Biutiful

A father's love for his children amidst the everyday life of crime in Barcelona. This encapsulates pretty much the basic premise of this movie, and has said nothing about the content or merit.

I'm sure quite a few reviews about this disturbing but nevertheless transcendent film will be written here. Next to the praise, a lot of people will be appalled, others indifferent, then there will be the ones who complain that Biutiful is nothing more than showing our bad world being bad.

It may be that, but it is also full of promise and dare one say it, love. And it would be foolish to ignore the hope that can be seen amidst the pain and chaos. Iñárritu shows us that we as human are able to care, for ourselves and each other.

And if nothing else, "Biutiful" proves, now officially, that Javier Bardem is one of the greatest contemporary actors.

Felicidades y gracias

"Biutiful" is devastating. Not only isn't it a comfortable and audience-pleasing film but in this case the story's really shocking, well acted and directed and, overall, terribly sad. The film is basically about good and evil, death and life and similar topics. These themes are very effectively expressed in its atmospheric and innovative photography. Iñarritu's camera gets to detect images of fierce and brilliance in the squalor. Javier's face is painted with light and shadows, as well as with a sinister appearance suggesting strong contrition and redemption. Uxbal's efforts to make some generous deeds before his death are rendered in a terrific performance, which manages to elevate the bleak subject to a sublime level. "Biutiful" is a work of extraordinary vitality and humanity, with figures of untarnished quality (Uxbal's children and the Senegalese immigrant who'll raise them after his death). On a personal level Uxbal comes to terms with the close death but eventually shows a vision of reconciliation with the life he must leave behind. Watching the film is a really a must.

Biutiful is a departure and a confirmation for Mexican director Alejandro Gonzalez Inarritu: on the one hand, it is another study of lives gone awry, with no punches pulled in regards to the misery experienced by the characters; on the other, it's the first film he's made he parted ways with screenwriter Guillermo Arriaga, who preferred to move on to other projects after Babel. Biutiful proves two things: firstly, Inarritu remains very good at constructing memorable images; secondly, these aren't worth quite as much without Arriaga's words.

Set in Barcelona, the film ditches the filmmaker's traditional fragmented, multi-character narrative, focusing solely on one imposing figure: Uxbal (Javier Bardem), a man who has to deal with his own imminent death from cancer, a dire relationship with his family (wife, kids and brother), his ties to local criminal activities and, more generally, the ugliness he sees every day walking down the streets. Surely the (intentionally misspelled) title must be ironic.

Working on the script himself, Inarritu goes for a simpler story, but doesn't renounce his penchant for harrowing material. In fact, Biutiful is undoubtedly the least cheerful film he's directed to this day, and that's saying something. His depiction of a gray, ugly Barcelona is faultless, exposing the city's seedy underbelly and disease (both physical and spiritual) with genuine, relentless storytelling passion. However, this is also detrimental to the film's impact: without Arriaga's more experienced take on the subject, the director doesn't know when to stop, throwing in one tragedy after another for the best part of the movie's 148 minutes, with no pause for breathing. It's almost too bleak, too tragic, to fully convince as a drama.

Does this mean all the praise Inarritu has received in the past was premature? Not really. Even his detractors usually acknowledge his talent with actors, and in this case, perhaps being aware of the script's shortcomings, he has hit the jackpot: from start to finish, Bardem is a revelation, justly awarded with the Best Actor prize in Cannes. Sure, he's always been a gifted thespian, and no stranger to difficult parts (see The Sea Inside), but here he's really in a class of his own. Communicating with his sad, tired eyes rather than his broken voice, he carries the whole picture with a stoic dignity that is always gripping and heartbreaking.

While easy to mock and criticize, Biutiful, for all its flaws, warrants at least one viewing on the grounds that it proves beyond doubt that sometimes a truly astounding performance can save an otherwise mediocre film.

I must say... I watched this movie twice. At first brush... I couldn't quite get past the pain and heaviness of the film... and at second screening, I really got to enjoy the (biutiful) visual metaphors that the director wanted to paint for us. It is indeed grim... and human. Like life, and perhaps a reflection of these days, not everything ends up happily ever after... we all are surviving each day in our own ways. This slice of family life, in a small quarter of Barcelona, is not glossed over and prettied up like most Hollywood films that we've slowly grown to despise (I know I don't speak for everyone). This is not the film that you go to to escape from reality... it's reality facing right back at you. It paints a perspective on the lives of those living on the frayed edges of our society, in every part of the world. For me, I think it is a pity that none of the Big Six picked it up for wider distribution. And that's the sad note for today's American cinema.

Ordinarily I like these kinds of films about people struggling to overcome the odds of a bad deal.But in this film, Uxbal, the protagonist, has to struggle against every bad thing can ever happen to a person and all in a very short window of time. Death would be a welcome relief. Javier Bardem plays his role extremely well though; I felt his anguish over his children and the immigrants he "managed." His story gets weighed down, unfortunately, by the number of tragedies he must endure and the tasks he must execute. The director could have eliminated/edited a few of the off-point character traits and side stories to streamline the story for impact, which would have helped the film deliver more of a meaningful punch, not less.

In addition, the summary of this movie says Uxbal must suffer a number of tragedies on the way to redemption. I'm not sure there is any redemption here. In Children of Men, the protagonist endures a lot and struggles through his own character defects to protect an black female fugee whose pregnancy provides hope for the human race. We feel joyful at the end of CofM because he has accomplished his task despite the odds. The ending of Biutiful, however, lacks a clear meaning and we're unsure of everyone's fate except for Uxbal's. The experience was depressing.

I gave the movie an 8 because it was beautifully produced and well acted; the story was original, an uncommon view of Barcelona and the immigrants who go there for work under terrible conditions. But I doubt if anyone would want to see this film more than once.