Dostana

OK – the "Kanta Ben" episode forms the basic premise of Dostana but hey, just like in Kal Ho Na Ho some good interesting tracks were expected as well.

Apartment? Instead of harping on a unbelievable reason, a better convincing reason should have been thought for pretending gay.

The trio did an amazing job, so lets not go that area.

Bobby Deol was a big downer and his look seemed he was just out of Chamku. In fact the entire track seemed a poor rehash of "6 din - Ladki In" episode of Kal Ho Na Ho.

Kiron Kher was just OK.

Shilpa Shetty in the opening number was an eye-candy.

Sulabha Arya a.k.a Kaanta Ben – very good... very good. Sushmita Mukherjee – very bad... very bad.

Songs are #1 and without doubt Vishal-Shekhar rule the roost.

And yes, the costumes deserve a special mention.

The visuals are stunning – it is visitmiami.com beckoning.

This felt sometimes like it was several different movies spliced together, but mostly it was a fun ride. Beautifully shot in Miami, and it's obvious what a ground-breaker it is for Indian film (hey, it JUST became legal to be gay there!)

Yes, there are gay stereotypes, but mostly it's gently done. And yes, it has the Bollywood musical numbers at the weirdest times, but some of them ("Shut up and bounce") were so catchy I couldn't get them out of my head.

I also couldn't get John Abraham out of my head. Believe me, you won't be able to take your eyes off him the entire time...

I say go for it. If you're not up to the musical numbers, you can go past fast forward through them.

Dostana scores a number of firsts. One being set entirely in Miami, with the glorious shots of golden beaches and opportunities for the cast to show off their toned bodies (for the first few minutes, John Abraham seemed too eager to get rid of his singlet every few minutes). And the other first scored was that this is the first Bollywood film to have a focus on a gay relationship, albeit a faked one, between its two leading men. For an industry that's still sans on-screen sex, where kisses still bring upon rage, and nudity a no-no, is it any wonder why this premise, together with its A-list stars, will draw in the crowds without a doubt?

Some 4 years ago, Abhishek Bachchan was busy chasing John Abraham as hero and villain in the action-adventure Dhoom. In between they only shared credits in Kabhi alvida Naa Kehna, and it is not until now that the two alpha-males get put together in the same film, share plenty of screen time together, and the joke's clearly on their effeminate behaviour and gay relationship. Imagine two muscular jocks having to turn girly at a wink of an eye, and that itself sets up a tsunami of laughs in plenty of situational gags that will leave you genuinely in stitches.

I shudder to imagine how real gays would, or would not take offense at the portrayal here, given that most of the time, gayness is equated with being hip and in with modern culture, which I think some would clearly dispute. Nonetheless it is the attempts at debunking the myths and prejudice that surrounds the condition that warrants some merits at least, even though it's still an outright comedy, and I guess all could be forgiven since there are two eye-candy male leads to serve up some compensation.

At first one would imagine a plot that would be similar to I Now Pronounce You Chuck and Larry, given two obviously straight men having to pose as a gay couple to further their own objectives, which of course runs contrary to any romantic notions they have for the opposite sex. Here, Sameer (Bachchan) and Kunal (Abraham) start off as two strangers in Miami who bump into each other after their individual one night stands (with opposite members of the sex of course), but thereafter find themselves eyeing the same piece of affordable swanky rental apartment, which comes with a crucial string attached - no guys, because the occupant is a lady (Chopra) whose aunt refuses to let tongues wag should her housemates be two hunks.

So you know the drill, faced with time constraints and the prospect of staying with Neha the hot chick, both guys pretend they are gays, thus setting in motion plenty of comedy as they have to maintain their cover 24x7, and to make matters worse, have to cement their relationship legally as a means to keep Kunal from being deported. And if that's not all, each of them still harbours the thought of hooking up with Neha, which of course poses a challenge given their known "status". One of the best scenes in the movie involves almost everyone, from mothers to bosses to even an immigration officer who converge in their apartment in a free for all, where bluff goes against bluff, and the two chaps have to be at their best to satisfy the law, as well as to stave off a very interested magazine editor. I can't remember the last time I laughed that hard and loud.

