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5.3/10
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Un experto paranormal descubre una casa que se encuentra en la intersección de las llamadas "autopistas" que transportan almas en el más allá.Un experto paranormal descubre una casa que se encuentra en la intersección de las llamadas "autopistas" que transportan almas en el más allá.Un experto paranormal descubre una casa que se encuentra en la intersección de las llamadas "autopistas" que transportan almas en el más allá.
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Opiniones destacadas
I am a huge Clive Barker fan, but this is a weak adaptation. It is hard to stretch a very short story into a full-length film. Still, this script could have maintained the intelligence of the story more and the direction could have communicated Barker's distressing world view better.
I have three main gripes.
First, the story's focus: the film turns the original story's dysfunctional mentor relationship between the older female researcher and the younger male medium into a full blown, treacly love story. Ugh!
Second, the tone: many scenes feature little more than furtive glances, longing looks, or sudden, eruptive declarations of love/hatred, which makes the movie too often feel more like a telenovela or an episode of Red Shoe Diaries than a horror film.
Third, the film's vision of the supernatural: in the short story, the "ghosts" gleefully wreak havoc on the living. In the film, they just want to be heard. As if this diminished characterization of the avenging spirits weren't cloying enough, the film features a very long parade of see-through CGI phantoms, all of whom look like they just marched over from Disney's Haunted Mansion.
Despite my complaints, the film has flashes of true Barker-- the young girl being flayed as her parents helplessly watch, the creepy séance scenes (hey- wasn't that Pinhead?), and the film's framing story (where Jonas Armstrong gets the chance to show that he can indeed act). Also, the film makes great use of Edinburgh locations to create an unrelentingly bleak Barkeresque atmosphere. It also makes great use of Jonas Armstrong's lacerated, naked body to generate the kind of exquisitely wrong homoeroticism that is pure Barker.
I have three main gripes.
First, the story's focus: the film turns the original story's dysfunctional mentor relationship between the older female researcher and the younger male medium into a full blown, treacly love story. Ugh!
Second, the tone: many scenes feature little more than furtive glances, longing looks, or sudden, eruptive declarations of love/hatred, which makes the movie too often feel more like a telenovela or an episode of Red Shoe Diaries than a horror film.
Third, the film's vision of the supernatural: in the short story, the "ghosts" gleefully wreak havoc on the living. In the film, they just want to be heard. As if this diminished characterization of the avenging spirits weren't cloying enough, the film features a very long parade of see-through CGI phantoms, all of whom look like they just marched over from Disney's Haunted Mansion.
Despite my complaints, the film has flashes of true Barker-- the young girl being flayed as her parents helplessly watch, the creepy séance scenes (hey- wasn't that Pinhead?), and the film's framing story (where Jonas Armstrong gets the chance to show that he can indeed act). Also, the film makes great use of Edinburgh locations to create an unrelentingly bleak Barkeresque atmosphere. It also makes great use of Jonas Armstrong's lacerated, naked body to generate the kind of exquisitely wrong homoeroticism that is pure Barker.
I first saw this almost a decade back on a dvd which I own.
Revisited it recently cos i am planning to watch the new adaptation.
It is based on Clive Barker's Books of Blood n has Doug Bradley in a tiny role.
After a young girl is violently raped and beaten in her bed n her skin ripped off, a paranormal expert and her cameraman investigate the house to unlock its mysteriously murderous past.
The film moves at a very slow pace, there r few characters n locations. It has a gory skin ripping scene, tight tits n gets a bit spooky at times, the water fountain scene is well shot.
The film moves at a very slow pace, there r few characters n locations. It has a gory skin ripping scene, tight tits n gets a bit spooky at times, the water fountain scene is well shot.
Saw this movie on 7th of march at the fantasy film fest nights in Hamburg. What a mess of a film. Unbelievable Characters with unbelievable actions without any point. Dramatic situations change into scenes like this: "OK, something supernatural just happened here what i was working and waiting for all my life, which i have never expected to happen, and which scared the hell out of me, but hey, although its dangerous and i am wounded - ah, lets just have sex..." ??? The plot jumps from one "topic" to another and everything is getting so confused that you just don't get the goal of this movie. Was it about ghosts, childhood trauma, erotic fantasies or about voyeurs? All these Topics put together in one movie make all the good, dramatic aspects look just laughable. The climax was simply ridiculous too, so to sum it all up - it was a mess of a movie with some good attempts, shocking effects and some nice visuals, but complete absence of credibility. Not worth watching it.
I went into this film with no expectations whatsoever. I had a very vague idea of what the story was. And while I enjoyed the film, it is plagued by mediocrity at every turn, so much so that by the end, you are almost taken completely out of the film, because you're tired of waiting for it to get good.
