Una hermana mayor lleva a su intrépido hermano fugitivo en un viaje por carretera, para compartir las historias más escalofriantes que rodean su ciudad natal.Una hermana mayor lleva a su intrépido hermano fugitivo en un viaje por carretera, para compartir las historias más escalofriantes que rodean su ciudad natal.Una hermana mayor lleva a su intrépido hermano fugitivo en un viaje por carretera, para compartir las historias más escalofriantes que rodean su ciudad natal.
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"Hauntology" is a wickedly clever LGBTQ+ horror anthology that'll haunt you long after the credits roll. Director Parker Brennon weaves four interconnected tales set in "one of the most haunted places in the country," serving up a supernatural smorgasbord that's equal parts chilling and thought-provoking.
Let's peek into our ghostly grab bag:
"Witchcraft Becomes Her": Julian Cashel's magical transition journey gives new meaning to "body horror." With a witchy assist from Annalisa Drouais, Julian exorcises toxic masculinity - literally!
"The Day Mabel Came Out of the Grave": Great-great-great grandma Mabel Bishop rises from the dead for a second chance at sapphic love. Who says you can't teach an old ghost new tricks?
"Paint and Black Lace": A giallo-inspired masterpiece where the deceased artist May Felner turns art thieves into, well, art. It is, if you will, a killer aesthetic.
"The Old Dark Cashel House": Journalist Madeline Ishii faces off against the ghost of racist patriarch William Cashel. It's "Casper the Friendly Ghost" meets "Get Out."
Brennon's secret sauce is a dash of social commentary, a sprinkle of regional lore, and a heaping helping of family ties. The result is a cohesive supernatural feast that's more satisfying than your average anthology appetizer.
"Hauntology" proves that the only thing scarier than ghosts is outdated prejudice. It's the perfect treat to kick off your spooky season, showcasing solidarity and sisterhood that transcend both generations and planes of existence. Trust me, this director is one to watch... if you dare!
Let's peek into our ghostly grab bag:
"Witchcraft Becomes Her": Julian Cashel's magical transition journey gives new meaning to "body horror." With a witchy assist from Annalisa Drouais, Julian exorcises toxic masculinity - literally!
"The Day Mabel Came Out of the Grave": Great-great-great grandma Mabel Bishop rises from the dead for a second chance at sapphic love. Who says you can't teach an old ghost new tricks?
"Paint and Black Lace": A giallo-inspired masterpiece where the deceased artist May Felner turns art thieves into, well, art. It is, if you will, a killer aesthetic.
"The Old Dark Cashel House": Journalist Madeline Ishii faces off against the ghost of racist patriarch William Cashel. It's "Casper the Friendly Ghost" meets "Get Out."
Brennon's secret sauce is a dash of social commentary, a sprinkle of regional lore, and a heaping helping of family ties. The result is a cohesive supernatural feast that's more satisfying than your average anthology appetizer.
"Hauntology" proves that the only thing scarier than ghosts is outdated prejudice. It's the perfect treat to kick off your spooky season, showcasing solidarity and sisterhood that transcend both generations and planes of existence. Trust me, this director is one to watch... if you dare!
Wow, wasn't expecting to watch a homegrown horror on the same day as the mega Megalopolis, so this review was supposed to be much shorter in my mind, but the similarities between the two really stood out to me, and I ended up kinda writing a two in one blended review for both haha
"Don't Dream It, Be It" - HAUNTOLOGY (2024), dir. Parker Brennon 🎩👻🌈🎩👻🌈🎩👻🌈🎩👻🌈🎩👻🎩
By happenstance, I was paid to watch a screener at home for this crowdfunded, small scale indie I had not heard of on the same day as spending money to witness Francis Ford Coppola's self financed epic, Megalopolis, up on the big screen after over a year of eager anticipation for its release being involved in the production myself. What I didn't anticipate going in though, was how I left the theater surprisingly struck by the similarities seen within the unintended double bill, despite the glaringly apparent distinctions between the two films.
READ REVIEW ON LETTERBOXD: (RollTide1931)
#hauntology #parkerbrennon #Megalopolis #francisfordcoppola.
"Don't Dream It, Be It" - HAUNTOLOGY (2024), dir. Parker Brennon 🎩👻🌈🎩👻🌈🎩👻🌈🎩👻🌈🎩👻🎩
By happenstance, I was paid to watch a screener at home for this crowdfunded, small scale indie I had not heard of on the same day as spending money to witness Francis Ford Coppola's self financed epic, Megalopolis, up on the big screen after over a year of eager anticipation for its release being involved in the production myself. What I didn't anticipate going in though, was how I left the theater surprisingly struck by the similarities seen within the unintended double bill, despite the glaringly apparent distinctions between the two films.
READ REVIEW ON LETTERBOXD: (RollTide1931)
#hauntology #parkerbrennon #Megalopolis #francisfordcoppola.
No pun intended - the movie consists of multiple stories being told ... to make someone think about their plan to leave ... I'll tell you stories ... and when I am done maybe you want to stay. I personally don't see it ... but then again, maybe one character loves telling stories and the other one likes listening to them.
