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7.7/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaTwo boyhood friends are separated due to the disappearance of the sister of one of them, then later meet again as teenagers, when one of them has become a pop singer, and they discover feeli... Leer todoTwo boyhood friends are separated due to the disappearance of the sister of one of them, then later meet again as teenagers, when one of them has become a pop singer, and they discover feelings that they did not know they had.Two boyhood friends are separated due to the disappearance of the sister of one of them, then later meet again as teenagers, when one of them has become a pop singer, and they discover feelings that they did not know they had.
- Premios
- 10 premios ganados y 16 nominaciones en total
Jirayu La-ongmanee
- Young Tong
- (as Jirayu Laongmanee)
Jarunee Boonsake
- Physical Education Teacher
- (as Charunee Boonsek)
Nattapong Arunnate
- Earth
- (as Natthaphong Aroonnet)
Opiniones destacadas
Much have been raved about Matthew Chukiat Sakveerakul's The Love of Siam, and thankfully I had managed to catch this on screen after it's been playing for some time over here on only one screen. Sakveerakul is perhaps more famous here for his thriller 13 Beloved (renamed 13: Game of Death here), but through this film had demonstrated he's equally adept at telling a romance and family drama.
The prologue for the film is somewhat extended, setting the stage for the lead characters. We have Mew (Witwisit Hiranyawongjul) who spends his childhood with his grandmother (Pimpan Buranapim), whose neighbours are a tight knit Catholic family headed by dad Korn (Songsit Roongniphakunsri), domineering mother Sunee (Sinraj Plengpanit), and children Tong (Mario Maurer) and Tang (Laila Boonyasak). A hiking trip resulted in the disappearance of Tang, and the grieving family moves away, temporarily grinding the friendship of the two boys Mew and Tong, to a halt.
Fast forward to today, Mew is now the brains and lead singer behind his huge boy band August, and is being courted by neighbour Ying (Kanya Rattapetch). Tong too faces girlfriend woes, where the school flower and spoilt brat Donut (Aticha Pongsilpipat, in a rather needless role here compared to Rattapetch's) faces a nonchalant Tong and draws an ultimatum of sorts. Sparks fly when the two boys reunite by chance on the streets, sparking into motion a series of events that would inevitably lead to a homosexual romance.
While it's easy to fall into a gimmicky promotional angle using the love between Tong and Mew, this film offered a lot more, especially that between Tong's family members. The missing Tang had caused Korn to become an insufferable alcoholic, while the mother stoically holds the family together, and the last thing she expects is for Tong to develop a liking for Mew. This segment of the story kicked into melodramatic overdrive when mom Sunee, with the help of the boys, convinces their friend June (also played by Laila Boonyasak), a dead ringer for her child, to pose as Tang and to snap Korn out of his depression.
Sakveerakul managed to weave into the narrative the different kinds of love all into one film - the unrequited, first crushes, first love, unconditional ones as given by parents to child, even stand-by-mes encouragement, support as seen by the members of August, and of course, bromance. With the family angle, there's the theme of coming to terms, and learning to let go, which I felt was the richer of the two main threads running through the narrative.
It's a beautiful film, not only because having a bevy of pretty looking cast members helped, but also because it had a wonderful looking set of production sets and values, and while I have to rely on the subtitles to understand the song lyrics, the melodies here are simply marvelous. Korea and Japan had to watch out, because Sakveerakul has shown that Thailand is fast catching up in making heartfelt, coming of age romances that would tug at your heartstrings.
What's more interesting here is that the film is rated M18, without a cut detected, and even more so, the kissing scenes between Mew and Tong were left intact. Many years ago, there would be a straight out censorship snip at the scene to the cutting room floor, and in more recent times, a scene like this would be shortened and slapped with an R21 rating. An M18 rating for this seemed to point to a relaxation of the rules, though A Frozen Flower had demonstrated that sex between men are still snipped and slapped with an R21 rating.
The prologue for the film is somewhat extended, setting the stage for the lead characters. We have Mew (Witwisit Hiranyawongjul) who spends his childhood with his grandmother (Pimpan Buranapim), whose neighbours are a tight knit Catholic family headed by dad Korn (Songsit Roongniphakunsri), domineering mother Sunee (Sinraj Plengpanit), and children Tong (Mario Maurer) and Tang (Laila Boonyasak). A hiking trip resulted in the disappearance of Tang, and the grieving family moves away, temporarily grinding the friendship of the two boys Mew and Tong, to a halt.
