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A Complete Unknown is a prelude into Bob Dylan's (Timothée Chalamet) career and it begins when Dylan arrives in New York City to visit his folk music hero Woody Guthrie (Scoot McNairy), an American singer-songwriter and composer, who is hospitalized at Greystone Park Psychiatric Hospital due to a neurodegenerative disease that left him mobility impaired. Woody is notably known for the song This Land Is Your Land, which we see Pete Seeger (Edward Norton) playing this song during his court trial - for contempt of Congress, which was overturned on a technicality. The song has some deep fascinating history, and Norton did it some justice with his remarkable singing. Later in the movie, Norton sings The Lion Sleeps Tonight while playing the banjo, which was pure enjoyment.

The film also depicts how Pete Seeger is captivated by Bob Dylan's talent and his easygoing personality that he decides to promote his music career. Like your typical musician, Dylan finds himself caught in a love triangle with Sylvie Russo (Elle Fanning) - the one that encourages his song writing and supports him financially, and Joan Baez (Monica Barbaro) - the one that introduces Dylan to her audience and boosts his music career. Monica Barbaro's singing was beyond impressive and heavenly. She hit those high notes so delicately and precise.

Huge praise to Director and Writer James Mangold in successfully illustrating Bob Dylan's journey in becoming one of the greatest songwriters of all time. James Mangold, known for Walk the Line, included Johnny Cash (Boyd Holbrook) as Dylan's motivation for not becoming a novelty act and encouraged him to make a statement and bring out his rebel side regarding change - Civil Rights Movements, which can be heard throughout the lyrics in the songs, The Times They Are a-Changin' and Like a Rolling Stone - where he performed it at the Newport Folk Festival with an electric musical instruments, and history was made.

Timothée Chalamet certainly had some big shoes to fill taking on the challenge of portraying the young enigmatic Bob Dylan. Chalamet truly stuns the audience radiating that Bob Dylan 60s folk rock vibe with the symbolic harmonica and those fashion iconic sunglasses. A Complete Unknown will leave you wanting an encore.

Just came back from the theatre this evening and and felt a bit deflated.

Timmy just didn't live up to the expectation.

His detached, semi broody sort of 'sexy timing' thing is alright I guess, for portaying an a#hole, but not at all the qualities I'd want to depict a complex and rounded human being and artist as I imagine Dylan is.

Thank god for every time Edward Norton appeared on screen. Almost like someone shook me up to pay attention to the movie. Mr Norton was able to make it interesting somehow, but I saw a lot of other talented actors just falling through the cracks of this thin story.

Because it just missed a substantial story. That's the real flaw.

I know the songs. Yes they are great. But I hoped for a little more to get my teeth in.

Left the theatre feeling like I saw 'the best off', without really getting any wiser.

And that T. C. needs to get a little more life experience.

"So Long, It's Been Good to Know Yuh." Woody Guthrie (Scott McNairy)

Those of us alive in early '60's could not have known the nasal, raspy-voiced 19-year-old, Bob Dylan (Timothee Chalamet), would one day change folk music forever. Director James Mangold in the biopic A Complete Unknown, perfectly captures the times changing and Dylan as he takes us from Pete Seeger's traditional folk to Dylan's own brand of folk rock.

The surprise in this solid one-of-the-best of the year, is how much music Mangold and co-writer Jay Cocks give the audience. Besides, several of the tunes are played in full by the lead actors, not something I could say even in the wake of Bohemian Rhapsody. Another surprise, Chalamet can sing very well.

Inevitably, a folk star must contend with the attentions of women, either friends or colleagues. The latter are represented in the distractingly attractive Joan Baez (Monia Barbaro), both talented and beautiful. Her biopic, I Am a Noise, explained her ambivalence toward Dylan, who was her opposite with his growing selfish mien.

Lover Sylvie Russo (Elle Fanning), not as talented or beautiful as Baez, represents the collateral damage from his fame. Despite his growing disaffection, she still influenced him to write such classics as A Hard Rain's Gonna Fall and The Times They are A Changin.

Both women are treated as important parts of Dylan's life, not just weepy or ineffectually forlorn. Baez was never neutralized by his allure, whereas Sylvie shriveled. The film captures this rough spot in his life while it also champions his talent. Let's face it-he was distant, downright enigmatic, and the film doesn't try to explain why. But then, other attempts at understanding him such as Scorsese's No Direction Home and Haynes' I'm Not There failed as well. Dylan's just too interior to be flushed out.

What these and other parts of his life also show is Dylan's insensitivity while he could sing of more loving attitudes to mankind in general. It is commonly known that artists can be abrasive and dismissive but also creative beyond measure. Dylan, however, clashes with the warm and caring Pete Seeger (Edward Norton, waiting I predict for an Oscar nomination) over Dylan's electrifying folk music, one of the intriguing conflicts the film does not sugarcoat.

Besides the splendid period accuracy, A Complete Unknown offers multiple musical sequences to delight even the newest audiences. After seeing this bountiful biopic, audiences witness Dylan becoming better known and his music eternal for even the most conservative audience.

One of the best films of the year and a biopic for the ages.

I do like a music based film, and I'm old enough to know and like Bob. I think Timothy is good, but previously so young looking I struggled with some of his roles. Here he grows up. Bob Dylan is a great part for him, and he plays him well, maturing physically and as an actor.

The film seemed a little "clean" and in the midst of the mid 60's onward, drugs seem to be limited to cigarettes! Even Bob himself has talked about drugs issues related to opioids and psychedelics, so it did seem an important admission, maybe related to Bob still being with us.

However still an entertaining biopic with great music which was the focus (as it should bet) for the Nobel prize winning icon.

Driving home from the cinema happily singing along to Bob which clearly had the desired effect. 7/10.

There was one weakness in this film that made inferior to Inside Llewyn Davis; it lacked authenticity. How odd that a completely fictional character like Llewyn Davis had the feel of the real Bob Dylan, and the Bob Dylan film did not.

I lived through this era personally. I loved this music as it started, and evolved from 1961 to the present day. I remember strolling through the Village feeling more alive than at any other time of my life. I went to the early shows of Bob Dylan, and thought he was a genius.

This film, however, does not match Inside Llewyn Davis for catching that sense of genius. It is very slick, and well done, but just not as authentic.

The writer-director, James Mangold, does a magnificent job of capturing the atmosphere of the 1960s with great authenticity. His inclusion of the Cuban Missile Crisis and the Kennedy Assassination mirror the anxiety of the times.

The lead actor, TImothee Chalamet, does an outstanding job as Dylan. He is amply supported by a powerhouse cast led by Edward Norton.

The story about Dylan's arrival in the Village in the early 60s was done well.

The cinematography and set designs are letter-perfect; but something was missing. Believability.