Okay. This is a tough one. I have a range of emotions after watching this movie, it has proposed a lot to think about, and some critical dilemmas too. Johannes Grenzfurthner has put together a risky, experimental, hard-on-senses eldtrich tale of obsession, desperation and the unexplainable. And all for only 20'000 moneys. It's a hard to love film, but it will find its way to its audience. Spiritually and thematically it has parallels with movies like "Primer" and Darren Aronofsky's "Pi", and also has lovecraftian angles.
The entire film consists of pretty much only close-ups, ranging from a few medium shots to a myriad of extreme macro photography. "Masking Threshold" is pure DIY madness, laid over a dangerously patient, but inventive and equal amounts repulsive and fascinating script. It must've taken a seriously long time to make the script a reality, for the monologue practically never ends, and the shot count seems to be unbelievably high. Additionally, the editing and sound design is very well done and fits the storytelling. There's a video-diaryl/youtube/desktop-film/documentary/POV feel and aesthetic, yes, all of those combined in one. 99% of the character spotlight is only on one, Ethan Haslam playing a character whose name we never learn, but he's aptly named "protagonist" on Imdb. The entire movie is narrated by his diary-like thought process, and the task at hand. He has made a make-shift lab in his apartment, and sets out to find a cure or at least a reason for his insufferable hearing impairment. Our protagonist works in IT, is a huge skeptic, desperate, suffering, and going down a deep and otherworldly rabbit hole... The movie, in a way, remains the same until the culmination, but at the same time shifts and turns constantly. In its first half or less, "Masking Threshold" requires an extra patience in answer to its tepid pacing, and quite quickly I learned this film requires pretty much constant focus and thought. But it all leads into more and more distressing vibes and a hands-down weird, grimy and darkly philosophical final act, which I'll admit kept me glued to the screen. At times "Masking Threshold" feels quite distressing, provocative, even repulsive, both visually and thematically. It's hard to pinpoint just one top message or theme, Grenzfurthner's concoction is a story of delusional obsession, a tale of today's society's madness, a modern Lovecraft story, a frightening presentation of nature itself. Despite all its flaws, this independent micro-budget feat is almost never less than fascinating. Granted, if you're prepared to give a chance to a reasonably unorthodox film that stretches and changes many standards of every day films. It's as indie as it gets. I honestly hadn't really seen a film like this before. For those whose interest might be piqued by the lovecraftian angle, I'll admit that one hour into I couldn't really see why it was gaining this reputation, but later and in the afterthought, I have to say, it is boldly and proudly very much along the lines of H. P. Lovecraft's literature and mythos.
In its extremely small, but eventually so vast feeling world, "Masking Threshold" makes itself as big as it could possible be, and might be one of the most original horror film I've seen, and one that gave the biggest mixed bag of feelings. It's not an easy watch, and I believe there are many turn-downs for many people, but overall it's a beast that I can't help but admire in the most odd of ways. I like movies that make me ponder a lot. Very hard to rate it. My rating: 7/10.