Fast forward to today, Mew is now the brains and lead singer behind his huge boy band August, and is being courted by neighbour Ying (Kanya Rattapetch). Tong too faces girlfriend woes, where the school flower and spoilt brat Donut (Aticha Pongsilpipat, in a rather needless role here compared to Rattapetch's) faces a nonchalant Tong and draws an ultimatum of sorts. Sparks fly when the two boys reunite by chance on the streets, sparking into motion a series of events that would inevitably lead to a homosexual romance.
While it's easy to fall into a gimmicky promotional angle using the love between Tong and Mew, this film offered a lot more, especially that between Tong's family members. The missing Tang had caused Korn to become an insufferable alcoholic, while the mother stoically holds the family together, and the last thing she expects is for Tong to develop a liking for Mew. This segment of the story kicked into melodramatic overdrive when mom Sunee, with the help of the boys, convinces their friend June (also played by Laila Boonyasak), a dead ringer for her child, to pose as Tang and to snap Korn out of his depression.
Sakveerakul managed to weave into the narrative the different kinds of love all into one film - the unrequited, first crushes, first love, unconditional ones as given by parents to child, even stand-by-mes encouragement, support as seen by the members of August, and of course, bromance. With the family angle, there's the theme of coming to terms, and learning to let go, which I felt was the richer of the two main threads running through the narrative.
It's a beautiful film, not only because having a bevy of pretty looking cast members helped, but also because it had a wonderful looking set of production sets and values, and while I have to rely on the subtitles to understand the song lyrics, the melodies here are simply marvelous. Korea and Japan had to watch out, because Sakveerakul has shown that Thailand is fast catching up in making heartfelt, coming of age romances that would tug at your heartstrings.
What's more interesting here is that the film is rated M18, without a cut detected, and even more so, the kissing scenes between Mew and Tong were left intact. Many years ago, there would be a straight out censorship snip at the scene to the cutting room floor, and in more recent times, a scene like this would be shortened and slapped with an R21 rating. An M18 rating for this seemed to point to a relaxation of the rules, though A Frozen Flower had demonstrated that sex between men are still snipped and slapped with an R21 rating.
I saw this movie on the first day they showed in Bangkok.I didn't pay attention that it will turn to be the good movie like this. As they promoted to be like any normal teenage love story but it's not all true. 2.30 hours spending for this movie , I never get bored.Also surprised that they are brave to present the different kind of love story in Thai movie market nowadays.I never seen the reaction of the audience in the cinema like this for a long long time.Many comments in the web board, love or hate it.But the "hate comments" came from the personal attitude against the sexuality of the character in the movie.I have nothing to against it , so I LOVED this movie like many people who watched it and have the open mind.There will be another extended 4-hour version soon and I will keep my eyes on it. Another best "coming of age" Thai movie in a decade. Brilliant!!!
Needless to say that so many people have been touched by the movie. But why? I can't even remember which was the last movie that touched me for years...
I would say it's due to "purity". Nothing but love in the movie, all kinds of love, family, friends, lovers... everyone in the movie loves everyone else in the movie in their own ways, almost, but very tragical at the same time...
There is not much contrast used in the movie, unlike other love movies, e.g. love vs. war, or love vs. religion etc... even the boy-boy love looks so natural...
They are just common people, common family, common school, common boys and girls, you cannot say anything from their material lives that you don't have, but i bet you may not have their love.
And some thinks the movie is too long... but i would say, this is why the movie is so depictive... i recall a flavour of famous Shanghai female writer... the very old song played by the granny is from Shanghai singer, Wu Yingyin, who's still alive and singing. :)
I would say it's due to "purity". Nothing but love in the movie, all kinds of love, family, friends, lovers... everyone in the movie loves everyone else in the movie in their own ways, almost, but very tragical at the same time...
There is not much contrast used in the movie, unlike other love movies, e.g. love vs. war, or love vs. religion etc... even the boy-boy love looks so natural...
They are just common people, common family, common school, common boys and girls, you cannot say anything from their material lives that you don't have, but i bet you may not have their love.
And some thinks the movie is too long... but i would say, this is why the movie is so depictive... i recall a flavour of famous Shanghai female writer... the very old song played by the granny is from Shanghai singer, Wu Yingyin, who's still alive and singing. :)
10hj9255
I am not a Thai...so I watched this movie with English subtitles...
