The Last Stop in Yuma County

... and i mean this in a far more positive way than it sounds!

A slow-burning B-movie with a single-setting scenario and American Rust atmosphere, Yuma County introduces lovably one-dimensional characters (again I mean well, they are so by design) - right until the plot decides to have a lil bit of macabre fun and put them in the most complex, unresolvable, dilemmatic (most often life or death) situations. The second half of the movie recompenses for the viewer's patience with the first: it is dark and hilarious and sad and unnerving, and more; there's twists and turns worthy of a James Patterson novel, and soon enough it all escalates faster than you can say -escalation-...

In short: One can see where the good ratings throughout come from. This is an enjoyable little gem of a movie that also doesn't overstay its welcome. Technically and acting-wise it does a fine enough job as well.

With each new narrative development, the film's game of cat and mouse grows more complex... Some people lay on to the danger they're in, while others are blissfully unaware. The diner becomes a pressure cooker, and you never know who's going to make the move, either accidentally or on purpose, that sets the whole thing off...

You can feel Quentin Tarantino's artistic DNA coursing through this story... There are little moments of blackhearted comedy among the bloodshed, but through it all, The Last Stop in Yuma County makes sure that those gunshots resonate. It isn't about the violence overall as we're watching people die messy, unnecessary deaths that come about for no good reason. They just happened to run out of gas at the worst possible time...

Galluppi isn't afraid to kill any of his darlings. Who's left standing by the day's end becomes just as surprising as the insanely entertaining journey getting there... The single location setting is richly textured, with production designer Charlie Textor ensuring the rest stop has as much personality as the elite group stuck there. The vibrant color grading further enriches the production value. Despite the desolate setting...

Also the primary thing that stands tall is the camera work gorgeous enough that reflects the mood of the desert...Also the score combines with what's in the frame in such a way that it satisfies the haunting minds of the atmosphere...While the sound design helps to design or to establish the tension that the least or minute barren desert too contributes...

And finally what to say about the casting everybody did their job in perfection that you can't move the eyes off the screen & therefore keeping our adrenaline pumping until the last act...One can't forget "FARGO" or even " THE HATEFUL EIGHT" Where the director honors the G. O. A. T...

Overall it's everybody's cup of coffee to rejuvenate consuming the medium called Cinema...

This is by far one of the best indie films I've seen in a very long time. It's a great combination of good acting, balancing humor and suspense while leveraging a great script that is impossible to predict.

Indie films usually struggle with budget and acting, so if you can strip the need for budget and get some quality actors to come on board you're gonna have a shot at a winner...this is one of those times.

Joceline Donahue (from The House of the Devil) and Jim Cummings hit the ball out of the park with their acting in this. Also, even being in just one remote setting primarily, the film never gets boring and the last third is super engaging. Great effort guys!!! Kudos to all involved! 8.2/10.

Nice interesting take on the heist take genre. Lots of inspiration from obviously Quintin, spaghetti westerns especially The Good the Bad and the Ugly. The story unfolds in this wild paranoid situation that can blow up at any moment. You will sit on the edge of the seat during this one.

This film is also set in what looked to me the 60s, so you get a great bit of Americana here and who doesn't love that? The small town in the middle of know where where the gas truck is late an the gas station is out of gas sets up the plot for the entire movie, which is great story telling device. Very possible scenario out west especially in the 60s. I also, love that everyone has a gun on them, which isn't that out of the ordinary in a small American town...though I am only speaking from a current modern perspective of living is small town USA.

Some of the negatives, is sort of basic Hollywood trope on how guns work, which is rather silly, but at least in this movie the unrealistic gun battle, is very important to set up the morality of the characters.

We all believe we are good people, but when the opportunity is there to get away with a crime, this is what really sets apart from the good the bad and the ugly.

You've seen this movie before, this doesn't really do anything new that those haven't done. It's well acted, tightly and competently written, and rather predictable. They try to throw a wrench at the end, but eh, I've seen enough of these types of movies before. The "sweater unraveling movie".

You start out with a loose thread, and the initial pull on it; "No Gas at the Gas Station, since they're in a super remote area, and no gas for the next 100 Miles." Then more and more people come to pull on that loose thread speeding up the destruction of that sweater, 'til it's a pile of yarn. There's your movie.

Its strength is in the acting, and doing CRISP, CLEAN, BELIEVABLE DIALOG and ACTIONS. No one really behaves in a way that doesn't make sense, all actions taken in this movie makes sense and the results of those choices also makes sense. It's a tight and clean script. Which also what makes it mediocre. It's a little too by the books and safe. They realize that by the end and TRY, but fail, TRY to throw a slight curve ball, but you as a wise audience member calls it from a mile away.

You watch this once, and you're good. You won't feel like you were robbed of your time, but ONCE is more than enough. There aren't clever clues foreshadowing the next move in the series of events, hidden in the scenery. It bears everything out in the open.