Ni un paso en falso

First "Kimi" and now this as huge disappointments from Soderbergh who seemingly lost his mojo. Slow, messy, uninteresting, pretentious. Felt like 4 hours. There's only one scene in the whole movie I actually felt some tension, and it was in the first 30 minutes, otherwise, characters telling boring things about persons and events we are supposed to care or comprehend but we get so confused that we can't.

I made the mistake of watching this film after I read the reviews and expected them to be accurate. Big mistake. The story line is convoluted but the acting and camera work is first rate. Fans of noir will appreciate it. As a humorous aside, Jon Hamm comes very close to morphing into Don Draper near the end as he accepts a bottle of high end booze for his government work.

The thing with Steven Soderbergh is that you're not sure what you're going to get. Sometimes it's very good ( like The Knick, The Report, or Traffic) but on a rare occasion it can also be pretty mediocre or even really bad (like Schizopolis). No Sudden Move has a very good cast. All actors that know what they're doing so that wasn't the problem. The problem was the story. It's a complete mess, with so many twists and turns that nobody with a sane mind can understand anything about the plot. I don't know what Soderbergh was thinking. It's all much too complicated to be a good movie. It's all shot well, all acted well, but if the plot doesn't make much sense it loses all credibility. Too bad because Benicio Del Toro and Don Cheadle did a very good job, even with a plot that they probably didn't understand themselves. Maybe you need to watch the movie two or three times to understand everything but that seems too much of a hassle to me. I'll just wait for a better movie from Soderbergh.

Was it a noir? Was it a heist caper? Was it a gangster movie? Was it an indictment of the automobile industries and the racism, gentrification, and pollution they heralded? Despite gritty performances and an interesting premise, the film is really all and none of those things: it is a mess. The tone is uneven and the film is not helped by a 360 kind of camera technique that often makes the film look like it is using google maps. If the film had maintained the very dark and brooding feel it began with, I think this film could have been excellent. Don Cheadle and Benicio Del Toro really were excellent. Sometimes a director tries to do too much.

I find the story very very confusing. I didn't understand who's who. There seems to be a lot of double crossings, and that complicates the plot further.