En Fermont, una pequeña comunidad minera al noreste de Quebec, encuentran el cuerpo de una bailarina. La detective Céline investiga el caso.En Fermont, una pequeña comunidad minera al noreste de Quebec, encuentran el cuerpo de una bailarina. La detective Céline investiga el caso.En Fermont, una pequeña comunidad minera al noreste de Quebec, encuentran el cuerpo de una bailarina. La detective Céline investiga el caso.
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I found season one was quite good 7/10 but s2 was a flop and i could not watch s3. The characters were weak and poorly acted. The whole thing was too much of the same.
"The Wall" is a crime drama series that revolves around a police officer and her team as they investigate various cases in Montreal. The series was created by Martin Michaud and stars Maripier Morin, Julianne Côté, and Sophie Desmarais.
I don't speak french so i had to pause play a lot to catch up with the subtitles at times. The french speak nearly as fast as the spanish.
S1 was entertaining, s2 was okay, s3, I had had enough of it and their fake stories that sound too unbelievable and poorly acted by some of the cast.
"The Wall" is a crime drama series that revolves around a police officer and her team as they investigate various cases in Montreal. The series was created by Martin Michaud and stars Maripier Morin, Julianne Côté, and Sophie Desmarais.
I don't speak french so i had to pause play a lot to catch up with the subtitles at times. The french speak nearly as fast as the spanish.
S1 was entertaining, s2 was okay, s3, I had had enough of it and their fake stories that sound too unbelievable and poorly acted by some of the cast.
The first episode starts off by providing little or no context as to exactly what's happening. To make matters worse, there are many characters who are introduced in rapid succession in the first few scenes, and no context is provided as to who any of them are, or what their roles might be. As the first episode moves along in a disjointed and disconnected manner, viewers are taken from one location to the other, with little in the way of continuity of dialog to even start to pick up the threads of the story. By the middle of the first episode, the confusion and chaos is proving so tiresome that there is loss of viewer engagement, and the correct course of action is to cease watching the bit of rubbish.
Episodes of forty minutes, cliffhangers, twists and turns. What more could one want to while away lockdown evenings?
Fermont is a grim place to live, behind a wall and with many of its facilities seemingly underground and needing to be ventilated by huge fans. This is what we see virtually at the beginning of the initial episode; something has gone wrong and the ventilation is wafting a terrible odour into the shops and corridors.
Upon the discovery of the cause of this, an experienced CID detective is drafted into take charge of the investigation from the local cops. Her sense of personal relationships is a disaster zone but she manages well enough with the young cop who's assigned to her as principal helper.
Various characters have murky motivations and pasts; some have perverted desires that become clear as the series progresses. The investigation is set against commercial and political malarky involving the local mine owner and his wife the local mayoress as well as the separate ambitions of their son involving some very shady activities.
It stands to reason that there are several false trails and red herrings but if one can't work out "whodunnit" by the end of episode four, then it's all going in one ear and out of the other.
It's easy watching and a reasonably well-directed production. Some of the personal relationships from before the start of the events in the series are to be swallowed only with a fistful of salt but in general one can let their unrealness pass.
I enjoyed the dichotomy between the claustrophobic, confining atmosphere of the small mall housing the cop shop, boutiques, bars and services against the vastness of the countryside and its hinterland, some of which can only be reached by "Ski-Doo", an iconic Canadian type of snowmobile.
I didn't binge watch one after the other, but saw it all within a couple of days and enjoyed it. It's eminently forgettable and the opposite of profound but there's nothing wrong with that. It's a series that did its job.
Fermont is a grim place to live, behind a wall and with many of its facilities seemingly underground and needing to be ventilated by huge fans. This is what we see virtually at the beginning of the initial episode; something has gone wrong and the ventilation is wafting a terrible odour into the shops and corridors.
Upon the discovery of the cause of this, an experienced CID detective is drafted into take charge of the investigation from the local cops. Her sense of personal relationships is a disaster zone but she manages well enough with the young cop who's assigned to her as principal helper.
Various characters have murky motivations and pasts; some have perverted desires that become clear as the series progresses. The investigation is set against commercial and political malarky involving the local mine owner and his wife the local mayoress as well as the separate ambitions of their son involving some very shady activities.
It stands to reason that there are several false trails and red herrings but if one can't work out "whodunnit" by the end of episode four, then it's all going in one ear and out of the other.
It's easy watching and a reasonably well-directed production. Some of the personal relationships from before the start of the events in the series are to be swallowed only with a fistful of salt but in general one can let their unrealness pass.
I enjoyed the dichotomy between the claustrophobic, confining atmosphere of the small mall housing the cop shop, boutiques, bars and services against the vastness of the countryside and its hinterland, some of which can only be reached by "Ski-Doo", an iconic Canadian type of snowmobile.
I didn't binge watch one after the other, but saw it all within a couple of days and enjoyed it. It's eminently forgettable and the opposite of profound but there's nothing wrong with that. It's a series that did its job.
Yet another menopausal female detective but this time from French Canada rather than Skandi Noir . Possibly would benefit from blitz watching but frankly too slow paced ( nothing much happens in each episode ) and I'm pretty sure I have most of it worked out after the first 3 or 4 episodes but frankly not that interested in who did what to whom or why . Some reviewers mentioning extreme violence must have watched more than me and I may be tempted to watch the final 2 episodes when Channel 4 UK airs them just to see if I am correct in my theories as to the perpetrator or perpetrators but won't waste anymore time watching what goes on in the mean time .
Season 1
The started off fine, but you need a big woolly jumper just to watch. It looked so cold and bleak.
It is set in Labrador, Northern Quebec in French with English subtitles.
This first season is set in the mining town of Fermont, north-eastern Quebec, Canada.
Fermont's major structural feature is popularly known as the Wall, which comprises self-contained residential, commercial, recreational and educational buildings.
In La Faille the main protagonist, detective sergeant Céline (Isabel Richer), is sent from provincial capital Quebec City to investigate the murder of a stripper-prostitute, inside the Wall. Assisting Céline is local uniformed policeman Alex (Alexandre Landry).
Céline encounters her estranged daughter Sophie (Maripier Morin) who is married to the mine-owner's son Lou (Jean-Philippe Perras).
I was expecting this to finish around episode 4, or 6 at the latest, but it was drawn out way too long to 8 episodes.
By the end it all got so contrived and bizarre that it was very difficult to work out what it was all about.
Especially, frustrating was not knowing what happened to Lou and whether he was culpable in one or more misdemeanours.
It is set in Labrador, Northern Quebec in French with English subtitles.
This first season is set in the mining town of Fermont, north-eastern Quebec, Canada.
Fermont's major structural feature is popularly known as the Wall, which comprises self-contained residential, commercial, recreational and educational buildings.
In La Faille the main protagonist, detective sergeant Céline (Isabel Richer), is sent from provincial capital Quebec City to investigate the murder of a stripper-prostitute, inside the Wall. Assisting Céline is local uniformed policeman Alex (Alexandre Landry).
Céline encounters her estranged daughter Sophie (Maripier Morin) who is married to the mine-owner's son Lou (Jean-Philippe Perras).
I was expecting this to finish around episode 4, or 6 at the latest, but it was drawn out way too long to 8 episodes.
By the end it all got so contrived and bizarre that it was very difficult to work out what it was all about.
Especially, frustrating was not knowing what happened to Lou and whether he was culpable in one or more misdemeanours.
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