I love this movie and from last weekend, I watched this movie at least twice.
After I watched this movie, I wanted to share my feelings, and I was confused because some people say this movie is a gay movie...
I strongly disagree with that.
I am living away from my parents. I am going back to my country in about a month.
In this movie, there are many love cases. Family love, Friends love... and so on...
Even though it was sad when Mew cried after Tong said to him that he can't be his boyfriend. But for me, my tears flowed when Tong's mom was in desperate situations. Her husband was alcoholic and she found out that Tong may be homosexual. She was so realistic. I could see her love for Tong, her son.
After I watched this movie, I missed my family and friends. I felt like whether I can take this being-alone thing... What if all these things turn out to be nothing...the things that Mew said about love were really touching to me... Especially I miss my family and friends.
This is not a gay movie. I did not feel like this is a gay movie except for the part when Tong and Mew kissed. But I understood that the director wanted to emphasize that point which means that Tong and Mew finally expressed how each one feels about the others.
This movie is about LOVE in our life. I agree that this movie does contain a gay-theme, but that is just a part of it.
I love this movie and from last weekend, I watched this movie at least twice.
After I watched this movie, I wanted to share my feelings, and I was confused because some people say this movie is a gay movie...
I strongly disagree with that.
I am living away from my parents. I am going back to my country in about a month.
In this movie, there are many love cases. Family love, Friends love... and so on...
Even though it was sad when Mew cried after Tong said to him that he can't be his boyfriend. But for me, my tears flowed when Tong's mom was in desperate situations. Her husband was alcoholic and she found out that Tong may be homosexual. She was so realistic. I could see her love for Tong, her son.
After I watched this movie, I missed my family and friends. I felt like whether I can take this being-alone thing... What if all these things turn out to be nothing...the things that Mew said about love were really touching to me... Especially I miss my family and friends.
This is not a gay movie. I did not feel like this is a gay movie except for the part when Tong and Mew kissed. But I understood that the director wanted to emphasize that point which means that Tong and Mew finally expressed how each one feels about the others.
This movie is about LOVE in our life. I agree that this movie does contain a gay-theme, but that is just a part of it.
Just some general commentary as a U.S. viewer watching this movie: It's beautifully directed. I can't comment much on the writing, but as a gay viewer in particular, I really appreciate that the script interweaves two stories: coming out and the coherence of family in a time of grief. The reason I appreciate this is that, even in the U.S., when movies deal with homosexuality, it is generally treated as a singular issue that is separate and distinct from all others. In reality it is one part of the fabric of family and love that comprises everyone's life. Without this key insight, I think the movie would deal with the issue in too patronizing or shallow a manner, as many gay-themed movies do.
Prior to watching I was acutely aware of the commentary that the movie is overlong and not focused enough. There is some truth to this; it is a very long movie for its subject matter. But I think the movie's main strength is in its characters and central subject matter. With too much editing, I could easily see how the core of the movie would be lost. For me personally I was glad the director erred in favor of too much immersion in the interplay between his characters.
As to acting -- clearly I don't speak or understand Thai. But I think some things are universal, like the mother's strength and resolve in times of crisis. And of course Mew's smile. The connection is there.
I loved the movie and I hope it finds its way to broader distribution. If nothing else, the soundtrack should -- it's truly great.
Cheers!
Prior to watching I was acutely aware of the commentary that the movie is overlong and not focused enough. There is some truth to this; it is a very long movie for its subject matter. But I think the movie's main strength is in its characters and central subject matter. With too much editing, I could easily see how the core of the movie would be lost. For me personally I was glad the director erred in favor of too much immersion in the interplay between his characters.
As to acting -- clearly I don't speak or understand Thai. But I think some things are universal, like the mother's strength and resolve in times of crisis. And of course Mew's smile. The connection is there.
I loved the movie and I hope it finds its way to broader distribution. If nothing else, the soundtrack should -- it's truly great.
Cheers!
¿Sabías que…?
- TriviaThailand's 2009 Academy Awards official submission to Foreign-Language Film category.
- Versiones alternativasThe Director's Cut of the movie has a running time of 178 minutes.
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- How long is Love of Siam?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Love of Siam
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 1,405,711
- Tiempo de ejecución
- 2h 58min(178 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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