CALIFICACIÓN DE IMDb
5.6/10
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TU CALIFICACIÓN
El detective Danny Fisher descubre que su novia ha sido secuestrada por un ex convicto vinculado al pasado de Fisher, y tendrá que completar con éxito 12 desafíos para asegurar su liberación... Leer todoEl detective Danny Fisher descubre que su novia ha sido secuestrada por un ex convicto vinculado al pasado de Fisher, y tendrá que completar con éxito 12 desafíos para asegurar su liberación.El detective Danny Fisher descubre que su novia ha sido secuestrada por un ex convicto vinculado al pasado de Fisher, y tendrá que completar con éxito 12 desafíos para asegurar su liberación.
- Dirección
- Guionista
- Elenco
Douglas M. Griffin
- Peter Gerard
- (as Douglas Griffin)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Renny Harlin has been relatively quiet these days, but I won't be shy in stating for a fact that I had enjoyed some of his action movies in the past, with the likes of Die Hard 2 (despite all the loopholes), Cliffhanger with Stallone, Driven (also starring Sly) and The Long Kiss Goodnight even. Despite being better known for duds starting with Cutthroat Island, Mindhunters and even The Covenant which turned out to be a comedy, 12 Rounds turned out to be better than expected, also because John Cena looked the classic action hero that Hollywood so sorely misses.
No, I'm not a WWE John Cena wrestling fan, because my interest in WWE was left back when it was known as WWF, and like The Rock (now wanting to be known simply as Dwayne Johnson), Cena follows in his footsteps in making that leap to the big screen. While his first outing as The Marine was pretty much straight to DVD fare, this one was designed for the big screen with its big set action pieces befittingly challenging the big man, and having an old hand of action at the helm helped to bring out some enjoyable moments despite clichés abound.
As the trailer would already have suggested, Danny Fisher (Cena) is a beat cop who gets in the way of a heist by international arms trader Miles Jackson (Aiden Gillen who was just a mile wide of being a memorable psychopathic villain), and in his pursuit causes the latter's main squeeze to die in a traffic accident. Ridden with rage, Miles remembers his pursuer so that he can exact revenge when he breaks out of prison. Only that he harbours some diabolical plot to play with his prey, hence the kidnapping of Danny's girlfriend Molly (Ashley Scott) and the devising of 12 rounds of city-wide games with the overcoming of each round leading Danny closer to his girl.
So begins a running around New Orleans to perform the usual one-man cop stunts that calls for everything from intellect to brute force. It could easily fit into the Die Hard franchise, or Speed for that matter as one sequence in a bus would have me reminisce. In shows like these, things do get a tad convenient, and though I tried to examine just a little bit more into it, the plot still made some sense and held some water. In some moments it seemed like it's paying its own tribute to the emergency services of New Orleans post-Katrina, with the police, fire and medical departments featured prominently as occupations of choice of its characters.
12 Rounds is rip-roaring fun. As an action film, it has enough thrills and spills if you'd just park aside believability for a minute, and bask in the possibility of one man saving the world only because it got personal stakes involved, coming complete with obnoxious FBI agents who think they know the world. Sprinkled with some light touches of humour, the body count here is surprisingly low, which in some way gave a breathe of fresh air instead of subscribing to the mantra that the more gruesome or gritty, the better.
But if there are qualms, it's directed more at the technical areas, like the lapsing into the shaky cam, where I had thought to roll my eyes and exclaim that Renny should have bought a bloody tripod for his DOP. Also, the editing probably needed to rethink his quick cuts in the final action sequence in closed quarters, as well as some cheesy lines where it's not warranted (I swear if I hear one more "wrong place, wrong time" comment...)
However if you go at this with expectations set low, you might just come out with a grin at the end of it. I'll be anticipating more John Cena movies to come, and will probably go dig at his older film as well, but here's hoping that he doesn't go the way that most action stars do - easy come and easy go - that he gets some longevity at the box office, before being unceremoniously pushed aside (if it does happen, like Seagal's career) to the straight to video shelves.