This deals with a lot of issues ... like LGBTQ+ stuff and so much more. So obviously you cannot be too sensitive with stuff like that. You also should be aware that this has some script issues ... and acting issues ... sometimes it is cringe ... like a lot. You may feel ashamed or embarrassed ... I reckon you will be able to tell if this is for you or not .. very early on. I might have rated it higher than others ... but also lower than some who liked the themes and didn't mind the flaws ...
This deals with a lot of issues ... like LGBTQ+ stuff and so much more. So obviously you cannot be too sensitive with stuff like that. You also should be aware that this has some script issues ... and acting issues ... sometimes it is cringe ... like a lot. You may feel ashamed or embarrassed ... I reckon you will be able to tell if this is for you or not .. very early on. I might have rated it higher than others ... but also lower than some who liked the themes and didn't mind the flaws ...
At the end of the film Hauntology, I found myself grappling with mixed feelings. On one hand, the premise of the film intrigued me, but on the other, I was left feeling that it could have been a far more engaging experience. As the credits rolled, I couldn't help but reflect on the numerous moments throughout the film that made me cringe, primarily due to the subpar acting and effects. These elements, while perhaps intended to create a unique atmosphere, often detracted from the overall narrative and emotional impact of the story.
The film seems to cater to a very niche audience, one that appreciates the deeper, perhaps more esoteric themes of hauntology itself. This concept, which deals with the presence of ghosts from the past within the current reality, offers fertile ground for storytelling. However, as someone who doesn't necessarily resonate with this specific audience, I felt somewhat alienated. Despite its intellectual ambitions, Hauntology struggled to communicate its ideas effectively, leaving me and perhaps other viewers outside its intended demographic feeling somewhat disconnected.
One of the most notable shortcomings was the acting. The performances came across as wooden and unconvincing at times, which made it challenging to become emotionally invested in the characters. For a film that seeks to explore themes of memory, loss, and the haunting presence of the past, it is vital for the actors to evoke genuine emotions. Unfortunately, the lack of depth in their portrayals made it difficult to connect with their struggles. Instead of feeling empathy or tension, I found myself distracted by the performances, which undermined the film's potential to resonate on a deeper level.
Additionally, the special effects left much to be desired. In a genre where visual storytelling can significantly enhance the atmosphere and narrative, the substandard effects often pulled me out of the moment. Rather than instilling a sense of dread or intrigue, they felt clunky and unrefined. This was particularly evident in the film's attempt to convey its ghostly themes, as the effects did not succeed in creating a haunting or eerie ambiance. Instead of being captivated by the visuals, I was left feeling more amused than scared, which is not the reaction a horror film typically aims to elicit.
The film seems to cater to a very niche audience, one that appreciates the deeper, perhaps more esoteric themes of hauntology itself. This concept, which deals with the presence of ghosts from the past within the current reality, offers fertile ground for storytelling. However, as someone who doesn't necessarily resonate with this specific audience, I felt somewhat alienated. Despite its intellectual ambitions, Hauntology struggled to communicate its ideas effectively, leaving me and perhaps other viewers outside its intended demographic feeling somewhat disconnected.
One of the most notable shortcomings was the acting. The performances came across as wooden and unconvincing at times, which made it challenging to become emotionally invested in the characters. For a film that seeks to explore themes of memory, loss, and the haunting presence of the past, it is vital for the actors to evoke genuine emotions. Unfortunately, the lack of depth in their portrayals made it difficult to connect with their struggles. Instead of feeling empathy or tension, I found myself distracted by the performances, which undermined the film's potential to resonate on a deeper level.
Additionally, the special effects left much to be desired. In a genre where visual storytelling can significantly enhance the atmosphere and narrative, the substandard effects often pulled me out of the moment. Rather than instilling a sense of dread or intrigue, they felt clunky and unrefined. This was particularly evident in the film's attempt to convey its ghostly themes, as the effects did not succeed in creating a haunting or eerie ambiance. Instead of being captivated by the visuals, I was left feeling more amused than scared, which is not the reaction a horror film typically aims to elicit.
Really liked the movie, enjoyed watching it, and would for sure watch it several times. Interesting how all the stories combine into one cohesive story. A lot of details, recommend to watch the movie several times to be able to see all the Easter eggs. Representative of a lot of today's social issues, which sometimes are missed or not represented in some movies. Don't miss watching this movie that portraits a lot of Ohio's scenery and talent. The director and casting group did a great job. It was great seeing an independent film, hope to see more in the future. Highly recommended, don't miss watching it.
¿Sabías que…?
- TriviaIn the segment 'Paint & Black Lace,' it's revealed that "Christina" has been possessed by "May Felner" to conduct her killings. The killer in the all-black disguise was indeed portrayed by Samantha Robinson, rather than a stunt performer.
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- Tiempo de ejecución1 hora 43 minutos
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- 2.39:1
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What is the Spanish language plot outline for Hauntology (2024)?
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