moves quite well, and everybody puts their best into it. (The "making of" featurette on the DVD is a wonderful look into the making of a higher budgeted 'indie' movie by the way.) But there is one serious flaw to the film, and that is Renée Zellweger's performance. Whenever the character undergoes pressure, she gets all wobbly and quirky, like a character actor playing a supporting role - but she's not only the lead, she's what the picture is all about, so this is definitely a flaw that threatens to derail the whole project.

Fortunately, it doesn't. First, of course, everyone else in the picture submits wonderful performances. Logan Lerman is a marvelous young actor who strikes chemistry with practically everyone he interacts with. And the film is really beautiful to look at, and filled with pleasantly eccentric characters, in situations highly evocative of the era in which they occur, the 1950s.

Secondly, part of the problem with Zellweger's performance may have to do with the character herself. Although she fancies herself a Deep-South Southern Belle, deserving of the better things in life, once we meet her sister we realize that she really comes from the mid-South commercial class, and that her attitude of entitlement is a self-delusion. She is thus out of touch with her own life, and in need of review of her identity. On the other hand, her desperate search for a husband to support her has a realistic edge - the '50's America was not kind to single moms. The question thus becomes whether the inner struggles involved in her effort to survive repeated crises is well presented. I'm not sure it is, but not from want of trying on Ms. Zellweger's part. It may be that the core of the character is really hard to define.

Otherwise, I have no trouble recommending this often amusing, insightful glimpse into a complex family during an era of change. It may have no more weight than an old family snapshot of the era, but it is as telling and well-developed a snapshot as one could wish.