No, I'm not a WWE John Cena wrestling fan, because my interest in WWE was left back when it was known as WWF, and like The Rock (now wanting to be known simply as Dwayne Johnson), Cena follows in his footsteps in making that leap to the big screen. While his first outing as The Marine was pretty much straight to DVD fare, this one was designed for the big screen with its big set action pieces befittingly challenging the big man, and having an old hand of action at the helm helped to bring out some enjoyable moments despite clichés abound.
As the trailer would already have suggested, Danny Fisher (Cena) is a beat cop who gets in the way of a heist by international arms trader Miles Jackson (Aiden Gillen who was just a mile wide of being a memorable psychopathic villain), and in his pursuit causes the latter's main squeeze to die in a traffic accident. Ridden with rage, Miles remembers his pursuer so that he can exact revenge when he breaks out of prison. Only that he harbours some diabolical plot to play with his prey, hence the kidnapping of Danny's girlfriend Molly (Ashley Scott) and the devising of 12 rounds of city-wide games with the overcoming of each round leading Danny closer to his girl.
So begins a running around New Orleans to perform the usual one-man cop stunts that calls for everything from intellect to brute force. It could easily fit into the Die Hard franchise, or Speed for that matter as one sequence in a bus would have me reminisce. In shows like these, things do get a tad convenient, and though I tried to examine just a little bit more into it, the plot still made some sense and held some water. In some moments it seemed like it's paying its own tribute to the emergency services of New Orleans post-Katrina, with the police, fire and medical departments featured prominently as occupations of choice of its characters.
12 Rounds is rip-roaring fun. As an action film, it has enough thrills and spills if you'd just park aside believability for a minute, and bask in the possibility of one man saving the world only because it got personal stakes involved, coming complete with obnoxious FBI agents who think they know the world. Sprinkled with some light touches of humour, the body count here is surprisingly low, which in some way gave a breathe of fresh air instead of subscribing to the mantra that the more gruesome or gritty, the better.
But if there are qualms, it's directed more at the technical areas, like the lapsing into the shaky cam, where I had thought to roll my eyes and exclaim that Renny should have bought a bloody tripod for his DOP. Also, the editing probably needed to rethink his quick cuts in the final action sequence in closed quarters, as well as some cheesy lines where it's not warranted (I swear if I hear one more "wrong place, wrong time" comment...)
However if you go at this with expectations set low, you might just come out with a grin at the end of it. I'll be anticipating more John Cena movies to come, and will probably go dig at his older film as well, but here's hoping that he doesn't go the way that most action stars do - easy come and easy go - that he gets some longevity at the box office, before being unceremoniously pushed aside (if it does happen, like Seagal's career) to the straight to video shelves.
In recent years, there really hasn't been many truly great action flicks to warrant fans of the genre to go to the theaters. Sure, there has been a few entries in classic action series like Rambo and Indiana Jones hat met with varied success, but not much in the line of fresh new flicks has been produced (Except the awesome Crank). Thus we come to a film that really garnered next to no hype and slipped quietly into theaters, 12 Rounds. Is it the movie action fans have been yearning for? Danny Fisher, played by WWE superstar John Cena, is a New Orleans detective faced with a problem: an old terrorist named Miles he arrested a year back has broken out of jail and has taken Fisher's girl. Now the only way to get her back is to complete 12 rounds of a "game" that Miles created to finally get revenge on the cop that ruined his life. It's an unlikely scenario to be sure, but hey, this is an action flick, so it's just preposterous enough to make for an interesting plot. The thing I don't understand though is the fact that in the trailer for 12 Rounds, it is said to be directed by the same director who did Die Hard 2, and produced by the Speed producer. Why is this odd? Well, it is obvious right from the start that 12 Rounds is a blatant rip-off of Speed right down to some scenes being near carbon-copies. Well, at least they ripped off the cream of the action genre crop I guess.
One of the major compliments I feel I have to give to the filmmakers comes in that no noticeable CGI was used anywhere in the movie. CGI has been overused way too much as of late, so to see an action movie with good ol' fashioned stunts and explosions is great. What's better than no CGI is how all the action is done incredibly well. Between great car chases, huge explosions, and nicely choreographed fights, it's a feast for the eyes. Of course, all this awesomeness couldn't just stay awesome thanks heavily to the awful camera-work. Similar to Quantum of Solace's quick cuts and shaky camera during action sequences, 12 Rounds makes it difficult at times to tell what the hell is going on. I don't see what is wrong with traditional camera-work where viewers can actually enjoy the high-quality special effects since they can be seen in all their glory, but I digress.
