Svetat e golyam i spasenie debne otvsyakade

I think that Bulgarian cinema is the one I'm the least familiar with; I'm not sure I've seen more than a couple of films from Bulgaria. And yet, here you have this movie practically no one knows and it's a masterpiece. Everything about it is just so breathtakingly beautiful. The characters are so frank it's unbelievable, they find themselves gradually, and at the end you hold your breath expecting to see what is going to happen.

If this were a Hollywood film, I'm pretty certain it would be awful. There are elements in this film that are clichés - but this is where powerful film-making comes into play; you can exploit a cliché in such a way so as to make it a staggeringly original statement.

And even if many times for many of us, it doesn't really seem as though the world is big salvation lurks around the corner, this movie effortlessly makes you believe it does, and that's enough of a reason to watch it.

I went to the theater with low expectations of another boring post-totalitarian Bulgarian movie and was pleasantly surprised - it had an actual story which was told consistently, the characters were lively, there were no irritating protracted shots in silence (trademark to many, many other Bulgarian movies) and the dialogue was real. While based on a novel the movie elegantly manages to stay focused and the plot is not overstretched.

Things I didn't like: the one-sided densely evil picture of the totalitarian oppressors that rendered them preposterously inhuman, the clichéd camera (e.g. yellowish retrospectives, rotation around characters while they played backgammon) and superfluous didacticism in some scenes.

All in all it's worth watching, but eight years of script rewriting could yield a bit better result.

I had an opportunity to see this feature during Warsaw Festival. It made an extraordinary impression on me, and not only on me - audience immediately fell in love with it. If you are tired of full of special effects blockbusters on the one hand, and on the other you're not in the mood to watch another depressing art movie, "The world is big.." is the best answer to your demand. Of course, it's not perfect, sometimes it is even awkward - the director still has to work hard on his craft, but, after all this movie will lighten your heart. Life is worth living, life is worth acting, that's what this film is about. Miki Manojlovic is more than charming as an energetic, "crazy" grandfather who teaches his withdrawn grandson how to appreciate life. And - believe me - having watched this movie, you will start thinking about traveling through Europe on bike. Balkan spirit still works!

Let me open with a few relevant personal facts. I am a Bulgarian who immigrated to America with my parents around the age of nine. Initially we stayed at an immigration camp in Italy. Essentially, I have experienced the journey of the young kid.

Based on my personal experience, I think the movie contained quite a few overstatements of facts like the people staying in the camp 3-4 years while their documents were being processed, or the somewhat overstated communist reality in Bulgaria at the time. Among these exaggerations, there were quite a few things that were very accurate however. For example immigrants (profugas) were pretty much fed pasta - most of the time without any sauce - while the UN paid something like $50 per day per immigrant to the camp. This amount would have enabled us to live much better had it been given directly to us.

Thinking about these exaggerations, I am somewhat ready to forgive the makers for resorting to them, since they did amplify the ideas that were being conveyed. Emotions such as the paralyzing fear of the uncertainty ahead that gnawed at every immigrant's soul aren't easily expressed without relying on parable to some degree. Perhaps a more seasoned film maker would have toned things down, but likely not.

I did find a few somewhat pointless episodes like the love scene with the singer, which did nothing for me other than sweeten the happy end. Also I think the movie would have been better served if the Sashko's past hadn't been erased through the use of a somewhat brutally cliché device like the car crash, but through a more psychological one like the dissolution of his parents' marriage or such.

All in all - as other reviewers have posted - although the movie has a number of clichés, it uses them constructively. Rather than deafening or turning off the viewer, the clichés tend to amplify the message to a level that it becomes clearer.

Basically the movie works.

As soon as the movie meets the audience (especially a particular group of generations) it feels like classics. Inspired by auto-biog novel of Ilija Trojanov published in 1996 and directed in 2008 by Stephan Komandarev (coevals born in the middle of Communist era in Sofia, Bulgaria) this move is devoted to the people that were rendered "enemies of the nation" in their own country. Bai Dan is a real Bulgarian (it is worth noting that the role is played by the Serbian, Miki Manojlovic - Underground (1995)) which everyone will agree had met at least once in his life. He is a dice master who knows how to deal with the chances in life, he is brave, he is wild and yet he is naturally wise and humble Christian. Now it is time to play he's most important game - he have to help his grandson to find his lost soul. The personage's character is really admirable and like everything else in the move is marked by the natural charisma of the intelligent masterpiece. There are a lot of background symbols throughout the script and as the movie answers a lot, it inevitably opens the Pandora's box defining the post-communist societies in Eastern Europe. Political issues are presented in a skillful adjunct with the personal drama and doesn't bother with details and references more than necessary while standing in the heat zone. Perfect camera, astonishing sight-seeings - this move is a real advertisement and an open invitation for the artists and the common EU travelers.