Opiniones de Metacritic

Rapp, who originated the role of Regina on Broadway, is a force-of-nature knockout, honouring but not imitating Rachel McAdams’s beautiful bullying from the first film with a sly kind of menace.

It’s as fun as ever, and edgier than you remember.

As familiar as much of this will feel — and as easy as it will be for even causal fans of the original to toss off word-for-word line readings of iconic scenes — the new stars that line Samantha Jayne and Arturo Perez Jr.’s film add fresh dimension to the “Mean Girls” mythos.

As it did in 2004, Mean Girls is a playground for a melange of fresh, new talent for whom we hope the limit does not exist. Did we really need another film version? No. But it’s pretty grool that the one we got is such fun.

Chirpy, as colorful as Skittles, and occasionally, appropriately, acrid, Mean Girls is a pleasantly bouncy reworking of the 2004 comedy of the same name.

You can rest assured that Mean Girls, the movie musical, sticks close to the spirit and to the letter of the movie that updated and mythologized the culture of gossip and backstabbing for a new generation. The new movie nudges the material into our own era in a handful of ways.

The new “Girls” sticks to the script plotwise, to a slavish degree. Even Fey and Tim Meadows playing their old teacher roles seems forced and uninspired. It’s only when the movie remembers it’s a musical that it refreshingly breaks from the norm.

A little more than a remake yet less than a makeover, Tina Fey’s watchable, well-cast revisit needed more daring to be wholly worthwhile.

The songs and the performances thereof have been packaged in such a way that they are now more accessible than ever, for an audience that mostly never got to see them performed as originally staged. Yet the film that inspired them has been reduced to a hollow shell in which to carry them, like so much plastic meant to be thrown away.

All the effervescence and fun have been drained out of the material in this labored reincarnation, a movie musical made by people who appear to have zero understanding of movie-musical vernacular.