Honestly, there really isn't much to say about this one. If you are an action fan that has already seen every Stallone and Schwarzenegger movie under the sun, then 12 Rounds is sure to entertain on a rainy afternoon. Granted, it doesn't bring much to the table in terms of new concepts or anything like that, but it's entertaining, and that all that really matters, right? Again, it's a complete and utter rip-off of Speed, but it's a damn fine rip-off, and I would be willing to call this Speed 2 more than that pathetic piece of crap film with the cruise ship. After jumping to conclusions when I saw John Cena as the star and it being a WWE Production, I was genuinely surprised by the entertainment value found within, and I think that if viewers go in with the right mindset, they too will have a great time.
One of the major compliments I feel I have to give to the filmmakers comes in that no noticeable CGI was used anywhere in the movie. CGI has been overused way too much as of late, so to see an action movie with good ol' fashioned stunts and explosions is great. What's better than no CGI is how all the action is done incredibly well. Between great car chases, huge explosions, and nicely choreographed fights, it's a feast for the eyes. Of course, all this awesomeness couldn't just stay awesome thanks heavily to the awful camera-work. Similar to Quantum of Solace's quick cuts and shaky camera during action sequences, 12 Rounds makes it difficult at times to tell what the hell is going on. I don't see what is wrong with traditional camera-work where viewers can actually enjoy the high-quality special effects since they can be seen in all their glory, but I digress.
Honestly, there really isn't much to say about this one. If you are an action fan that has already seen every Stallone and Schwarzenegger movie under the sun, then 12 Rounds is sure to entertain on a rainy afternoon. Granted, it doesn't bring much to the table in terms of new concepts or anything like that, but it's entertaining, and that all that really matters, right? Again, it's a complete and utter rip-off of Speed, but it's a damn fine rip-off, and I would be willing to call this Speed 2 more than that pathetic piece of crap film with the cruise ship. After jumping to conclusions when I saw John Cena as the star and it being a WWE Production, I was genuinely surprised by the entertainment value found within, and I think that if viewers go in with the right mindset, they too will have a great time.
The movie has a good idea and some really seat-gripping excitement. It reminds me of Die Hard with a Vengeance but even more exciting. The plot is good with enough twists to keep everyone's interests.
I have only one negative thing to say...and this is that I hate the type of camera work in this movie. It seems to be the latest rage in movies...to have jerky-action shots. Personally I think it looks amateurish and makes the watcher slightly nauseous. What a shame to do that to such an exciting film.
Even with that type of photography, I would still recommend this film and have done so. I had never seen any advertising for this film and would not have gone to see it had I not looked up a synopsis of it.
I have only one negative thing to say...and this is that I hate the type of camera work in this movie. It seems to be the latest rage in movies...to have jerky-action shots. Personally I think it looks amateurish and makes the watcher slightly nauseous. What a shame to do that to such an exciting film.
Even with that type of photography, I would still recommend this film and have done so. I had never seen any advertising for this film and would not have gone to see it had I not looked up a synopsis of it.
If you shuffled together the scripts for Speed and Die Hard 3, and split it in two you'd have Daniel Kunka's script for 12 Rounds. The similarities are striking, and too numerous to list. But as a crash-and-burn action film it is very entertaining, has many exiting scenes, and features a charismatic villain. Unfortunately, John Cena, as the troubled hero, is about as emotive as a draft excluder (one of those long, stuffed snakes...remember those?). Cena is likable, but he's very, very, very far from being an accomplished actor.
One year after busting an international terrorist, New Orleans cop Danny Fisher is thrown into an impossible gauntlet when the criminal breaks out of jail. He must survive twelve rounds of increasingly difficult challenges in order to save his kidnapped girlfriend. The crook himself is Miles Jackson (played nicely by Aidan Gillen), a criminal mastermind who plays the deadly game fast and loose. As I said, he's a great villain, and one that you might partially side with after the accidental death of his girlfriend during the opening.