The biggest problem lies in the script. The characters are all one-dimensional. At no point do we feel like we know anything about anyone. This is frustrating in a film that wants us to be scared. We can't be scared if we don't identify with our characters. The dialogue is also inane and incredibly bland. There isn't a single flair of writerly wit in the entire script. Every exchange feels as if it was rushed through by the writer, never developing the dialogue beyond the purpose of getting from A to B.
Speaking of bland, the visual style of the film is very bleak and one-note. The film sports a dull gray look, that borders on black and white, throughout the entire film. It gets very boring to look at. All of the lighting schemes were flat and without any kind of flair as well. The shots are just as boring. I don't think there is a single outstanding piece of cinematography in the entire film. Everything is very by the book, and like so much of the film, bland and mediocre.
Before I jump into the performances, I want to say that none of the actors are bad. They did not have first class material to work with, but at the same time, no one seems overly dedicated to their roles. Each person seems to have only a basic understanding of their character. No one does anything special in their performance. Like the dialogue and the visual style, it is all very one-dimensional. This film would have benefited from using well-known actors. Since we don't get to know them in the story, it would have been helpful if thew audience knew them before the film even started. This is a sentiment that is inevitable with known actors.
Oh, I have forgotten to say what the film does well. The special effects are quite good. There is gore that will make you gag and occurrences that will shock you. For such an obviously low-budget film, these are effects that would make Hollywood proud.
Overall, there is nothing bad about this film. It has some great ideas, and it is good at its core, but it does nothing great. It barely does anything good. It is proficient. It is mediocre. It is just another example of the lack of Justice we have come to expect from adaptations of Clive Barker's material.
The biggest problem lies in the script. The characters are all one-dimensional. At no point do we feel like we know anything about anyone. This is frustrating in a film that wants us to be scared. We can't be scared if we don't identify with our characters. The dialogue is also inane and incredibly bland. There isn't a single flair of writerly wit in the entire script. Every exchange feels as if it was rushed through by the writer, never developing the dialogue beyond the purpose of getting from A to B.
Speaking of bland, the visual style of the film is very bleak and one-note. The film sports a dull gray look, that borders on black and white, throughout the entire film. It gets very boring to look at. All of the lighting schemes were flat and without any kind of flair as well. The shots are just as boring. I don't think there is a single outstanding piece of cinematography in the entire film. Everything is very by the book, and like so much of the film, bland and mediocre.
Before I jump into the performances, I want to say that none of the actors are bad. They did not have first class material to work with, but at the same time, no one seems overly dedicated to their roles. Each person seems to have only a basic understanding of their character. No one does anything special in their performance. Like the dialogue and the visual style, it is all very one-dimensional. This film would have benefited from using well-known actors. Since we don't get to know them in the story, it would have been helpful if thew audience knew them before the film even started. This is a sentiment that is inevitable with known actors.
Oh, I have forgotten to say what the film does well. The special effects are quite good. There is gore that will make you gag and occurrences that will shock you. For such an obviously low-budget film, these are effects that would make Hollywood proud.
Overall, there is nothing bad about this film. It has some great ideas, and it is good at its core, but it does nothing great. It barely does anything good. It is proficient. It is mediocre. It is just another example of the lack of Justice we have come to expect from adaptations of Clive Barker's material.
I saw this at the fantasia film festival. Since I am a huge Clive Barker fan and have read the Books of Blood I had very high expectations for this movie. But it really let me down. It was not very exciting at all. None of the characters were interesting. I didn't feel like I was experiencing Clive Barker's stories at all. The effects were cool and there was plenty of violence just like I expected. But I didn't relate to any of the characters like I did in the book. It was still interesting to see a budget take on this type of story and I was definitely creeped out by some of the events in Tollington House. But it was almost like I kept waiting for it to get good, and it never did.
¿Sabías que…?
- TriviaJonas Armstrong had to have his entire body waxed and cast so the makeup and prop department could craft his character's skin to fit and match his torso perfectly.
- ErroresTodas las entradas contienen spoilers
- Citas
Wyburd: Where are you headed, friend?
Simon McNeal: Away.
Wyburd: Away?
Simon McNeal: As far away as I can go.
Wyburd: [leaning close] I think I can help with that.
- ConexionesFeatured in Clive Barker's Book of Blood: Behind the Scenes (2009)
- Bandas sonorasUnchain My Heart
Written by Bobby Sharp (uncredited) and Teddy Powell (uncredited)
Performed by Natasha Miller
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Clive Barker's Book of Blood
- Locaciones de filmación
- Productoras
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Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total a nivel mundial
- USD 567,723
- Tiempo de ejecución1 hora 40 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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