But of course things slow down a little in the second half of the film when Neha's new boss (Bobby Deol) comes into the picture to woo Neha, which Sameer and Kunal try to fend off with their wits in what would be co-opetition at its very best. Scheming and conniving all the way, you'd come to expect lies becoming bigger lies, with questionable methods being put into use in order to drive the new competition away. Which brings it quite nicely to an ending that I guess is a fair outcome.

Dostana speaks of friendship, and sometimes, relations are best left at that given the numerous enjoyable moments everyone shares, without complicating matters. Dostana, despite its theme, still plays out to be an enjoyable, entertaining movie brought to life by its excellent casting. Songs and dances were pretty much standard fare, save for that convergent scene which I mentioned was the highlight of the film. Do look out too for the very cheeky wordings on the T-shirts that both Bachchan and Abraham don.

Well Dostana from Dharma Productions instantly brings back the memories of the hit 80s cheesy flick which was quite enjoyable because of the star cast mainly..Nothings different here..The films cheesy,over the top, mindless but fun and stays afloat only because the camaraderie between the cast mainly...

The story is not novel, a bit borrowed from last year flop Now I Pronounce Chuck and Larry which wasn't very funny either..But Dostana is funny and funny because the actors make it so..The writing is poor and so is the editing..The film could have been a good 15 minutes short (the second half is unending)..The first is good though..

Abhisekh Bachchan was always good with comedy but he is a revelation in this..He is funny as hell and carries the film all through..John is okay, his facial expressions never change though..Priyanka is hot and looks ravishing all along..She has looked her best after a long time..Boman Irani was extremely funny and so was Sushmita Mukherjee..Bobby Deol track looks forced and so the actor doesn't impress..

Music is good, especially Desi Girl and Jaane Kyun..Tarun Mansukhani the director has a good future..He showed some talent! The good thing about Dostana is that it stretches the limits of Indian Cinema..Films like this would never have been conceived 5 or 10 years back..Its a growth en-route progress but how I hope the result would have as desiring..And I felt the portrayal of gays is still not in much positive light..They are still shown as pretentious, perverted people which actually is misleading..

Overall I enjoyed it barring a few places in the second half and climax could have better thought of and executed..

5.5/10

I've eagerly awaited this movie. The prerelease publicity has been pretty good. The video I saw of John and Junior polkaing around the room wasn't that effective, but the video of Priyanka in the golden bathing suit said "must see" to me. And then I learned that Shilpa Shetty was doing an item number and, for me, the deal was sealed. Frankly, the chance to see J&J pretending to be gay didn't pique my curiosity at all.

When I was in the theater, the crowd was not large, but they were laughing practically nonstop. It isn't every Hindi comedy that can achieve that. My sense was that they were startled at the things J&J were willing to do to get a laugh. The screenplay really pushed the two to extremes. And some of the jokes were kind of out there.

In fact, I'd say everyone in the cast overacted, except Bobby Deol. In my opinion, Bobby is such a stiff customer that before he can overact, he first has to act, and I'm still waiting to see that.

Strangely, the cast member who appealed to me most was Boman Irani. When he appeared as the editor-in-chief of Verve, it actually was a surprise to me. I would rate this movie lower without Boman. This guy is near the top of my supporting-performer list. He's been the only good thing in several movies I've seen in the past.

I think the director created anti-climaxes. E.g, you parade around Junior and John in practically nothing, then somewhere in the middle, Bobby Deol shows up. As male cast members go, that is what I would consider a huge anticlimax. He's older, he has less acting talent, etc, etc. He would have been more effective introduced first. As a second example, you put Shilpa in a dance number in the opening credits. Then you introduce the heroine. How can anyone truly appreciate her physique or dancing when they've already seen Shilpa. I'd love to have that shot of Shilpa reclining on the motorcycle as my wallpaper. I hope it shows up somewhere. Truth is that the last number of the movie should have been in the opening credits and Shilpa should have been in the closing credits as an added goody.

The movie is entertaining, I don't want to take that away. Even though Khirron Kher was "meri filmy maa" for a second straight movie, she did add something just as Boman did. But I just don't think the way the movie got assembled was optimal. That's why I can only rate it 7 of 10. To me it is the least appealing Dharma creation I have seen. Kind of a shame, considering the Yashraj decline, to see Dharma also putting out less-appealing movies.