Renny Harlin has been slumming it for a while now. Ever since Cutthroat Island tanked he's had a hard time keeping his career afloat. When one watches all of his movies from different eras it becomes clear that the man has no style of his own and simply emulates whatever the current trend happens to be. His effort in 12 rounds is merely a pastiche of all the usual CSI/Michael Bay moves. The camera never sits still, regardless of whether or not it's appropriate to the scene. Trevor Rabin provides a rather generic score, but has a couple of nice, repeating themes that bring more emotion to the scenes than Cena is able to show.
12 Rounds will never win awards or even earn itself any particular distinction among action movies, but when you're having this much fun, who cares?
One year after busting an international terrorist, New Orleans cop Danny Fisher is thrown into an impossible gauntlet when the criminal breaks out of jail. He must survive twelve rounds of increasingly difficult challenges in order to save his kidnapped girlfriend. The crook himself is Miles Jackson (played nicely by Aidan Gillen), a criminal mastermind who plays the deadly game fast and loose. As I said, he's a great villain, and one that you might partially side with after the accidental death of his girlfriend during the opening.
Renny Harlin has been slumming it for a while now. Ever since Cutthroat Island tanked he's had a hard time keeping his career afloat. When one watches all of his movies from different eras it becomes clear that the man has no style of his own and simply emulates whatever the current trend happens to be. His effort in 12 rounds is merely a pastiche of all the usual CSI/Michael Bay moves. The camera never sits still, regardless of whether or not it's appropriate to the scene. Trevor Rabin provides a rather generic score, but has a couple of nice, repeating themes that bring more emotion to the scenes than Cena is able to show.
12 Rounds will never win awards or even earn itself any particular distinction among action movies, but when you're having this much fun, who cares?
As you may or may not know John Cena's film '12 Rounds' was released in Australia on the 19th of March.
Just got home from seeing it and i have to say it was great. Good, solid movie all the way through. Having Renny Harlin as director obviously helped make this a much better effort than previous WWE films. Don't want to give away too much cause i really think people will actually like this movie and that they should go see it. Good cast - Brain J White was by far the stand out. But I have to say John's performance was so much better this time around and you really can notice a difference between his acting ability in '12 Rounds' and 'The Marine'. He's not as tense and you can actually believe what he's saying. There are little tiny things (maybe like 2 moments in the film) that your like 'as if that could really happen' but the story keeps you too focused to really care.
If you like car chases, you'll like this. If you like John Cena, you'll like this. If you like a little Drama/Romance (Ladies?), you'll like this.
Go see it, I swear you'll be surprised.
Just got home from seeing it and i have to say it was great. Good, solid movie all the way through. Having Renny Harlin as director obviously helped make this a much better effort than previous WWE films. Don't want to give away too much cause i really think people will actually like this movie and that they should go see it. Good cast - Brain J White was by far the stand out. But I have to say John's performance was so much better this time around and you really can notice a difference between his acting ability in '12 Rounds' and 'The Marine'. He's not as tense and you can actually believe what he's saying. There are little tiny things (maybe like 2 moments in the film) that your like 'as if that could really happen' but the story keeps you too focused to really care.
If you like car chases, you'll like this. If you like John Cena, you'll like this. If you like a little Drama/Romance (Ladies?), you'll like this.
Go see it, I swear you'll be surprised.
¿Sabías que…?
- ErroresDuring the runaway streetcar scene, the power is cut to stop the streetcar. We see the lights go out in the city in a night scene, but when the passengers disembark afterwards, the sun is still shining. Then moments later, it is pitch black out again.
- Citas
Det. Danny Fisher: I'm training the world's most dominant pug. He's going through a bulking phase.
- Versiones alternativasThe UK release was cut, the distributor chose to remove focus on a bloodied knife used to stab a man and close-up focus on the bloodied face of a woman after she has been hit by a van. Cuts made in order to obtain a 12A classification. An uncut 15 classification was available.
- ConexionesFeatured in WWE Raw: Royal Rumble 2009 Fallout (2009)
- Bandas sonorasReal Good Girl
Composed by Jim Johnston (as James A. Johnston)
Performed by Jim Johnston with Jim Boggia
Courtesy of World Wrestling Entertaiment, Inc.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- 12 Rounds
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 22,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 12,234,694
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,329,240
- 29 mar 2009
- Total a nivel mundial
- USD 17,280,326
- Tiempo de ejecución1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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