Huesera

Huesera: The Bone Woman (2022) is a Mexican horror movie that I recently watched on Shudder. The storyline follows a young lady with a checkered past who has settled down with a good man and decided it's time to have a baby and start a family. Unfortunately, some things from her past may come back to haunt her and spoil her plans.

This movie is directed by Michelle Garza Cervera (Mexico Barbaro 2) and stars Natalia Solián (Red Shoes), Alfonso Dosal (Narcos: Mexico), Mayra Batalla (Prayers for the Stolen), Sonia Couoh (Potosi) and Mercedes Hernández (Identifying Features).

The storyline for this movie is fairly straightforward but well executed. The acting is very good, the settings are well selected and the story is well paced. The horror elements have great sound effects and some worthwhile open wounds that make you cringe. The last 15 minutes of the movie does a great job flipping on its head and contains fantastic horror elements. The people at the end of this movie are very creepy and perfectly executed...though I wish the movie got there faster. I also wish they dug a little deeper into the main character's past and into the things she needed to do to survive.

Overall, this movie is very average with a few worthwhile horror elements. I would score this a 5.5-6/10 and strongly recommend it.

This movie is lost between trying to create, horror, and a female empowering movie about motherhood. Sadly, is none of them. Instead we get an annoying and irresponsible 30yo lady who at the beginning wants to be a mother, the. Regrets it because when she was young she drop a baby to whom nothing happened. She hallucinates strange hunting images in an attempt to stop her pregnancy(?). It's hard to care about her journey when all she does is avoid responsibility and constantly cries to make herself look like the victim. I laughed at the dumb dialogue and stupid decisions that everyone makes. This is lost film that doesn't know what it wants to be. Even if it attempts to be political, which is not, is just an immature person who doesn't what she wants.

Valeria just found out she is pregnant, and she and her husband Raul are ecstatic. We then notice her withdrawing a bit from Raul with her joy and enthusiasm dwindling. One night, she witnesses a woman jump from her apartment window, but all is not what it seems.

Soon after, Valeria starts sensing and seeing things. Is it her imagination? Is she hallucinating? Or is it something far more sinister? If you've watched 'Huesera: The Bone Woman', then the answer will be obvious, but I'm not doing spoilers here for those who haven't seen it yet!

The film offers so many creepy moments and disturbing images. This is not your average Hollywood-style possession movie and some viewers might be disappointed in that regard. The narration makes the viewer wonder and question what is real, and what is a figment of Valeria's imagination. It also doesn't explain everything as clearly as most mainstream movies do. Either way, it makes for a disturbing watch in the vein of 'Under the Shadow', while the ending (sort of) reminded me of 'The Witch'.

The film takes a bit of a dip around the end of the second act and into the third, but Natalia Solián's fantastic performance as Valeria kept me interested and wanting more. The ending is not what I expected, but then again, this is not your average horror movie and it is unpredictable.

Boring and irritating are the words that can resume this movie perfectly.

Maybe my disappointment came from the high expectation I had with this one. Anyway, it is what it is.

All characters are unpleasant, even the children. The pace, the bad choice of giving the viewer information drop to drop just to make the length longer... I barely endured it - I needed to pause three times to check how long left to finish.

The main problem is that the film had big ambitions but failed to achieve them. It focuses a lot on symbolism but, in the end, leaves so many elements loose here and there that the message arrived with noise, interfering with the understanding.

Not to mention the quality of a big part of the production. Frankly, some scenes seem to be picked off some unfunny comic sketch.

"Huesera" begins with "Valeria" dropping off flowers at the base of the Virgen Monumental de Ocuilan and ends right after she participates in a restorative, native rite. In between, we find out that Valeria is a former punk-rocker with a love of bass guitars, power tools and a certain "Octavia." What is she in the present?

That is the central question is this rather well-done entry. The Valeria of the present is a woman who has (uneasily) embraced a conventional marriage to "Raul," an ad exec with wealthy parents. She lives in an upscale apartment, and she is pregnant with their first child. Yet as time passes, she appears to be the victim of increasingly violent hallucinatory episodes that lead her family and husband to grow both concerned for and irritated with her. "Pull it together," is the implied mantra; "a child is a blessing."

While the obvious comparison is to "Rosemary's Baby," the film - to its credit- veers more in the direction of such psychological thriller/horror films as Altman's "Images." And despite a fairly large cast, this movie really is about a single woman's POV - Valeria (played here by Natalia Solián) - and it is her world -- her frustrations, her fears, her sense of ambiguity, rejection and pain -- that are front and center for the duration of the film. Her attempts to negotiate the expectations of others -- often cruelly rejected by those others -- lead her to an increased debilitation that almost result in absolute tragedy. It is her (similarly outcast) aunt who helps her on her way to a restoration of self.

The film is a definite slow burn. But if you enjoy a more overtly psychological exploration of a woman-at-the-margins, torn between seemingly opposing social contexts, this might work for you.