Jailer

It seems that having tentpole actors from other language industries walk around in slo-mo is just what's need to classify movies as Pan-Indian. Anyway, Jailer does just that and this film fails spectacularly. Rajnikanth does what's required of him. However, Nelson doesn't. His screenplay is flaccid. He takes a well-established narrative template and botches it with a paltry execution. Nelson seems preoccupied with lifting scenes from Hollywood films that he's forgotten that making a Superstar film is actually pretty easy. You need a few mass scenes, a few punch dialogues and a simple story that acts as a bridge between the aforementioned mass scenes. How could you botch that up?

After Beast, this is yet another dismal film from Nelson. Forgettable fare.

The movie starts with a rather calm Rajnikanth without much fanfare and intro songs. Anirudh is the kingpin for this movement with elevations and silence at right place. However, the movie may not give a good cinematic experience with majority of the characters focused on close centre of the screen for it to evoke so called 'Dark comedy'.

The director seems to have lost plot in the later half, and relied on a comedy track which added no value to the story. Some scenes were elevated which did not require such moments. It looks the Director resorted to fan service in the later part struggling to keep them entertained!!

FDFS @ PVR PXL.

Thalaivar Mass, Lalettan Mass, Shiva Rajkumar Mass!! This as obvious is for the masses and Nelson delivers a stylish blockbuster with his own format of making. As usual comedy injected at the serious points as a Nelson signature. Even though just cameos, Lalettan and Shiva Rajkumar got some amazing screen pres nce. Should have to say Nelson can't find a better villain that Vinayakan. He did such an amazing performance that it actually overshadowded everyone else. Action sequences with less cringey kicks and more firepower. This will be a defenite blockbuster. Thalaivar fever is on.

Everybody gangsta until Rajinikanth graciously walks in through a dense fog holding a freaking machete in his hands; even at the age of 72, this man seems to carry swagger like no one else.

When it solely comes to asserting sheer dominance on screen, very few come close, let alone matching up to him! I absolutely adored him here.

Now, as far as the movie is concerned, I have mixed feelings, mainly because the two halves seemed like two different films merged into one.

The first half is remarkable; I loved how it built up slowly but gradually picked up the pace and offered an astounding interval block. However, the second half fails to sustain the momentum and struggles to keep the intensity up; as a result, most of the film's second half comes across as sloppy and cluttered.

I did cherish the climactic portion, though. The pure display of unadulterated charm and swagger from all three veterans was a sight to behold!

Let's talk about the cast and performances First: Rajinikanth, man, he's not just playing a role that fits his age, he's totally killin' it. The first half, it's all about him - his presence, that smile, his unique quirks, and the intensity he brings, it's all fire. Yogi Babu adds some extra fun when he's sharing the screen with Thalivar.

Vinayakan, he's got that classic villain vibe, even if the role itself is a bit familiar.

Ramya Krishna, she's doin' the conventional housewife thing, but she ain't got much going on in her scenes, unfortunately.

We've also got some cameo appearances from legends like Mohanlal, Jackie Shroff, and Shiva Rajkumar. Tamannaah Bhatia's in there too, but that song on screen, man, it doesn't hit like it did in the trailers.

Now, on the technical side, the cinematography is straight up awesome. Those fight scenes indoors, they're somethin' special. The whole production is top-notch, gotta give 'em props for that.

Anirudh's music, both the background score and the songs, they hold this film together. No doubt about it.

The highlights, let's talk about those. The first half is lit, Rajinikanth is on fire, and Anirudh's music is bangin'.

But there are some drawbacks, no doubt. Sunil's part, it's a snoozer, and the second half, it gets a bit routine, slow-paced moments and all.

Now, the movie analysis, "Jailer" starts off strong, man. Rajinikanth as a retired police officer, cool and all, but when his son gets kidnapped, he goes all out, becoming this angry old dude, changing the whole game. From there, it's a ride.

Nelson, the director, he's got some killer sequences for Rajinikanth, especially the ones with Yogi Babu. Rajinikanth's comedy skills are on point, and the fight scene in his house, where his wife and daughter-in-law are just chillin' at the dining table, that's a standout moment, no doubt.

The intermission comes, and you're thinkin', this is gonna be like Kamal Haasan's "Vikram," a real thrill. First half is that good. Action, comedy, family moments, it's got it all, and the intermission climax gets you hyped up.

But the second half, it's a different story. It falls into that formulaic mass-entertainer groove. We're talkin' Rajinikanth's jailer backstory, a comedy bit with Sunil and Tamannaah, super long fight scenes, and so on.

Honestly, it's a bit of a drag. Tamannaah's song "Kaavaalaa" blew up on YouTube, but in the movie, it's not the same, man. It's on Sunil and Tamannaah, not the epic duet with Rajinikanth like we wanted.

Even the parts with other superstars like Shiva Rajkumar and Mohanlal, they're more about heroism than pushing the plot forward.

But hey, the second half comes through with a killer climax, so it's got that goin' for it.