Peter Klaven, sin amigos, organiza citas para encontrar a un padrino para su boda. Pero su vínculo instantáneo con su nuevo mejor amigo pone tensión en la relación con su prometida, ¿pueden ... Leer todoPeter Klaven, sin amigos, organiza citas para encontrar a un padrino para su boda. Pero su vínculo instantáneo con su nuevo mejor amigo pone tensión en la relación con su prometida, ¿pueden aprender a vivir felices para siempre?Peter Klaven, sin amigos, organiza citas para encontrar a un padrino para su boda. Pero su vínculo instantáneo con su nuevo mejor amigo pone tensión en la relación con su prometida, ¿pueden aprender a vivir felices para siempre?
- Premios
- 1 premio ganado y 8 nominaciones en total
Opiniones destacadas
It's an enjoyable movie, and it's funny, but best of all, it is so incredibly easy to relate to. There's almost a stigma attached to finding friends, and it can be really difficult to find male friends. I don't actually have many friends that are guys, I have one, so I hoped for some tips.
Lots of laughs out loud moments, it's a good script, Peter's man dates were really funny. Seeing their bromance blossoming was actually really food,
Paul Rudd does a fine job here, his delivery is excellent, and he is very funny. Jason Segel is the perfect contrast, the pair combine so well.
Very well meaning, enjoyable.
7/10.
A straight man far more comfortable in the company of women than of men, Kevin emerges as the ultimate metrosexual figure: fastidious in demeanor, sensitive to the needs of others, and courteous to a fault (he even admits to liking "The Devil Wears Prada" in a moment of unguarded weakness). He doesn't really know how to roughhouse it with the boys, and any efforts he makes in that direction inevitably lead to failure. Until our man Sydney steps into the breach to give him a few badly needed pointers, that is.
Smoothly directed by John Hamburg, "I Love You, Man" is a relaxed, breezy and sharply written male-bonding comedy that - miracle of miracles - doesn't play down to its audience (it may be crude at times, but it's rarely childish). The Hamburg/Larry Levin screenplay does a clever job poking fun at the double entendres inherent in any modern-day bromance, though one wishes certain characters - Kevin's family members, in particular - had been allotted a little more in the way of screen time. That being said, the performances are all first-rate, with Rudd and Segel playing to their respective strengths - Rudd's of the tongue-tied, self-effacing Mr. Nice Guy who needs lessons in "manning up," and Segel's of the refreshingly blunt but socially indelicate Man/Child who clearly needs to do some growing up.
There's additional excellent work from J.K. Simmons, Jamie Pressly, Sarah Burns and Rob Huebel, among others.
It's also a bit of a casting coup to get both Jane Curtin from the first generation of SNL players and Andy Samberg from the current one together in the same film. Finally, some unlikely cameo appearances by Lou Ferrigno and the band Rush, all appearing as themselves, add to the spirit of fun that permeates the film.
I really enjoyed this film but can pretty much guarantee many won't...such as my wife. This is because the film is filled with many awkward moments....scenes that make your skin crawl a bit. I actually LIKE that sort of humor...but it's certainly not for everyone.
It's this "bromance" that makes I Love You, Man a little interesting as a double-edged romantic comedy. It's already about Rudd and his to-be played by Rashida Jones, their little moments of fun and their arguments too (there's a cute running gag involving Rudd's imitations of the band Rush sounding like an Irishman), but then it's also got plenty of innuendo to this being really about the guys, how Siegel gets attached to Rudd in that way that surely isn't gay but is more than just casual acquaintance stuff (see his "investment" plan unfold). But truth be told it's not even this that makes I Love You, Man so funny.
Rudd and Siegel are simply funny guys, but naturally so; there's a new trend to put a somewhat straight face on gross out gags in these movies, Apatow or its spin-off groups (one can equate it to the good rip-offs of Tarantino in the 90s to a certain extent), and it works very well here. It's like a sweet blending of Curb Your Enthusiasm awkwardness (if, of course, nowhere near the genius of that, especially with story) and some of the low-brow Adam Sandler stuff and joyfully useless banter and non-jock male bonding. It's not any better or lessor than recent stuff from Siegel and Rudd; you could watch this with either Forgetting Sarah Marshall or Role Models and be satisfied about the same. Again, plot is not at all the strong suit, but if you just want some cleverly obvious comedy dialog it's a good detour.
At the least, we get one of the funniest lines of the year, or just in years, near the very end: "I love you... Broseph Goebbels!"
¿Sabías que…?
- ErroresWhen Peter confronts Sydney about the billboards, the audio has Peter saying "Eight thousand dollars?" but Peter clearly mouths "five" instead of "eight"
- Citas
Sydney Fife: You get home safe, Pistol.
Peter Klaven: You got it, Joben.
Sydney Fife: I'm sorry, what?
Peter Klaven: Er... nothing.
Sydney Fife: No, what did you say?
Peter Klaven: Nah, I don't know... You nicknamed me Pistol, and I just called you... "Joben"... It means nothing... I don't... I'm drunk... I'm gonna call a cab.
- Créditos curiososScenes from the wedding reception play during the credits.
- Bandas sonorasShut Up and Drive
Written by Gillian Gilbert, Peter Hook, Stephen Morris, Evan Rogers, Carl Sturken and Bernard Sumner
Performed by Rihanna
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- I Love You, Man
- Locaciones de filmación
- 1 Electra Court, Los Ángeles, California, Estados Unidos(Lou Ferrigno's house)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 71,440,011
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,810,270
- 22 mar 2009
- Total a nivel mundial
- USD 91,980,359
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1