La Pequeña Guerrera

I stopped watching about 2/3 through. The mom, in an overwrought scene, had shortly before driven through the gauntlet of stone-throwing, white yahoos while the police (SQ?) merely watched. But what made me throw in the towel was the way the filmmaker chose to develop the "friendship" between Beans and her rougher peers. That didn't work for me at all. I'm assuming those youthful relationships and the incipient awakening of the heroine from a protected innocence was meant as a metaphor for First Nations society, but I don't know.

The lack of nuance in the storytelling and a lack of historical footage that captured the racism encountered in the course of daily life off-reserve, during the blockade prevented me from feeling what I had hoped for.

As an American aware of our troubled past with Native American history and the founding of our nation, I was not as familiar with Canada's own racist background.

Surrounding the real life standoff between the government and the native population of Quebec around the construction of a golf course on Indian burial ground is the backdrop of a parellel story of a young girl growing up in the midst of chaos.

Kiawentiio is the actress in the lead role and she is magnificent in the part. Her hard driving mother only wants the best for her, including her attendance at a mostly white school.

She meets a neighbor who attempts to toughen her up and they form an unlikely friendship.

I recommend this film as a good educational tool and for the lead performance.

Seriously, this movie blew me away. Kiawentiio may be very young, but her talent feels beyond her years. Also some other familiar faces Paulina Alexis and D'Pharaoh Woon-A-Tai from Reservation Dogs. Literally lightning in a bottle casting for this debut film by Tracey Deer. So much that I cant imagine her ever topping this and yet she most definitely will. I was fortunate enough to see it virtually during its festival circuit, but now that it's available for purchase, I've bought it and rewatched already. This is just the kind of movie that reminds you why you love movies! And being someone who has forgotten for a while, it's a breath of fresh air to remember.

This movie is phenomenal! And I wish that more people were able to see it, either on Netflix or Hulu or whatever other streaming platform that allows for more of an audience.

I know a lot of people who are dying to watch it but just don't have the ability to purchase it or live outside the U. S. so it's a little bit more difficult.

Hopefully in the next year or so some streamer will pick it up so more people have the chance to see it! It deserves a lot more recognition and I have no doubt that it will do well once it is available to stream, eventually!

Based on a true events from the life of director/co-writer Tracey Deer: in the summer of 1990, the town of Oka, Quebec has allowed an expansion of a golf course to be built on sacred burial grounds of the First Nations Mohawk people. Tekehentakhwa aka Beans (played by Kiawentiio Tarbell) is a pre-teen Mohawk whose coming-of-age is greatly tainted by the battle of her people against nearby locals and the police.

This film is a very welcome account of one of the worst periods in recent Canadian history. The fact that it is personal makes it even more welcome.

Deer shows great skill especially in filming some very grueling battle/conflict scenes. The personal stories, though, have a somewhat mixed result. Scenes of Beans' emulation of a pair of older neighbourhood siblings (a rough girl and her attractive brother, also rough) are sometimes unconvincing and uncomfortable. But the scenes of her family (parents and a younger sister) are always deeply moving. They cover life's usual growing pains that are exacerbated by the conflict and the exposure of a wicked prejudice. And they are highlighted by the solid performance of Rainbow Dickerson who plays Beans' mother, Lily. Lily is the central force of the family and in her community especially in a scene when she gathers other women in a bold, courageous act that prevents a disaster. Dickerson has all that it takes in her portrayal of this major character and life-force.

The use of historical news footage of the conflict is very powerful. So is the mention of the fact that some locals were in economic hardship as a result of the blockades while not using this an excuse for terrible actions. This is also a very timely film considering recent discoveries of past horrors involving Canadian residential schools and the cruel treatment of the late Joyce Echaquan at a Quebec hospital.

Relevant and powerful. - dbamateurcritic.